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I almost made a post about this the other day (unless i actually did and totally forgot) but there’s so many
I was going to make a list, but then i realized this is a good time to share this book
Making Stuff and Doing things is a whole collection of old punk DIY zines about making and doing just about anything, even things you probably never knew you wanted to do.
Book binding? In there.
Making bowls from old vinyl records? I made a whole ton for my brother’s grad party last year.
Basics of guitar? Making rubber stamps? Silk screening? Composting? Homemade beer, root beer, and wine? Soymilk?? Quill pens??? All in there.
Since it’s more punk, it doesn’t have a ton of the folksy, cottage vibes/hobbies, but it’s all about being resourceful and sustainable, which they both have in common.
If i ever need to do anything I’m not sure of, I double check this book to see if there’s anything in there. It’s one of the only books on diy I’ve ever needed.
>> Rules and Guidelines <<
>> Join Discord here <<
For this year's fair, we are handing Harry and Draco tickets, passports, Portkeys or Time-Turners to travel to anyplace in the world and beyond. The magic of your quill or brush will decide where they go and what adventures they experience.
For prompts set within the UK (unless time travel or universe travel was involved) the focus should be on the act of travelling across multiple locations or new locations, rather than remaining in familiar settings such as, Harry or Draco's canon 'homes' (including: The Burrow, Grimmauld Place, Godric's Hollow, and Malfoy Manor); Hogwarts (including Hogsmeade); London (including Diagon Alley and the Ministry of Magic).
Some examples of how the theme can be interpreted:
Visiting new countries not explored in the books
Space exploration
Underwater expeditions
Treasure hunting or globe-trotting adventures
Fantasy worlds and mythological realms
Travelling through time/Historical eras/The future
Parallel dimensions
Virtual reality
Road trips, cruises, plane or train journeys, or backpacking
And more!
Fest Timeline:
Prompting: July 5 – July 17
Claiming: July 18
Submissions due: October 7
Prompting opens now at
>> LINK TO PROMPT FORM <<
You can find all the prompts here:
>> LINK TO PROMPTS <<
A prompt example would be:
Long-haul Trucker Draco's newest passenger is an unusually stubborn black dog who seems determined to derail his carefully planned route.
The cops very clearly planted evidence on him because they had to make an arrest because all eyes were on them and whoever actually did the deed was making them look stupid.
Why would the real killer hero have kept the weapon on his person and traveled two states over while carrying it and a manifesto in his bag, conveniently turning the crime into a federal matter? The same guy whose bag they found in a park, filled with monopoly money? Why did the police turn off their bodycams, take Luigi's stuff, drive a block away, turn their bodycams back on, go back into the restaurant, and then arrest him?
From the moment of his arrest, even left-of-center media has been presuming his guilt without examining anything (e.g. calling him "the killer" instead of "alleged" or "accused") and then when I say he didn't do it, the nearest person chimes in with some quip that tells me they think he did do it but should go free anyway. Don't get me wrong, I would have the same attitude if he had done it. But he didn't. It makes me feel like the only sane person in the world, even among my staunchly leftist friends.
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Why is it easier and more comfortable to sit in a position that actively damages my joints than it is to just sit with okay posture. Why does my body crave its own destruction
irina would call ilya her little star on account of all his freckles and moles. moya zvezdochka, she would coo and kiss the center of his left cheek and the tip of his right cheekbone and it always filled ilya with the warmth of her love.
anyway, one day, ilya would call shane his little star because he's always loved his freckles and trying to find the constellations in them, and shane would squirm about it. what about you, huh, he'd parry back, brushing his fingers over ilya's cheeks, all these beautiful marks; you're the star, not me . . . moya zvez-zvezdochka.
he'd trip over the pronunciation as he tried to mimic ilya, russian still too unfamiliar on his tongue but ilya wouldn't even notice. he'd be too stunned. because for him, loving shane's freckles is a cornerstone to him, something that he's been sure of since the moment they met. he'd never once stopped to consider it might have been the same for shane.
all i want for 2026 is that gigantic rancid AI bubble to finally burst in such a catastrophic way that the consequences will be so good and i'll never have to see another AI generated image ever again
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a quick little Hollanov ficlet to celebrate the bday boy!!
~~~
Lily: don't be sad
Shane: ??
Lily: I will win tonight just for you
Shane: fuck off
Lily: rude
Lily: is my special present for the birthday girl )))
Shane tells himself he's not going to watch the game.
It's always an odd scramble of feelings, to be out of the playoffs by his birthday. Doubly so, when Boston is doing so well. Rozanov has taken to texting Shane after every game, smugness radiating through the screen as he gives a triumphant, blow by blow rundown of his performances.
He details his goals and assists with a self-assured flair that has Shane rolling his eyes, while also fighting the urge to message back something desperate and mortifying. Like, and then what? As if Shane hasn't been keeping up with every game. It's an alien impulse, to want it in Rozanov's own words. And then what? Shane even types it out, once, before backspacing rapidly, scoffing at himself. It's something a vapid teen would say as she fawned over her boyfriend. Rozanov is not Shane's boyfriend. And god knows that Shane doesn't need to encourage him to be any more smug. He'd never hear the end of it.
It's just, Rozanov's been playing a sublime game, lately. And Shane's so hungry, to brush up against a part of it. That thing he and Rozanov share, that nobody else's game can reach. Intangible, obvious, electric. A looping circuit of more and better. Shane wants to be wired into it.
So Rozanov boasts and chirps and swirls it all through with a heavy helping of innuendo, but in amongst the bravado is the language Shane knows better than any other. The truth of the ice when it feels like an extension of your body, when the world slows around you and no one can catch you, when the game is a chessboard and your opponent can't even see the pieces. Lines in alignment, goals made. Even the brawls come clear and sharp and sweet. Rozanov knows it, the same way Shane knows it.
