Hey, are you awake?
Yes, I’m right here.
Jules of Nature
RMH

Love Begins

JBB: An Artblog!
styofa doing anything
$LAYYYTER
NASA
sheepfilms

pixel skylines

★
dirt enthusiast
h

ellievsbear
YOU ARE THE REASON

Janaina Medeiros

Andulka

shark vs the universe
let's talk about Bridgerton tea, my ask is open
🪼

#extradirty

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@cause-i-am-evil
Hey, are you awake?
Yes, I’m right here.

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[x][x][x][x][x][x][x][x][x][x]
[x]
Santa Clara, The National (The Virginia EP, 2008)

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Fan Girl Challenge- Favourtie Musicians People [1/?]- Matt D. Berninger
“If there’s someone you absolutely miss, you might find yourself talking to them a lot in your mind, creating those fake conversations with them and you answer yourself in their voice in your head. Maybe it’s a girlfriend who dumped you or you know someone who died or that sort of thing, you adopt their personality or the memory of who they were as a means of staying close to them. People talk about spirit, but I have this idea that when we die, we’re gone. All that lives on is our memory and how we affected people, the way we changed people throughout our life. Whether you’ve had a good effect of a bad effect on people, that’s your afterlife—the people who live on after you.”
I mean, let us please talk about this. I love The National, and I love Touche Amore even more so this was a peculiar but perfect fit. ’Available’ surfaced on The National’s ‘Sad Songs For Dirty Lovers’ LP, and was what I looked to when I heard High Violet for the first time and had to hear what else this amazing band had to offer. I started with ‘Available’ on Sad Songs as it is track 7, and that’s where I’ll jump to if I’m unsure of where to start.
There are a few real TA musical anomalies in this cover. I mean for a start, Touche Amore vocalist Jeremy Bolm is singing, as opposed to his trademark scream. This is the first time (to my knowledge) that Jeremy hasn’t either screamed or spoken on a record, and it sounds incredible. The dude just doesn’t sing, well until here. In fact, he only screams towards the end of this track, and that’s where the original gets more abrasive too, so it’s not unwarranted in any way.
Furthermore, structurally it’s fairly by the book, but more surprisingly the tempo stays fairly to the original. The track lengths are super similar to one another, with only a few seconds in it. Normally, TA will pound through a song in two minutes, sometimes over, mostly under.
This is a really welcome change of pace as far as I’m concerned, the guitar tones are incredible and that bass just keeps rumbling away in the background. Elliot Babin stays in the backseat here, and adds nothing that doesn’t need to be added. This is cool, as the dude is an incredible drummer, but plays here in an incredibly musical sense, allowing the ability and melody of the song to shine through.
Lastly, this is (digitally) on a No Sleep compilation called ‘A Comp For Mom’ which is a compilation of exclusive (mostly) songs from No Sleep affiliated bands. This compilation was intended to help fund some medical bills for label owner Chris Hansen’s mother, and is now sadly released in her memory. This is a completely non-profit release for the label. All money generated is going to help pay medical bills and contribute to the Linda Hansen Memorial Fund. A small community of great people clubbed together on this release and made something truly special for a great cause, and grabbing a download of the whole thing is like $5, so maybe £3? Don’t be cheap dude.
This is a bit longer than I would normally go on for. I guess I just had a little more to say.
- Kane
Would have never expected this from Touché Amoré.
'Cause growing up, I was always kind of the bookworm… and Aaron was the popular one.
For sandylyle, a bigger, better, winky Bryce with his saucy twin. In the back of a car. Twinning.
Hey! Get out of my yard!

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Mistaken for Strangers: The Play
Are you gonna wear those underpants?
The National summed up in two GIFs.
Ben Howard’s HQ be like:
When in fact:

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This was such a perfect moment in Mistaken for Strangers. I imagined Carin watching hundreds of hours of footage trying to make sense of it all, and then this shows up. It’s like when I’m transcribing an interview preparing to write a story, and the perfect quote appears. It didn’t seem like much during the interview, but it ends up being the perfect transition or ending.
- Hey, are you awake? -Yeah, I’m right here. -Well, can I ask you about today? How close am I to losing you? How close am I to losing?