Film & Space

Kodak Gold (120) Camera: Pentax 6x7 Developed and scanned by The Darkroom Shot in the gorgeous Glacier National Park

Eastman XX (35mm) *Pushed to 800iso Camera: Leica M6 Developed and scanned by The Darkroom

A Variety of Filmstocks A Variety of Cameras Developed and scanned by The Darkroom & Midwest Film Co This is a collection of photographs taken over about the last two years that were left on the cutting room floor and thus never uploaded

Kodak Portra 800 (35mm) *Shot at 400 iso Camera: Leica M6 Developed and scanned by The Darkroom

Kodak Portra 160 VC *Expired December 2004 Camera: Hasselblad 500CM Developed and scanned by The Darkroom

Kodak Gold (35mm) Camera: Leica M6 Developed and scanned by The Darkroom

Kodak EKTAR 100 (35mm) Camera: Leica M6 Developed and scanned by The Darkroom

Instax Wide Color Camera: Instax Wide 400

Eastman XX (35mm) (pushed to 800) Camera: Nikon F3 Developed and scanned by The Darkroom

Kodak Portra 400 (35mm) *metered at 200iso Camera: Nikon F3 Developed and scanned by The Darkroom

Kodak Portra 400 (35mm) *metered at 200 iso Camera: Leica M6 Developed and scanned by The Darkroom

Kodak TMAX 400 (medium format) Camera: Hasselblad 500CM Developed and scanned by The Darkroom

Eastman XX (35mm) (pushed to 1600) Camera: Nikon F3 Developed and scanned by The Darkroom

Shot in the city of Rome

sure! I shoot all of my portra 400 at 200 iso, and develop it at 400 like normal. This effectively overexposes the film by one stop. I do this for two major reasons. It changes the colors, making them a little more pastel; and it protects the shadows, I find that at box speed portra tends to underexpose the shadows (at least how i meter). Color negative film tends to look much better overexposed than underexposed and portra is no exception!

Shot in the city of Rome

Kodak TMAX 400 (35mm) (pushed to 1600) Camera: Leica M6 Developed and scanned by The Darkroom Shot in the city of Rome