the other side

JUST HOLDING ON //

“The choice (Catherine) made to comfort me in that moment, it was unexpected, it wasn’t part of, it wasn’t scripted, and it happened. And I think when we were putting the scene together, it did so much for that scene, because it became something that was not just an emotional moment between two people who were falling in love, but it also became a really beautiful representation of how parents should always support their children” — Dan Levy.

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Better suited here than any other package

— Don Miguel Ruiz , The Four Agreements 

let’s keep on doing this

“The Lawless Energy of Teen Girls” reflects on Justine Kurland’s photo series “Girl Pictures,” shot between 1997 and 2002.