Shane's parents are in Montreal for the weekend, so they spend most of the day with him. It's a predictably relaxed schedule—a long early morning workout, presents opened alongside a takeout lunch from his favourite restaurant, a video call with Hayden's kids scream-singing happy birthday in a jumbled mix of English and French, and then to the couch for the annual Hollander family viewing of The Castle of Cagliostro. It's an exhale of a day, with the added luxury of getting to avoid being seen in public.
Then the evening comes. Shane's parents have gone back to their hotel, ready for an early morning departure, and Shane settles in to read, glancing at the clock on the wall. A little time yet before puck drop.
Not that he's going to spend any part of his birthday watching Rozanov play.
The words have fuzzed together on the page before Shane realises he's not taking any of it in. He's snapped out of it when his phone vibrates. Shane snatches it up off of the coffee table at once, was waiting for it, knows just whose name he'll see.
Lily: have your thing ready?
Shane: What thing?
Lily: your dildo friend
Shane feels his face go hot, still, at that, even in the safety and solitude of his own home.
Shane: Fuck you
Shane: Why?
Lily: is almost time for your birthday present
Lily: you get to fuck yourself
Lily: every time I score
Jesus.
Shane: You're a fucking lunatic
Lily: I bet you're hard for me already
Lily: aren't you Jane?
Lily: but be good
Lily: don't come until I get hat trick
There's no way he's responding to that. Shane shifts in his seat, then looks at the time again.
Shane: Shouldn't you be getting ready?
Lily: I am
Lily: are you?
Obviously Shane's not going to do it.
A few ridiculous words and what, he's just supposed to fall in line, do whatever Rozanov tells him to do? It's absurd. It's just another one of his mind games. It's a joke.
Fest posting is here! Works will be Anonymous for July. Our first two works will kick off shortly!
I'm so excited for you all to see this wonderful batch! Look at the collection tags so far!!
Works will post approximately 9 AM to 10 AM Eastern Time
Works will post Sunday, Tuesday and Thursday (other than our first day, which is a Friday. Today is Friday. Friday...
💛 Don't forget to give kudos and comment love to all our amazing creators so far! We have a little activity to help you get excited for that, which Ravenreena will introduce shortly!
Check our the collection!
Wolf & Prince 2026 Fest Collection
male gaze is not 'when person look sexy' or 'when misogynist make film'
death of the author is not 'miku wrote this'
I don't think you have to read either essay to grasp the basic concepts
death of the author means that once a work is complete, what the author believes it to mean is irrelevant to critical analysis of what's in the text. it means when analysing the meaning of a text you prioritise reader interpretation above author intention, and that an interpretation can hold valid meaning even if it's utterly unintentional on the part of the person who created the thing. it doesn't mean 'i can ignore that the person who made this is a bigot' - it may in fact often mean 'this piece of art holds a lot of bigoted meanings that the author probably wasn't intentionally trying to convey but did anyway, and it's worth addressing that on its own terms regardless of whether the author recognises it's there.' it's important to understand because most artists are not consciously and vocally aware of all the possible meanings of their art, and because art is communal and interpretive. and because what somebody thinks they mean, what you think somebody means, and what a text is saying to you are three entirely different things and it's important to be able to tell the difference.
male gaze is a cinematographic theory on how films construct subjectivity (ie who you identify with and who you look at). it argues that film language assumes that the watcher is a (cis straight white hegemonically normative) man, and treats men as relatable subjects and women as unknowable objects - men as people with interior lives and women as things to be looked at or interacted with but not related to. this includes sexual objectification and voyeurism, but it doesn't mean 'finding a lady sexy' or 'looking with a sexual lens', it means the ways in which visual languages strip women of interiority and encourage us to understand only men as relatable people. it's important to understand this because not all related gaze theories are sexual in nature and if you can't get a grip on male gaze beyond 'sexual imagery', you're really going to struggle with concepts of white or abled or cis subjectivities.
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People are so much more sad, and desparate, and lonely than you think. I have had three incidents in the last four months were a technician I was working with was being either dangerously unfocused (we work with high voltage), or just flat out angry with their coworkers, and every time when I just pulled them aside to say hey, this isn't you, you're nice, and you're competent, so something must be up - what can I do to help - they have responded by bursting into tears. One guy was struggling to get his wife moved into a care home, one guy just got served divorce papers, and the other hadn't slept a wink the night before because his daughter had the pukes.
I haven't spent my whole life responding to people being rude, or stupid, or dangerous with knee jerk compassion. It's a new habit. The first time I did that as the lead for my lab, it was because the guy genuinely was so good natured that I knew something had to be off. But the other two times were just me going, alright, lets see if it always goes this well, and so far, it has. I'm almost 30, and I just figured out that the #1 reason people are shitty are because they are going through shit.
I don't think you have, like, a moral obligation to respond to people being jerks with knee jerk compassion. But it has made my life so much easier the last four months that I would recommend trying. For your own sake. Please.
(I'll step off my soapbox now. Enjoy your Sunday.)
practice soft skills. shit is going to keep getting worse for a good while before it starts getting better. we need to be making an active effort to show ppl grace and kindness and understanding now, bc were all going thru it, and maintaining community is only gonna get more and more important from here on out. this isnt optional, its a survival skill
#WHAT a fucking read of the manic pixie dream girl#I want this desperately actually???#perfect quirky enigmatic mystery girl who has all the traits you don't but long for#and lives life with extreme confidence and whimsy doing whatever she truly wants#and she's the future you can have!! she's here because she loves you! she wants you to be happy!#she hated being you so she knows how much you hate being yourself but she's here to prove to you#that there is a joy you can attain#there is a self you will love (tags via @aethersea)
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