these are some my my favorite pieces đ
Mike Driver

shark vs the universe

ellievsbear
taylor price
Monterey Bay Aquarium
he wasn't even looking at me and he found me

Love Begins
RMH
KIROKAZE
Stranger Things
Xuebing Du
Three Goblin Art
Alisa U Zemlji Chuda

JBB: An Artblog!
d e v o n

PR's Tumblrdome

â
noise dept.
h

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@c41nc0r3
these are some my my favorite pieces đ

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Once they established that Castiel could in fact just appear in a room without making a sound this scene became soo slutty. He rly was just putting on a show for the pretty hunter huh
i love how cas is always JUST on the verge of smiling in lazarus rising, as if he really wants to express his joy at seeing dean but hasn't quite figured out how to do it yet
it's even funnier when you notice how he looks like he genuinely wants to murder bobby for interrupting when he's talking to dean
and then he turns back to dean and he's all soft and puppy-eyed and almost-smiling again
like. could he be more in love.
*September 1st on Tumblr*
You can only reblog this once a year
Best things for a ship to have or be:
Horny
Insane
Religious/spiritual themes
Obsession
Age gap
Doomed

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Art for the wonderful @cuddlebabies (aka komodobits) âSo Says the Swordâ for the @deancasbigbang 2017
small text doodle before bedâŚ.i donât really know where i was going with this!! posted it to my ig story so thought might as well post it here. while weâre here lmk what your craziest experience with perverts was <3
[Concept] I love the idea of Ethel tormenting Isaiah- might actually finish those two one day.
this is fucking amazing

