The Road to Splendor ā§ č±å¼é¦ē»£ ā§ 2026 dir. Deng Ke ā§ Episode 7
Monterey Bay Aquarium

tannertan36

oozey mess
art blog(derogatory)
šŖ¼

Kiana Khansmith

#extradirty
todays bird
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hello vonnie
Not today Justin
š
taylor price
Phantogram Three
occasionally subtle

izzy's playlists!
Noah Kahan

Love Begins

romaā
d e v o n
seen from Türkiye

seen from Malaysia
seen from Ukraine
seen from Sweden
seen from Palestinian Territories

seen from Singapore

seen from United Kingdom

seen from United States
seen from Malaysia

seen from Malaysia
seen from United States

seen from United States
seen from United States
seen from Algeria
seen from United States
seen from Ecuador

seen from United States
seen from United States

seen from Sweden

seen from T1
@careful-knives
The Road to Splendor ā§ č±å¼é¦ē»£ ā§ 2026 dir. Deng Ke ā§ Episode 7

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I see the original post going around every so often and it saddens me a little that it's never accompanied by this thread explaining why it's completely understandable how a child would arrive at these spellings in accordance with english phonetics
Inuyasha (2000)
Sailor Pluto

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Chinese hanfu | How to wear mamianqun by ęåå
Because Bennett and Fen
(1) Calistrat Hogash (2) Kevin Mueller
Yomi no Tsugai Episode 19: Sword & Bow - Asa
First of my glass animal mask series! This was so fun to paint, what other animals should I try? So far I'm thinking owl and deer for a woodland themeš¦š¦š¦
This painting and more have just been added as a print to my webshop :)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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There is a step before me. I have to see it through to the end. To the very top. Only from a high place can I truly protect us from the rain of arrows aimed at us.
i'm so fucking over it
they didnt listen, by the way. because of course they didnt. theyre hiding domo ai from the member list and forcing them into private and public servers. use
/ban user:1153984868804468756
to get rid of it.
if you're interested in the Colorful support post i made regarding this, its under the cut. i'm livid.
adding this to the list⦠𫩠5. 5 bots you have to fucking ban from discord that they added without your permission. What the absolute fuck.
Discord bots you need to ban
1104973139257081909
1288638725869535283
1090660574196674713
1104973139257081909
1153984868804468756
Ophelia, Jules Joseph Lefebvre, 1890, France, colletion particuliĆØre
I think what particularly bothers me in the general fandom attitude towards Season 2 is that itās that season that fundamentally changed me? Like, I enjoyed Season 1, but I struggle more with watching individual episodes of Season 2 not because itās worse, but because it feels more connected and linear and integrated as a narrative. I find it harder to pull out episodes because itās less episodic.
And at a personal level, I related more to Season 2 than Season 1 and especially to Stedeās overall arc and struggles (and it cast Season 1 into relief for me). So the reiteration of āitās weaker, itās incomplete, it would have been better if, they failed Stede, Stedeās arc isnāt there,ā etc etc, is really disheartening, because itās that specifically that hit home for me. His character. His arc.
Mileage varies and all that, but I wish fandom discourse didnāt simply āagreeā that Season 2 has to be fixed and that Stede in particular is a failed character. No fic or art or anything can replace what that season did for me, and having people constantly saying that itās objectively bad and weak is really really tiring.

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Predjama Castle, Slovenia šøš®
I love how complex OFMD can get when engaging about identity. Stede is a contradiction in terms - he wants to be both gentleman and pirate, to find an identity in which he can combine the elegance, kindness, and whimsy of his life as a gentleman with the freedom of the life of a pirate. He tries to find who he is through labels, first, but eventually that ceases to be useful, and he starts on his journey to become all that Stede Bonnet is.
And of course Ed, whose contradictions and struggles to fit into various guises reach a point where he stops being able to recognize who he actually is. Thatās so complex and it has been examined so much I wonāt repeat it, but I love it.
I think thatās why OFMD speaks to me in ways that a lot of queer media hasnāt - itās queerness and identity beyond sexuality or even gender, but those things as part of the entire makeup of a person. We label and take off labels and try new ones, but so often those start to feel like restrictions rather than liberation (not least because others want to press a label on us and walk away). And OFMD resists labeling in a lot of ways, in part through its contradictions.