Queen of the Damned

My piece for @onepiece-zine !! I got to draw my fave freedom rascals, love them so much!! even if Hack isn’t that amused :>

Thank you for having me, I had tons of fun!!

the first time zoro almost died

i freaking love how in early one piece zoro was just nearly dying all the time, thought it would be funny in the dnd au,, poor zoro, hes defenitly got the worst luck

“I’ll use these hands to uncover the mysteries of the world…!”

https://twitter.com/Luffymaid

I gotta say that the most interesting character in it is Catra. I’m frequently a big fan of well done villains, and Catra definitely fits the bill and she does it in a way that not many other villains do. She’s someone who I can like, root for, and sympathize with while also wanting see get destroyed because she’s so very good at ruining everything and being a scarily effective villain. She’s like a reverse Zuko–someone who started out as the MC’s BFF but steadily, more and more, dug her heels into being evil despite the occasional wavering that keeps stringing your hopes along that MAYBE she’ll listen to Adora and walk away from the Horde. It’s like taking Zuko during the last season of ATLA and watching as he turns into Azula over the course of a dozen episodes. 

So yeah. I’ll still be here, hoping that at the end of the series she turns things around, but in the meantime I’ll continue to both enjoy and wince at the terrible things she does as the primary source of Adora’s and her friends’ suffering

i posted this on time on twitter but here, not so much haha! 

Your welcome! (And sorry to other folks who’ve sent asks that I haven’t answered yet, but sometimes it’s easier for me to think of how to answer some questions than others and again time and energy are very limited resources for me these days) (And here’s the link to the preceding ask on my thought for what constitutes a sympathetic villain, how Scar is one, and how Wilson Fisk is not) 

And let’s see here. If I had to think of some more well-done examples of sympathetic villains… 

Meruem from HxH: amazing example. As someone not human, born not just socially, but biologically, to be king with the massive power to back it up and no reference point for what it meant to care or have feelings for others. And yet, he met someone who could best him in one thing, one simple thing, and slowly fell in love with her and through her uncovered the humanity no one thought he had. (Not to mention, he was manipulated by Pouf who tried to stamp out the love he had learned to feel and set him back on the path of a heartless conqueror, so we can also feel sympathy for his character on that front as well) 

Tetsuo Shima from Akira: this is possibly a more (lowkey) controversial choice. Because yeah, he’s a 15-year old asshole who got psychic powers and became an even bigger asshole. But I feel like he’s an incredibly understandable character precisely because of that. To me, he’s an exploration of the effects that insecurity, powerlessness, poverty, and environmental instability can have on kids. Take a kid who feels miserable and doubts himself and isn’t supported by the society around him who wants desperately to be respected and in control and give him power… He couldn’t control his powers well, they caused him massive pain and made him fear what they would do to his mind and body. He could control through fear but he couldn’t control himself and that pain and uncertainty and fear never left him. One of the elements of a good sympathetic villain to me is that their choices make sense. And Tetsuo is a character whose choices were almost all bad, but IMO make sense from the sad, angry perspective of the view he had and the world around him. (Long ago I made a cool graphic about him) 

Jasper from SU: now here’s an actual potentially controversial choice. Steering clear of the whole Malachite discourse and just focusing more broadly on her character, she was a huge jerk who beat the snot out of people and seemed to relish in it. She was the biggest villain in SU for a good long while, and there was little reason to think of her as sympathetic. That is, until we found out that the reason she hated the Earth and the Crystal Gems and was so fixated on strength is because thousands of years ago the Crystal Gems murdered the person she most loved and adored and the person she was literally created to serve. Then we start being able to see how her villainous beliefs and actions were shaped by the culture and society of the Diamond Authority that doesn’t give it’s members much in the way of choice or freedom. And then we also find out that the person who Jasper’s very existence was for had faked her own death and everything Jasper believed for the past 5000 years was a lie. Again, she’s a villain whose horribleness can be seen as a result of the circumstances around her, and we can see that if she had been told the truth and given different opportunities she perhaps could have been someone good instead of eventually devolving into a literal monster. 

