Bully (2001)
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Bully (2001)

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For a minute, just for a minute, you made it feel like home. Maren and Lee in Bones and All (2022)
The truth is like the waiting jaws of a monster, a more menacing monster than I’ll ever be. It yawns beneath your feet, and you can’t escape it, and as soon as you drop, it chews you to pieces.
BONES AND ALL (2022) dir. Luca Guadagnino, adapted from the novel Bones & All by Camille DeAngelis
Bones and All (2022) dir. Luca Guadagnino
BONES AND ALL (2022) dir. Luca Guadagnino

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Zola (2020) dir. Janicza Bravo
Zola (2020) Janicza Bravo
Fat Girl (2001) dir. Catherine Breillat
let love in. believe compliments. be vulnerable and soft-hearted. tell people you love that you love them. see beauty in everyday things. live life like you’re in a movie. don’t be afraid to begin again.
Anne Sexton, from “The Papa and Mama Dance.”

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“Perhaps I am no one. True, I have a body and I cannot escape from it.” —Anne Sexton, The Poet Of Ignorance
“I am afraid to own a Body—” —Emily Dickinson, Complete Poems
“Why must we have bodies?” —Jean Paul Sartre, Intimacy
[Plus: Listen to Where Does A Body End by Swans]
Ho vissuto così poco che tendo a immaginare che non morirò; sembra inverosimile che una vita umana si riduca a così poca cosa; si immagina, controvoglia, che prima o poi qualcosa finisca per succedere. Grosso sbaglio. Una vita può benissimo essere al contempo vuota e breve. I giorni scorrono miseramente, senza lasciare traccia né ricordo; e poi, di colpo, si fermano.
- Estensione del dominio della lotta, Michel Houellebecq
“I maintained a tactical silence. When you maintain a tactical silence and look people right in the eye, as if drinking in their words, they talk. People like to be listened to, as every researcher knows–every researcher, every writer, every spy.”
— Michel Houellebecq, Submission
The Human Voice (Pedro Almodóvar, 2020)
Chantal Thomass fw94 p.2

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“We broke up April Fool’s day, so I took it as a joke. I’m willing to humor her for a month. Every day I buy a can of pineapple with an expiration date of May 1st, because May loves pineapple, and May 1st is my birthday. I tell myself that if May hasn’t come back by the time I’ve bought 30 cans, then our love will expire too.”
– Takeshi Kaneshiro in Chungking Express (1994) dir. Wong Kar-wai
Chungking Express (1994) dir. Wong Kar-wai