DID SOMEONE TRY TO START A RIOT?

The public is available to comment on it. here is the contact information given by the Department of Natural Resources:

All comments must be received in writing at the mailing address or email below no later than 4:30 PM Alaska Daylight Time on June 15, 2026.

To submit written comments or to seek additional information about any of the above proposed actions, please contact:

Division of Oil and Gas Permitting Section 550 West 7th Avenue, Suite 1100 Anchorage, AK 99501

Phone: (907) 269-8800

Email: [email protected]

point out that this datacenter currently has not proven that it can acquire the natural gas necessary to power itselg.

point out that the long-term economic benefits of this datacenter will amount to creating a mere double-digit number of jobs that will likely go to seasonal workers from outside.

if someone points out that this is being permitted by the division of oil and gas, which has no reason to have jurisdiction over a datacenter except for the half-baked excuse of building a gas pipeline for power, that would also be effective.

Compilation of the emoji character designs 🖌️

Unless you're drawing explicit realism, in my opinion, expressions should be exaggerated to some degree. If you aren't doing a 1:1 recreation, the point is to get the FEELING across. Try making the expression you want to draw and feeling how your face pinches and stretches.

Skin doesn't just "disappear" when your face moves it around --- that's where wrinkles come from! Pay attention to where your skin creases when you emote, and use it to your benefit. It's a fine line between overdoing it and underdoing it -- find your own balance.

Ultimately, every expression has a little bit of push and pull, unless your face is completely neutral (and even then, there are still some wrinkles...). Learning to think of expressions as actions and reactions is VERY helpful in learning to draw them without needing a reference, and in learning how to stylize and push expressions based on references as well!

I think a lot of people end up with stiff or unexpressive emotions in their art because they're just trying to recreate a picture instead of understanding WHY and HOW the face is moving --- and it's a tough thing that takes a while to really pick up and learn. Hopefully is helpful in showing a way of thinking about it that can influence your process and approach to emotions!!!

Also, bonus: even without the lines, the planes alone still show a LOT of emotion.

PHANTOM OF THE OPERA #22 Crashing Chandelier