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proximity to god
i was working on my second preacher's daughter essay, when I had a revelation about the two instrumental tracks, and i've been stuck in awe for the past 5 minutes. her fucking mind.
Ethel cain bein called a terrorist on fox news is the most hillarious thing she has acomplished
youâre so crueler (teeth eater)
i wrote two essays about how preacherâs daughter impacted my life for someoneâs school study (while i was đ) and there was so much oversharing (because itâs anonymous & iâm unstoppable) so i want to post them here to feel better
To properly describe the way Preacherâs Daughter has been imprinted into my heart, I can only begin by explaining the things that Iâve experienced in my lifetime that Haydenâs music has immensely helped me grieve and process. To give you the rundown on who I am, Iâm a gay, neurodivergent, and ex-Christian teenage boy, who was raised in an Evangelical Christian family in absolutely-nowhere, Florida. The dots connect themselves, but nothing has ever encapsulated this niche of my life like Haydenâs work on Preacherâs Daughter has. The first time I resonated with her music was just last autumn, when I had left my home to live with my father. I was fighting with my mother, to the point of severe mental dysfunction, and I had listened to Family Tree (Intro) for the first time. Hayden sings, âJesus can always reject his fatherâ but he cannot escape his motherâs bloodâ. I was left in complete awe. I had found an album that would change my life, with songs that would help me to put my experiences into words as haunting as my memories.
Not to mention, the storytelling of Ethelâs life is outstanding. The complexity of an album about parent failures and unreliable narratives and religious trauma woven into a twisted story of a young girl groomed into carnage is unmatched. Ethel Cain is brought to life and portrayed so personally that a listener canât help but relate to her. Of course, not *every* listener is going to relate, as there is still extremely sensitive subject matter, which Hayden worked on with an impressive amount of respect and nuance.
I think one of the most underrated songs on the album is Hard Times. Not only is it a vulnerable look into the troubles of Ethel Cain, but itâs a relatable highlight to a core childhood wound of hers. Something about the acoustic strumming and Haydenâs strong humming feels like the burning pain of missing the âgoodâ version of somebody. While there are multiple people this song has helped me grieve, Iâll talk about how I can relate to Ethel herself. As I previously mentioned, I lived with my father for a couple months. For most of my life, I strongly disliked my father. On my middle school graduation day, years ago, he had told me that he knew I was gay, and that he accepted and supported me. My entire relationship with him changed. Over 2 years later, I moved in with him, he became him again, and it wasnât meant to be. Iâm safe, and Iâve moved, but ever since I left Iâve had this burning sense of infancy that comes and goesâremembering what it felt like to hate my father during my childhood.
As one does, I grieve through music. Hayden sings, âIâm tired of you, still tied to meâ, in a way that grasps my heart like the unbudging tether between father and child. She disappears into character and the song turns into another teenager my age, singing words we both know by heart.
that was the essay about the album in generalâŚkind of just like a part 1 though.
this next essay is about televangelism but ties off the responses as a pair as well
Televangelism. With 11/13 tracks of an album packed with haunting lyrics like âFreezer bride, your sweet divine / You devour like smoked bovine hide / How funny, I never considered myself toughâ (Strangers), & âDonât worry âbout it too hard or youâll never sleep a wink at night again / Donât worry âbout me and these green eyes / Mama just know that I love you / Iâll see you when you get hereâ (also Strangers), itâs shocking to say Iâm going with an instrumental track. . There is just something so deeply somatic about Haydenâs music. I can recall in my darkest moments in my time living at my fatherâs, laying in my bed with my headphones on listening to Televangelism, disassociating to the lights on my ceiling. I remember, it was a lot colder because my bedroom was in the garage and it was the middle of winter. I liked it cold, though. I would put on my headphones and listen to Televangelism on loop, feeling the warmth of Ethelâs ascension to Heaven fill my ears and radiate down my spine. It was escapism, survival even. It took my mind off of where I was and reminded me there was better days ahead.
To fully communicate the extent of Televangelismâs impact on me, I want to be very vulnerable about some of the things I have went through. If religious trauma is a sensitive subject I apologize in advance.
I grew up having nearly-daily panic attacks because of the things I had been taught about the Christian God. From 9 years old up to around this time last year, I would go in and out of having major panic attacks about going to hell or being left behind in the rapture. After the resolution of a religious psychosis episode in summer of last year, I had discovered information that had broken the hold that the Christian religion had on me, and I began to heal from my religious trauma.
While âPreacherâs Daughterâ as a whole has played a role in my healing process, Televangelism stands out above all tracks. A song composed so beautifully it mimics the sensation of ascending to Heaven, signifying the end of Ethel Cainâs suffering on Earth. It is identical to the feeling of being without extreme fear and anxiety that I discovered for the first time last year. Every time I listen to Televangelism, I get to remember how it felt to discover that my existential worst fear was made up all over again. It was bliss. It was grief. It was heartbreaking, and it was life-changing. This album, while thematically centered around death, symbolizes the magnificence of creation, and how awesome it is to have the ability to bring the story of a character like Ethel Cain to life. I believe that if there is a God out there, âPreacherâs Daughterâ was the apology for everything Iâve ever had to grow through.
okay thank you i hope nobody sees this
i'm looking back on this essay and i'm genuinely so proud of it. i'm actually very glad i posted it here. if anybody else sees this i would deeply appreciate it if you took the time to read through and let me know what you think <3 i have an essay about isaiah coming very soon.
