Redman’s Metropolitan; an Auricula. Plate XVI. 1791
Engraved after an original by James Sowerby. From James Sowerby, ‘The Florist’s Delight’ No. III (London: 1791).
The RHS Lindley Library
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Redman’s Metropolitan; an Auricula. Plate XVI. 1791
Engraved after an original by James Sowerby. From James Sowerby, ‘The Florist’s Delight’ No. III (London: 1791).
The RHS Lindley Library

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Frontispiece from Thomas Miller, ‘The Poetical Language of Flowers; or the Pilgrimage of Love’ (London: David Bogue, 1847).
The RHS Lindley Library
The language of flowers was a 19th-century code used to make bouquets which passed messages between lovers and suitors. Each flower was given its own meaning and they could be combined to create special messages.

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Aleksandra Schekatikhina-Pototskaya - artist, designer, and the third (and last) wife of Ivan Bilibin.
Pictured are a few examples of propaganda porcelain she designed in 1919-1921 in Petersburg.
Avelino Perez bird carvings make nice last minute gifts… (at Zinnia Folk Arts, LLC) https://www.instagram.com/p/Bru3bLZF8gH/?utm_source=ig_tumblr_share&igshid=wuh9e1d1trac
▪ Vase.
Factory: Wedgewood and Co.
Date: ca. 1780
Culture: British, Staffordshire
Medium: Black basalt
Hand of Sabazios, Alcuni monumenti del Museo Carrafa, 1877
Hand of Sabazios, Catalogue of the bronzes, Greek, Roman, and Etruscan in the Department of Greek and Roman Antiquities, British Museum, 1899

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Antique Japanese Noh mask
Early 1900s Real Photo Postcard, Trick-or-Treaters in masks
Espora ~ Oil on canvas 120x150cm-2015
“The mean of the sea”, “the cyclops” and “the sea bishop” by François Desprez, c. 1562-1564.
Robert Fludd. Frontispiece for Philosophiæ Moysaicæ. 1638.

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The Dragon Devouring the Companions of Cadmus (detail) by Hendrick Goltzius, 1588.
Illustrations of prophecy, particularly the evening and morning visions of Daniel, and the apocalyptical visions of John, 1840