instagram: _carlornd_

Sascha Weidner

Hans Eijkelboom

Isa Genzken, Mach dich hübsch!, 2000, cardboard, printed paper, newsprint, photographs, transparent foil, stamps, stickers, adhesive tape, fabric tape, felt pen and ball point pen, 42 x 31 x 5 cm (open: 42 x 63 cm). Galerie Buchholz 

Tamina Amadyar, last christmas, 2016, Galerie Guido W. Baudach

Man Ray Dekorativer Einband (nach Marquis de Sades Die 120 Tage von Sodom), um 1935

aka Tom Seidmann-Freud

aka Tom Seidmann-Freud

aka Tom Seidmann-Freud

aka Tom Seidmann-Freud

aka Tom Seidmann-Freud

An Angel Unlocking the Door of Hell, Winchester Psalter (Psalter of Henry of Blois), between1121-1161, 12.6” x 8.8”, British Library, London

“One of the most remarkable works in the Erlangen exhibition is a slide-show depicting Rampling drinking milk from a dish with a fox in the garden of Teller’s studio. “Charlotte Rampling asked me to do her a favour and photograph her for the cover of a magazine. And I said to her, I’ll do it, but please come to London, and I will make lunch for you, and we do these pictures. And a fox just happened to be in my garden, I wanted to photograph her with it because she reminded me of one. I wanted to have myself in the image too, which is where the plate came in. So the story is Charlotte Rampling, the plate and a fox, drinking milk from me, the plate,” he says. Was he ‘performing’ a maternal role? “In a way, yes.” “