Hello! I'm Carol, a Brazilian who loves writing, reading, ancient history, world mythologies and folklore. This blog is mostly for reblogging other people's writing, but sometimes I also share snippets of my wips or other things I find interesting.
My main wips right now are a quiet science-fantasy novel about a seamstress spider going on a journey to save her village, focusing on fictional folklore but also inspired by the real-world Andes; and a really convoluted grimdark contemporary fantasy thing set in my country. I also love short stories, so I might talk more often about the many short wips I'm working on!
(One of them even got published a couple years ago! You can read it here or in the Sun Rising anthology by Flame Tree Publishing.)
I run on battery-saving mode most times, so sorry if you don't see me replying much to asks and tag games. But I love being tagged on your writing or any other posts you think I'll like! :D
Just please don't add me to taglists without asking.
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Did I need to add any more books to my TBR shelf? No, absolutely not. But could I resist buying Disfigured: On Fairy Tales, Disability and Making Space by Amanda Leduc? Also, no.
Time to put this on the pile on my bedside table under Queer as Folklore 🫣
“I want to feel all there is to feel, he thought. Let me feel tired, now, let me feel tired. I mustn’t forget, I’m alive, I know I’m alive, I mustn’t forget it tonight or tomorrow or the day after that.”—Dandelion Wine by Ray Bradbury
Not too much writing this month because 1) I was on vacation with my family at the start of June and 2) act 2 is still kinda daunting to write. Not because it's particularly large or 'action packed' per se, but just because I've changed quite a bit of things from the original act 2 so I'm partially flying blind here haha
Finished Fenice and Charles' letters to each other to briefly bridge the acts together
Fenice in these opening chapters is going to really show the readers wtf is wrong with her lol
Also starting to introduce kyr-Luxana (official first name still pending), the Tempus Praetori.
EXCERPT
But despite seeing it, this ugly and gaping wound her father’s campaign wrought upon this land, Fenice felt no profound sense of shock, or despair, or horror, or…
Maybe if she was not this child of portent and ruin. Not born from war hungry hands and raised with stories of myth and legacy and legend. Maybe if she was anybody else but Fenice vi Aetier, she might’ve felt a shred of sympathy for these poor people.
Instead, she looked at the kingdom her father carved out of the map, and the people Luxana’s policies were slow to reach in his attempts to turn himself from soldier to courtier, and thought: I could do much better than this.
Why should she be confined to the pearly shores of Lurs-e-Luran, untouched by the war, when she could be here. Here near the heart of its ruin. Where before her laid a tabula rasa from which she could carve her first marks into history.
The blood of conquerors and kingmakers flowed through her veins. Surely, her father could not blame her for following in the footsteps of those that made her?
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It feels like forever since I've done one of these, hooray!! :) Thanks for the tag, @memento-morri-writes. (and no, this is not the tag from yesterday, this one is much older and i'm sorry) I'm looking for knock, snow, control, and old, in my necromancer WIP <3
Knock:
Roslyn stretches across the table to reach the butter, and Nikolaos hands it to her without waiting for her to ask, or worse, knock something over. The little one tugs on his arm and whispers in his ear, and he pours more milk into her tin cup.
Snow:
Quintus smiles. He’s like a being of the landscape in the low, harsh light of the moon on the snow – hair black as the sky, smile as bright and gleaming as their icy surroundings.
“Of course, you’re taking his side,” he says.
“He’s already dead,” Nikolaos says, and thinks, lucky bastard. “Leave him alone.”
Control:
They are talking about it again. Miriam calculates her losses and her victories, and carefully says, “How badly does it hurt?”
Quintus says nothing, but his entire face screws up as though he can’t control it anymore. He looks miserable.
Miriam can’t help it. “Oh, Quintus,” she says under her breath.
He does not tell her to mind her own business. He does not tell her to keep her pity. He does not move.
Old:
“You are a curious woman.”
Miriam scrunches into a ball, slides her feet from the blanket. The morning air is cool to the touch, and her skin prickles. “And you are a subject of great mystery,” she replies. “Let’s cease with stating the obvious.”