i wrote two essays about how preacherâs daughter impacted my life for someoneâs school study (while i was đ) and there was so much oversharing (because itâs anonymous & iâm unstoppable) so i want to post them here to feel better
To properly describe the way Preacherâs Daughter has been imprinted into my heart, I can only begin by explaining the things that Iâve experienced in my lifetime that Haydenâs music has immensely helped me grieve and process. To give you the rundown on who I am, Iâm a gay, neurodivergent, and ex-Christian teenage boy, who was raised in an Evangelical Christian family in absolutely-nowhere, Florida. The dots connect themselves, but nothing has ever encapsulated this niche of my life like Haydenâs work on Preacherâs Daughter has. The first time I resonated with her music was just last autumn, when I had left my home to live with my father. I was fighting with my mother, to the point of severe mental dysfunction, and I had listened to Family Tree (Intro) for the first time. Hayden sings, âJesus can always reject his fatherâ but he cannot escape his motherâs bloodâ. I was left in complete awe. I had found an album that would change my life, with songs that would help me to put my experiences into words as haunting as my memories.
Not to mention, the storytelling of Ethelâs life is outstanding. The complexity of an album about parent failures and unreliable narratives and religious trauma woven into a twisted story of a young girl groomed into carnage is unmatched. Ethel Cain is brought to life and portrayed so personally that a listener canât help but relate to her. Of course, not *every* listener is going to relate, as there is still extremely sensitive subject matter, which Hayden worked on with an impressive amount of respect and nuance.
I think one of the most underrated songs on the album is Hard Times. Not only is it a vulnerable look into the troubles of Ethel Cain, but itâs a relatable highlight to a core childhood wound of hers. Something about the acoustic strumming and Haydenâs strong humming feels like the burning pain of missing the âgoodâ version of somebody. While there are multiple people this song has helped me grieve, Iâll talk about how I can relate to Ethel herself. As I previously mentioned, I lived with my father for a couple months. For most of my life, I strongly disliked my father. On my middle school graduation day, years ago, he had told me that he knew I was gay, and that he accepted and supported me. My entire relationship with him changed. Over 2 years later, I moved in with him, he became him again, and it wasnât meant to be. Iâm safe, and Iâve moved, but ever since I left Iâve had this burning sense of infancy that comes and goesâremembering what it felt like to hate my father during my childhood.
As one does, I grieve through music. Hayden sings, âIâm tired of you, still tied to meâ, in a way that grasps my heart like the unbudging tether between father and child. She disappears into character and the song turns into another teenager my age, singing words we both know by heart.
that was the essay about the album in generalâŚkind of just like a part 1 though.
this next essay is about televangelism but ties off the responses as a pair as well
Televangelism. With 11/13 tracks of an album packed with haunting lyrics like âFreezer bride, your sweet divine / You devour like smoked bovine hide / How funny, I never considered myself toughâ (Strangers), & âDonât worry âbout it too hard or youâll never sleep a wink at night again / Donât worry âbout me and these green eyes / Mama just know that I love you / Iâll see you when you get hereâ (also Strangers), itâs shocking to say Iâm going with an instrumental track. . There is just something so deeply somatic about Haydenâs music. I can recall in my darkest moments in my time living at my fatherâs, laying in my bed with my headphones on listening to Televangelism, disassociating to the lights on my ceiling. I remember, it was a lot colder because my bedroom was in the garage and it was the middle of winter. I liked it cold, though. I would put on my headphones and listen to Televangelism on loop, feeling the warmth of Ethelâs ascension to Heaven fill my ears and radiate down my spine. It was escapism, survival even. It took my mind off of where I was and reminded me there was better days ahead.
To fully communicate the extent of Televangelismâs impact on me, I want to be very vulnerable about some of the things I have went through. If religious trauma is a sensitive subject I apologize in advance.
I grew up having nearly-daily panic attacks because of the things I had been taught about the Christian God. From 9 years old up to around this time last year, I would go in and out of having major panic attacks about going to hell or being left behind in the rapture. After the resolution of a religious psychosis episode in summer of last year, I had discovered information that had broken the hold that the Christian religion had on me, and I began to heal from my religious trauma.
While âPreacherâs Daughterâ as a whole has played a role in my healing process, Televangelism stands out above all tracks. A song composed so beautifully it mimics the sensation of ascending to Heaven, signifying the end of Ethel Cainâs suffering on Earth. It is identical to the feeling of being without extreme fear and anxiety that I discovered for the first time last year. Every time I listen to Televangelism, I get to remember how it felt to discover that my existential worst fear was made up all over again. It was bliss. It was grief. It was heartbreaking, and it was life-changing. This album, while thematically centered around death, symbolizes the magnificence of creation, and how awesome it is to have the ability to bring the story of a character like Ethel Cain to life. I believe that if there is a God out there, âPreacherâs Daughterâ was the apology for everything Iâve ever had to grow through.
okay thank you i hope nobody sees this

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
was doing laundry in my grandfatherâs garage, my garage, late a couple nights ago, and i noticed this slender coat hanging behind me. iâve never seen this coat in my life, itâs extremely long and i donât remember seeing it before. did slenderman lose his dry cleaning in my garage ho????
eating panera bread and hot cheetos on the way home from a sleepover listening to strangers on the aux in my grandpaâs car in a small obsolete town in florida