Good Brother

Bonnie and Clyde: Silent short

written and soon to be directed by: Bronson

-Fade in

*Shot in black and white*

(Bonnie and Clyde by: Serge Gainsburg plays)

-Daylight

A man and woman are seen driving in an older looking muscle car (zoomed in two shot from the shoulders up) on what seems like a deserted highway. The woman is cuddled up closely to the man as she smiles and he does the same.

The woman lifts her hand to see a huge diamond ring on her left ring finger almost lost in its beauty while the diamonds dance in the sunlight. The man smiles proudly.

(Camera pans to Hawaiian bobble head on the dashboard swaying back in forth as if she was happy for the apparent newly engaged couple.)

(Camera then pans between the interlocked arms of the couple to the back seat. We see opened and spilled bags of money and jewelry all over. Then a smeared bloody handprint is shown on back driver side window. The rear window and most of the back seat is riddled with bullet holes.)

We get another shot of the couple but but this time less zoomed to get a better understanding of what has happened. The woman has blood running down her right arm from an apparent bullet wound. As well as her leg. A revolver lies in her lap. We see the man with blood trickling from his left ear and two bullet holes in the middle of his chest. How they’re surviving is anyone’s guess.

We get a look in the mirror and see almost a small militia of police officers trailing behind them. The man looks up in the mirror. You can tell he’s losing too much blood. He looks at the woman with a half smile as to reassure her everything will be alright.

We see the man pass a sign that says “highway ends in cliff turn left into the city” the camera pans to the fuel gauge and its teetering on E.

They get closer to their endpoint. The couple can see a blockade to their left where the city begins, and they they see the cliff. The man looks over at the woman. Her eyes closed. She’s motionless. Her grasp on him less tight. He looks up.

Fade to black

THE END.