Eric Killmonger from Black Panther: he was someone who fought for a cause he believed him, and that was righteous and justified in his eyes. He grew up in poverty, his father was murdered, and he lived his life on the outside of a great society of wealth and equality, always aware of what they had but wouldn’t share with him or others who were also suffering. He looked at the imperialist, racist, oppressive actions of the world and thought, “Wakanda’s neutrality is acceptance of injustice. If the nation of my birth has the ability to reshape the world, punish the injustice of nations and societies, and give power to our oppressed people, we should do it.” T'challa’s view was that you can’t hurt and kill innocent people in the name of justice. Killmonger’s view was that harm, death, and suffering were constantly happening anyway, and that T’challa’s stance was accepting and tacitly endorsing this injustice. Again, his villainy came from a place of understandable suffering and genuine belief that fighting fire with fire was better than standing on the sidelines and simply watching the fire burn. 

And two final characters: 

Donquixote Doflamingo from One Piece gets an honorable mention. He could have been an amazing sympathetic villain, but for some reason Oda took a character who was born into a culture of ignorance, corruption, and greed, who lost everything and was tortured by angry mobs who blamed him for sins he hadn’t committed, who was then raised by a group of older boys and men who again groomed him and lead him down a road of villainy…. and then said, “Hey, this guy? Doflamingo? He was just born evil. Yeah, that’s it. He was born evil. So don’t worry so much about all the environmental stuff, because he was born evil anyway. Even his brother said so.” (Again, here’s a graphic and analysis I did on the subject for those who have forgotten) 

Lady Eboshi from Princess Mononoke. (I also wrote a big post about her and the overall movie and how great it is.) She isn’t a sympathetic villain. Not really. She is both ends of the moral spectrum simultaneously in every move she makes. She was a monster, a destroyer of gods, an environmentalist’s nightmare who burned nature in the name of industry. She was also a savior, a humanitarian, a veritable saint who took in the sick and the downtrodden of society and gave them respect, empowerment, and a home they were happy in. And all the while… we never actually know what she’s thinking. One could argue that she’s still a villain (rather than simply an antagonist), but the key point here is that she is not sympathetic. Does she help others because she cares, or because through helping them she ultimately benefits herself? We don’t know for sure. The story does not invite us into her internal world. She’s not a sympathetic villain because we’re never asked to sympathize with her. Instead, we’re asked to think of bigger ideas. We’re asked to take a look at the ways human society can benefit itself, advance equality, and lift up the powerless by using and destroying the natural world around us. Is it worth it? What are the unintended consequences of these actions? Can humans harm nature without inevitably also hurting ourselves? Lady Eboshi’s thoughts and feelings and true motivations don’t matter. We don’t know, and we can’t know, and at the end of the day does it matter either way? Even if she was calculated and selfish it wouldn’t change that she’s helping people, and even if she was motivated by love and compassion it also wouldn’t change the harm she’s done. She’s a representation of ideas, forces, and choices larger than herself. Those ideas are what’s important to the film, and they are explored without ever diving into the mind of Lady Eboshi herself because what the thinks and feels has no bearing on the consequences of her actions. 

A villain is someone who hurts others who do not deserve to be hurt. A person is sympathetic when we feel for them. Villainy is external. That person harms others, so we hate them. Sympathy is internal. We feel another’s pain, and understand the reasons for their choices, which includes the possibility that they never even had a choice at all. Lady Eboshi is so interesting to me because she is completely external. We are tasked with viewing and judging her based entirely on the consequences of her actions without factoring in what she thinks, what she feels, and why she’s doing it. We don’t have sympathy for her, rather we have sympathy for the people she helps regardless of whether Lady Eboshi is doing it out of kindness or doing it to benefit herself. 

It’s odd that I spent the most time in this ask about sympathetic villains talking about someone who I think isn’t one, but I think that it’s both helpful and interesting to dive into how a character can completely subvert and dodge the label of a sympathetic villain while still fully capturing their contradictory essence. We hate and condemn the actions of sympathetic villains while also understanding them, respecting the “why” behind what they do, and potentially even loving them. With Lady Eboshi, we’re not supposed to care about the why. We’re not supposed to care about her. While I do love her, that’s not the part that matters. Instead, that same contradictory dynamic takes the form of the audience loving who she she helps while also loving who/what she hurts in the process.