The dehumanization of our people is real
sheepfilms
Game of Thrones Daily

titsay

trying on a metaphor

romaâ
Monterey Bay Aquarium
h
EXPECTATIONS
we're not kids anymore.

Jar Jar Binks Fan Club

Product Placement
ojovivo

Andulka
Noah Kahan
đŞź
official daine visual archive

@theartofmadeline

PR's Tumblrdome

seen from United States
seen from Honduras
seen from United States

seen from Brazil
seen from Bangladesh

seen from United States

seen from Netherlands
seen from Argentina

seen from TĂźrkiye
seen from China

seen from United States

seen from Bangladesh
seen from United States
seen from Ecuador

seen from Malaysia
seen from United States

seen from Bolivia

seen from United States

seen from United Kingdom
seen from TĂźrkiye
@cassnoell
The dehumanization of our people is real

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Meirl
Dense Shoots
Watercolor On Black Paper
2020, 11"x 14"
Green and Gold Bamboo Plants
EHIFA LIVE - âEverything Home Is Far Awayâ - "Homerism" - #finissage
Live zoom performance for âEverything Home Is Far Awayâ #finissage "Homerism"
Poems 1. Home Was A 2. Life On The Outside 3. Light in You 4. Home Meditation
~
On this day we will show a series of presentations and performances by our collective artist as well as some guest artists.
With this finnisage we create a smaller world bridging the gaps in-between our audiences and artists to this larger place we call home. We connect on a deeper level when we share more intimate and personal works giving the viewer a look into ourselves and allowing ourselves into being more vulnerable and open.
I hope everyone is staying well and safe and we are looking forward to finally bring some really personal and beautiful works for all your beautiful eyes and ears to enjoy.
~
https://www.facebook.com/fkkollektiv https://www.instagram.com/fotoklubkollektiv/ https://fk-kollektiv.com/everything-home-is-far-away/
Spicy
Spicy
The company I have kept, and the company
who has kept me. We are spicy.Â
I have never chosen a man based on:
money
looks
or status
But I have chosen a man based on:
pleasure
intelligence
and creativity.
I know this is a spicy luxury, I am a product
of my sistersÂ
mothersÂ
and grandmothers.
The luxury of being able toÂ
liveÂ
myÂ
lifeÂ
with the choice of spicy. I know this is not trueÂ
for everyone, but please donât criticizeÂ
my pleasure becauseÂ
youÂ
do not
understand
your own
Itâs not my fault spice upsets your stomach.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
A Bus Stop With An Ocean View 1. I have figured it out: how to visit the ocean. I watched a lady standing at the bus stop she was waiting for the bus; people can still take the bus. I stood across the road, watching her; she showed me the rules. The ocean is behind the bus stop and the police well, theyâll let you take the bus. The bus takes everyone. Now, this is not a profound trick but it is a trick nonetheless of a simple pleasure. 2. I walked back to the Carrefour to get a vending machine coffee; no cafes are open now, due to the virus. I then walked back to the road, with my coffee. I, too, can stand at the bus stop I, too, can visit the ocean I, too, can catch this mild thrill. 3. I stood at the bus stop drinking my coffee, looking at the ocean. Four police passed behind me with their guns âeerie. People with masks sped by in their cars âbizarre. Runners jogged across the way on the sidewalk âorderly. And then, the bus came. 4. This is my new trick, to visit the ocean. Itâs charming to pretend youâre waiting waiting for nothing. Refreshing, no? Never going anywhere, nowhere to go standing at the bus stop only for the view.
mood
âEverything Home Is Far Awayâ
https://fk-kollektiv.com/everything-home-is-far-away/
TOMORROW
TOMORROW
~~
Welcome to the âEverything Home Is Far Awayâ Finissage. We are happy to present our first experiment with our online ârandom art matching systems.â Today, we are showcasing a series of presentations and performances by our collective artists as well as guest artists. With this finnisage we aim to create a smaller world bridging the gaps between our audiences and artists to this larger place we call home. We connect on a deeper level when we share more intimate and personal works giving the audience a look into ourselves and allowing ourselves to be more vulnerable and open. Every performer is from different backgrounds and mediums: photographers, performers, poets, engineers, pharmacists, and coders. For many here, not only are they sharing a very personal side of themselves and exploring their vulnerability, but also itâs their first performance and artistic exploration to the public. Below you can choose any of the live stream rooms or click our random button to be matched with any of our artists at random. All performances are simultaneous and of different lengths. However, after each performance is over, weâll be uploading a video of the live recording in case you missed it. Please note that after our three hour series of live streams, weâll be hosting an after-party celebration with a night of dangerous and dancy Arabic tunes by our collaborators DJ MOLOKHEYA streaming live from TĂźbingen. We are happy to see you here and hope you enjoy our experiment.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Devan Shimoyama (American, b. 1989), A Man and a Brother, 2019. Oil, acrylic, color pencil, jewelry, Flashe, glitter, collage, clothing and sequins on canvas, 84 x 72 in.
