emily osterloff, “the sting of love”
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we're not kids anymore.
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YOU ARE THE REASON
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PUT YOUR BEARD IN MY MOUTH
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emily osterloff, “the sting of love”

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Thierry Mugler 1980 Collection
casting a spell of finish your wip rb to pass it on
Lipstick is considered sexy because it's reminiscient of the blood of a fresh kill. You see a lady with a bright red mouth and subconsciously go "ah yes she eats blood. an ideal life partner." We have to stop supressing women's murderous desires, they're the second dawning of sexuality.
damn girl, you'll make the prettiest flowers once your body rots into the earth

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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What do you want to be done with your body after you die?
Burial
Green burial
Cremation
Alkaline hydrolysis
Human composting
Donation to science
Plastination
Eaten by animals, fungi, plants, etc.
Mummification
Other (write in the tags)
I have watched and read entirely too much Caitlin Doughty content. Sorry not sorry.
Some links if you need more info about some of the newer/less common ones:
Green burial Alkaline hydrolysis Composting Plastination
Never apologize for watching Caitlin Doughty. (No such thing as “too much” of her anyway.”
sorry every age gap is problematic now. yeah the only ethical relationship left is twincest it's the only way to avoid a power dynamic
i deserve fangs and would not use them for evil reasons :3
Yes, I’ve done the work analyzing this relationship’s problematic traits and I’ve come to the educated conclusion that I still want them to fuck
Betsey Johnson - Fall 1997 RTW

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PJ Harvey Rid of Me (1993)
THE LESSON OF WUTHERING HEIGHTS, OF GREEK TRAGEDY, AND ULTIMATELY, OF ALL RELIGIONS, IS THAT THERE IS AN INSTINCTIVE TENDENCY TOWARDS DIVINE INTOXICATION WHICH THE RATIONAL WORLD OF CALCULATION CANNOT BEAR.* IF YOURE LISTENING!! IF YOU EVEN CARE!!!!
*Georges Bataille, Literature and Evil
This.
Dilara Findikoglu Spring/Summer 2018
Udo Kier as Count Dracula in Blood for Dracula (1974)

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Sure you can monsterfuck and enjoy loving the monster for their otherness, but what about YOUR otherness? YOUR insecurities and idiosyncrasies? Wouldn't you like the monster to find you and see you in a way you couldn't? Wouldn't you like to be loved and feel how much it kills you not to be hated with how long it's been since you've felt something good?
Is this Twilight
Derin why would you put this on an otherwise lovely post about monsterfucking
I am on this website to cause problems
Have you ever read The Werewolf of Paris? I've seen it be regarded as the "Dracula" for werewolves, and was curious about your thoughts.
[CW: Non-explicit mention of sexual violence, rape, incest, serial killing, and corpse mutilating (i.e. Werewolf of Paris typical content)]
I read The Werewolf of Paris many years ago and absolutely loved it (and--funny story--was trapped in my apartment for the first year of the pandemic with an Endore-signed copy I didn't own), although I'm not 100% sure how it would stand up on a revisit. Whereas many critics attribute vast amounts of subtextual sexual dysfunction/violence to Dracula, Werewolf just presents much the same thing as... text text. I can see how it didn't gain the same cultural traction, given how much of the plot revolves around rape, sexualized murder, erotic violence, and incest that doesn't lend itself particularly well to a Universal classic (and the Hammer Horror version was--all things considered--fairly tame). It makes a lot of sense that the iconic wolfman eventually became poor everyman Larry Talbot instead of conflicted serial killer Bertrand Caillet.
If you want some of my more personal reactions to the text, I will say that for a time Aymar Galliez was pretty high ranking among my favorite conflicted/morally dicey gothic characters, and I think I will forever be in love with regard his "Hurrah for the race of werewolves!" moment. I very much adore the ambiguity of the finale and the exhumation as well. Also, if you want a fun Werewolf of Paris/Dracula fact, it's highly probable that both texts drew from the same research source. We have explicit confirmation that Stoker draw several characteristics for the Count from Sabine Baring-Gould's Book of Were-wolves, which also contains an entry on the historical M. Bertrand and his mutilation of a girl's corpse at a cemetery.