Kodak Gold (120) Camera: Pentax 6x7 Developed and scanned by The Darkroom Shot in the gorgeous Glacier National Park

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Kodak Gold (120) Camera: Pentax 6x7 Developed and scanned by The Darkroom Shot in the gorgeous Glacier National Park

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Kodak Gold (35mm) Camera: Nikon F3 Developed and scanned by The Darkroom
Eastman XX (35mm) *Pushed to 800iso Camera: Leica M6 Developed and scanned by The Darkroom
A Variety of Filmstocks A Variety of Cameras Developed and scanned by The Darkroom & Midwest Film Co This is a collection of photographs taken over about the last two years that were left on the cutting room floor and thus never uploaded
Kodak Portra 800 (35mm) *Shot at 400 iso Camera: Leica M6 Developed and scanned by The Darkroom

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Kodak Portra 160 VC *Expired December 2004 Camera: Hasselblad 500CM Developed and scanned by The Darkroom
Kodak Gold (35mm) Camera: Leica M6 Developed and scanned by The Darkroom
Kodak EKTAR 100 (35mm) Camera: Leica M6 Developed and scanned by The Darkroom
Instax Wide Color Camera: Instax Wide 400
Eastman XX (35mm) (pushed to 800) Camera: Nikon F3 Developed and scanned by The Darkroom

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Kodak Portra 400 (35mm) *metered at 200iso Camera: Nikon F3 Developed and scanned by The Darkroom
Kodak Portra 400 (35mm) *metered at 200 iso Camera: Leica M6 Developed and scanned by The Darkroom
Kodak TMAX 400 (medium format) Camera: Hasselblad 500CM Developed and scanned by The Darkroom
Eastman XX (35mm) (pushed to 1600) Camera: Nikon F3 Developed and scanned by The Darkroom
Kodak Vision3 250D (35mm) Camera: Leica M6 Developed and scanned by Midwest Film Co
Shot in the city of Rome

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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For the Portra400 shots metered at 200, do you develop at 200, or 400? Can you explain why you made the choice? Very interested in your process!
sure! I shoot all of my portra 400 at 200 iso, and develop it at 400 like normal. This effectively overexposes the film by one stop. I do this for two major reasons. It changes the colors, making them a little more pastel; and it protects the shadows, I find that at box speed portra tends to underexpose the shadows (at least how i meter). Color negative film tends to look much better overexposed than underexposed and portra is no exception!
Kodak Vision3 250D (35mm) Camera: Leica M6 Developed and scanned by Midwest Film Co
Shot in the city of Rome