Viva Las Vegas (1964)
Xuebing Du
RMH
Keni
"I'm Dorothy Gale from Kansas"

blake kathryn
The Stonewall Inn
trying on a metaphor
Noah Kahan
cherry valley forever
he wasn't even looking at me and he found me
h
YOU ARE THE REASON

if i look back, i am lost

pixel skylines
d e v o n
TVSTRANGERTHINGS
Mike Driver

Origami Around
I'd rather be in outer space 🛸

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@camerontepper
Viva Las Vegas (1964)

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The Bay Area will always be my home
Last night, I had this sense of peace and stillness driving in the Bay Area. This isn’t the first time that I have had this feeling. I always get it when I am driving in the Bay Area because everything seems to be right. The sun or clouds are always there. The trees also make an appearance. I just feel like I have this sense of oneness. I think the thing that scares me the most about leaving the Bay Area is just the familiarity of everything and the connections I already have. There are really great people who have done some really great things for me, and I can’t thank them enough. Have I been lonely living here? Sure. Have I felt like I made a terrible decision moving from SoCal? Who hasn’t? But have I good moments that I wouldn’t trade for the world? You’re goddamn right!
This area is where I grew up as an adult. Going to small claims court, having my first major heart break, applying to jobs, being homeless for a week, relying on myself, asking for help, finding my own sense of purpose in this world all happened in the confines of the 510/650/408 area codes.
Despite the high cost of living, there is so much kindness in this location that I can’t believe I have been so fortunate to be a part of.
And last night, at 2:30 AM I had this moment, where it seemed like everything was how it was supposed to be.
It’s also the only place where a drunk queer couple, who partied a little too hard to Sir Mix-a-lot and E-40 at a Sikh birthday party, didn’t balk when I offered to drive them home and Mariachi music blared when I turned the ignition.
There are some gems in this world.
I go to seek a Great Perhaps
Making big changes are hard.
I started workshoping this post to be a master post about how I am scared about moving across the country in less than a week. I was going to highlight that I haven’t always been good with change (broke out in hives on the first day of preschool, and cried in the shower three times after graduating from college). Side Note: A+ place to cry, almost as good as in the car, but the water adds a nice touch.
And honestly, what I am afraid of is just the unknown.
While I was trying to express that in the post, The Mountain Goats came on Spotify and John Darnielle told me (personally) that everything will be okay. And I have to remind myself that.
It’s really scary to move to a new area, by yourself, with only yourself to count on. And my anxiety is kicking into high gear just because there is so much unknown. I have to constantly remind myself that everything will work out, but the transition is hard.
Maybe it will all work out. Maybe it will end terribly. But it’s the great perhaps.
It doesn’t feel real that I am going to be moving Austin, TX in less than 2 weeks.

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If you’re ever… if you’re ever thinking, “Oh, but I’m a waste of space and I’m a burden,” remember: that also describes the Grand Canyon. Why don’t you have friends and family take pictures of you from a safe distance? Revel in your majestic profile?
Maria Bamford (via conradtao)
the reason oppressed groups say “___ are awful” instead of “some ___ are awful” is because including the word “some” allows individuals of that group to detach themselves from the problem and shuck the blame off and say “well they arent really talking about me so i can ignore their opinions”, whereas stating that an entire group of oppressors is awful makes the individual think whether or not theyre included in the awfulness of that group and makes them consider their actions so thats why people say “men are awful” or “white people are awful” and if you take it personally you’re getting angry at the wrong people
Ann-Margret, 1960′s
Sol LeWitt
Successive Rows of Horizontal, Straight Lines from Top to Bottom, and Vertical, Straight Lines from Left to Right, 1972
Sol LeWitt
Yellow Lines From The Center, Red Lines From One Side