“The mystery grows old after a while.” Nikolaos rolls to his feet, graceful even first thing in the morning.
🍧Passing on tags to anyone who sees this and wants to join in, and also @pertinax--loculos @thegreatobsesso @zinabug-writes @mic-writes @rodentwrites @revenantlore @winterandwords and @chauceryfairytales!! Your words are suppose, spark, shield, and submit <3
me: am i being too heavy-handed with the sss sounds to emphasise how like a snake this creature is?
me:
me: *remembers Tolkien named that ^ slippery bastard "worm-tongue"*
me: yeah we can add more sss sounds
High upon the crown of its blood-red leaves bloomed the single black flower. Its petals looked as sumptuous the velvet cloak her mother had once mended for a passing noblewoman, the whole blossom shimmering with the promise of health – and twined around the base of the tree, barring her way, was the beast.
It had something of the stoat in its sleek, dark fur and lithe form, and something of the serpent in its arrow-shaped visage and endless, sinuous coils. Winter had slowed it, that much was obvious, but its unblinking yellow eyes were full of smouldering malice as its gaze slid languidly towards her.
She was woken at 7 on the dot by something heavy planting itself on her chest.
“What—” She opened her eyes reluctantly to investigate. “Oh. Hello, Enya.”
Enya chirped a greeting, and bounced her tail onto Isi’s stomach. It was unfortunately reminiscent of Enya’s mother’s much heavier, spiked, tail.
“Can I help you?” said Isi.
Enya made a grumbling noise and snapped at empty air. Then she hopped down onto the floor and gestured with her nose in the direction of the dining table.
the basics: she/her; 34; baby dragon with dark red scales and fan-like frills behind her head <3
Enya summed up: Enya is about the size of a cat and behaves a bit like one. she loves scritches and riding on people's shoulders (usually Isi and Robin), and does not love not being fed on time. she sings sometimes! she also chirps, trills and growls.
role: cutest member of the team and a key part of the inciting incident
non-spoilery fun fact: Enya, like all female dragons, has frills like a frill-necked lizard!
Just betaed for a friend and her writing is way better than mine. Fuck yeah inspiration. I will improve. You guys wait like five fuckin years and I'll write something great that makes you all cry. Just you wait.
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I have finished a decent draft of a new gothic novella, and I'm looking to get some fresh eyes on it before I lock in with detail editing.
The Tower of Briars is a gothic fairytale in the form of a 17.5k novella. I'm looking for general story feedback, though if you are knowledgeable about (very loosely) 1840s England, I would love any extra help improving those aspects.
I'm hoping to have the book out in October, so I'd like to get feedback in by mid-August, to give me time to fix and edit things.
Content warnings for standard gothic elements (death, narrative dooming, incest) apply. This is a work of Romantic Horror.
Anyway, if you're interested, leave a comment or DM me!
Oh no that post woke up all the Magical Realism Thoughts. Anyway, I think it's wild that even textbooks in English misunderstand/misrepresent magical realism. Like did you read the books?
It occurred to me today that you can use Miyazaki films as a really quick way to explain the difference between urban/modern fantasy and magical realism.
Kiki’s Delivery Service: takes place in the regular world— albeit at some nebulous point in time— but also magic is real and witches are a thing. Witches exist in this world because it’s fun and we like them. It’s fantasy elements in a familiar setting— essentially urban or modern fantasy.
Porco Rosso: takes place in an extremely specific place and time and contains exactly one fantastical element— Marco’s pig head— which is never given an explanation and is never questioned as a biological impossibility. It’s clearly a metaphor and commentary on a real world issue but it’s also very much literal. This dude 100% has a pig head. No other mentions of magic are made. This is magical realism.
This story brought to you by the fact that I’ve never seen a fanfic on ao3 tagged magical realism that wasn’t actually modern fantasy.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Free to watch • No registration required • HD streaming
You can get all my words for $10 until the end of the month, starting tomorrow, July 9th. They're all 41% off separately...with a goal of making $41... because I am turning 41 and I thought it might be funny.