Ugly Love
This love is ugly
Throwing breadcrumbs at the poverty you created morally bankrupt, robber of dignity no, Sir, I donât want no more Ugly, is this love? Peering into my agency paper cuts on my independence dead words and ghost threats I will not shine your glass ego Love, this is ugly A wasteland of emotions swimming in the swamp of your fear a small eel between my legs cupidâs arrow for your integrity Your love is ugly Blisters and callused feet splints in your fleshy privileged knees Iâm a track star with a sharp field sword run at me, letâs see who bleeds first This is ugly love.
I'm your Wendy, Montreal A teenage scumbag with emotional baggage no therapist can undo Peter Pan magic flying me home at five AM covered in gold streets blurring together like that Bran Van 3000 song (I just want to love you, I just want to take you thereâŚ) letâs take Beaubien, Tinkerbellâs too gone to know
The longest relationship Iâve ever had Iâm your jealous lover at minus thirty below ready to take Toronto to the alley for a beat prank call Calgary with sexy stories of liberation maybe Iâll let some other cities join us, but keep your eyes on me or Iâll make it 1995, I'll be the love police
Tears streaming down my face when I land at Pierre Elliot Trudeau relief filling my body when we drive the potholed Quebec roads youâve made a woman child, youâre the background on my phone (Iâll believe in anything, youâll in believe in anythingâŚ) oh, I cannot talk of love if I do not talk of you, Montreal you can be a teenage dirtbagâfucked upâbut arenât we all?
Wallace Polsom, Flower Girl (2020), paper collage, 18.6 x 25.8 cm.
Cat treatsÂ
Oh, big whoop, said the cat,Â
another man is mad at meÂ
because I will not act like a dog.Â
I have decided this is the reason
a dog is a manâs best friend:
the dog, desperate & naive
does as the man says
when the man wants
âwhat a twit, thought the cat.Â
Oh, big whoop, the cat remarked,Â
here we go again, another manÂ
is mad at me for not doingÂ
as he says, when he says
as he wants, when he wants.
Observing the man, the cat preparedÂ
for his show. âWhy donât you begÂ
for my love as the dog does?âÂ
the man screamed. âWhy donât youÂ
follow me around as the dog does?âÂ
the man shouted. âWhy donât youÂ
do what I say as the dog does!âÂ
the man yelled. âCANâT YOUÂ
JUST SIT!â the man, red in the face,Â
cried, as he fell to the sofa.
Oh, big whoop, here it is again,Â
smirked the cat, always the same scene.Â
Picking at my fur with spiteful words,
the wrath of a glass ego, sighed the cat.
The man, boiling & soured, growledÂ
at the cat. His eyes explored for flaws toÂ
scorn the cat. His eyes probed for traits toÂ
degrade the cat. His eyes scanned for mistakes toÂ
humiliate the cat. How do I break the cat?
he thought. The cat smiled, knowing it wasÂ
always the same game. âWhy canât you just beÂ
weak?â the man whispered, words aching
with discomfort.
The cat jumped to the sofa arm, whereÂ
the man laid. âWhy donât you,â avowed the cat,Â
yawning, looking at the man, âappreciate whatÂ
I am as I am. Youâre the one who wanted a cat.âÂ
The cat, drawing its paw to clean the torn fur,Â
continued, âHave you not learned, you cannot own
a cat.â The man, irritated, stared at the cat as
his eyes seethed with passionate disapproval.Â
The cat resumed, âYou see, the cat goesÂ
where the cat wants to go. The cat eats
what the cat wants to eat. The cat sleeps
where the cat wants to sleep, & the cat
loves who the cat chooses to love.â
The man rolled to the side of the sofa
& stared at the floor. The cat stretched & archedÂ
itâs back & pounced to the hardwood. Sitting inÂ
front of the man, the cat purred, âHave youÂ
not learned, the more you try to mold me &Â
control me, the further I run. I have already leftÂ
a country, & maybe next time, Iâll leave theÂ
planet.â The man glared, his ego now impotent.Â
Oh, big whoop, the cat reiterated as it
walked away to go lay in the sun. The sameÂ
violin, the same song. & the man, he got up,
& went & adopted a rescue dog.Â

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Fig, Georgia O'Keeffe, 1923
Oil on board 8.13 x 5.88 in. (20.6 x 14.9 cm)
Day and night