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This is an incredibly important thing.
when there's nothing to say just look into the bay you know some things they just feel right
Andy Warhol portrait
Throw my ticket out the window Throw my suitcase out there, too Throw my troubles out the door I don’t need them anymore ’Cause tonight I’ll be staying here with you
Another trite tribute to Prince
I hate when a celebrity dies, and people flock to the internet to write about the celebrity in a personal way. And I hate it only in the sense, that the person is just jumping in on the story because they liked the music, or a particular movie, or a joke they said. But like doesn’t always translate to admiration. But like Walt Whitman, I am going to contradict myself, because I am large and contain multitudes.
I was 16 or 17 when I had a subscription to SPIN magazine, which I consulted for all of my opinions on music and culture. They had a 20th anniversary for the release of Purple Rain and had bands do covers of each song. I listened to it and loved every song but I had never heard the original album, because I was a shitty teenager who thought he knew everything. That is, until I was 18 or 19 and stumbled across Darling Nikki, and loved how dirty, and explicit it was, and how I wanted to reference it to a coworker with the same name, for the sole reason of having some kind of cultural knowledge over everyone in the room.
But, on Spotify I decided to listen to Track 1 of Purple Rain just to pass the time, not expecting much. Hearing Prince open his album like a sermon was just so different, like he was talking to everyone and me at the same time. And when the drums come in and it turns into a dance party, it just filled me with, I don’t know energy, excitement, or just the idea that every moment was worth living. And that album never lets up. Every song is perfect and every second is packed to the gills with this indescribable reverberation of himself, giving you his whole momentum.
There were so many nights where I would be studying in my apartment alone and would take breaks dancing in my living room because I had nothing else to do. And many nights I went crazy per the instructions of Prince, and many nights I sang along to “I would Die 4 U,” and many days in the car I would hear how Doves cried and just give it all I had.
The best part about Prince, and what everyone has commented on, is that he was himself, wholly and truly. And he never let anyone tell him otherwise.

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So far, 2016′s biggest lesson has been that money, fame, and influence doesn’t insulate any of us from death, but being true to your weirdo self and acting on your creative instincts makes life worth it.
Prince’s Gift.
It was hard to decide to write and record this Outshot for Bullseye. It’s been a tough day, and by the time you hear this, it’ll be next week or ten days from now. But it was what was in my heart today. Sorry if it’s rough, it was rough to write.
My wife and I went to see Prince at the Fillmore. It was Valentine’s Day, maybe ten years ago.
We were lined up outside. We’d never been to one of his shows, and we were surrounded by the folks who’d gotten tickets through his fan club.
There was this tall guy, six six, maybe. Thin. Black, maybe forty something. Dressed in this wild outfit.
And he was walking down the line. And every person in line he’d stop, give them a rose, and tell them that he loved them.
I struggled to figure it out for a minute. Like: did this guy work for the promoter? Was it like getting a bobblehead at a baseball game? He didn’t look high. He didn’t seem crazy. He didn’t want money. He didn’t seem to want anything.
And by the time he got to us, it made sense to me.
This was just a guy who wanted to share a feeling. Just share something beautiful with each person. Tell each person he loved them, as they were.
Look: Prince might have been the greatest pop musician of the last fifty years. He found #1 hits on his garbage pile and played every instrument and synthesized genres and danced his rear off and all of that stuff.
But it’s not just that music. What he left was an idea and an example. He was this skinny, short, shy, fey black kid from a rough neighborhood. And he lived in an America where there were all of these cultural expectations of him, All these ideas based on all of that. And he didn’t reject the categories people wanted to put him in. He transcended them. Made them completely irrelevant.
It wasn’t oppositional. It wasn’t negative. Prince said it, pretty simply. I am me. I am doing my thing.
And he invited everyone to come visit Paisley Park and do theirs.
And so when I think of his leaving, I think of the people whose lives he helped define. I think of kids backed into corners in 1980s America. By circumstance of society or birth or whatever. Weird kids and queer kids and kids who were bad at doing whatever it was that was expected of them.
Prince didn’t show them to be Prince. He showed them they could be themselves. That they could live without apology. Love defiantly.
Prince gave them a rose.