178 West Huntingdon
TYPOLOGY: Renovation LOCATION: Philadelphia, PA COMPLETED: In Zoning
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@brokenarrowworkshop
178 West Huntingdon
TYPOLOGY: Renovation LOCATION: Philadelphia, PA COMPLETED: In Zoning

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2630-2632 CUMBERLAND ST.
TYPOLOGY: New Construction - Multi-Family LOCATION: Philadelphia, PA COMPLETED: In Zoning
HATCHATORY FENCE AND GATE TYPOLOGY: Fence and Gate Design LOCATION: Philadelphia, PA COMPLETED: Under Construction PROJECT MANAGER(S): Simon DeAguero PROJECT TEAM: Russell Mahoney and Austin Mardi. DESCRIPTION: Located at 2628 Martha Street, the Hatchatory is ground zero for some of Philadelphia's most progressive artists and entrepreneurs.
While working in the Hatchatory Simon De Aguero was faced with the challenge of designing a new gate entrance for the building.
More than ten years ago all of the windows at the Hatchatory were covered with steel security screens. Simon chose to re appropriate those steel screens to create a new type of security with the gate. With the varying angles and shapes within each screen Simon was able to make simple changes in pattern and rotation of each panel, to create a new gate that feels mosaic.
WHITE LIGHTNING TYPOLOGY: Set Design LOCATION: Philadelphia, PA COMPLETED: September, 2012 PROJECT MANAGER(S): Simon DeAguero, PROJECT TEAM: Russell Mahoney, Emil Crystal, and Dave Frazee. DESCRIPTION: A fabric set installation for the performance, Wind Against My Back by SnakeEatTail.
PARRISH STREET
TYPOLOGY: Furniture LOCATION: Philadelphia, PA COMPLETED: July, 2012 PROJECT MANAGER: Russell Mahoney PHOTO CREDIT: Suzanne Tenuto

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MINER'S SHELTER TYPOLOGY: Desert Shelter LOCATION: Taliesin West, Arizona COMPLETED: December, 2011 PROJECT DESIGNER/MANAGER(S): Dave Frazee with Robert Jackovich and Christopher Madden Carr PROJECT TEAM: Dakotah Apostolou, Charles Arundel, Glen Biehle, Thai Blackburn, Ron Boswell, Chelsea Clark, Emil Crystal, Daniel Dillow, Aris Georges, Jeff Graham, Dani Loryn Christi Hill, Russ Karlstad, Peter Maestri, Nick Mancusi, Brian Maxwell, Charles McCall, Michael P. Johnson, Gilbert Rey, Bob Sanders, Victor Sidy, Samuel Wharton, Pierre Verbruggen, and Huiee Wong PHOTOGRAPHY BY: Nathan Rist and Dave Frazee ARTWORK BY: (Left to Right) Aris Georges, Mackenzie Meitner, and Emil Crystal PROVIDER(S): Architectural Windows Manufacturing Company (Full Window Donation) Agate Steel (Exterior Steel Panels with Partial Donation) Taliesin West Salvage Yard (Steel Tube and Sheet Steel) Home Depot (Wood Framing, Birch Plywood, Redwood Lath, and Plaster) Sun Valley Construction (Hat Channel) Davis Salvage (Air Wall Vents) The Miner’s Shelter is a desert dwelling located at Taliesin West in Scottsdale Arizona. The shelter was designed and built by Taliesin student Dave Frazee.
The concept and title comes from the architectural ruins that were found at the project’s site. The shelter’s design geometry is inspired by the existing concrete pad and chimney mass.
The shelter is held at two feet above the desert surface by two steel posts and one of the original concrete walls. It is coddled by a nearby Palo Verde tree.
The shelter is covered with steel panels that are attached to metal channels, which hold the panels three inches off of the wall. The air space allows for hot air vent away from the structure improving the insulation quality for the interior space. Where the material changes planes on the exterior, the structure is clad with ebony stained redwood. The steel and wood were selected for their aging qualities and durability in the desert. The rusted steel used to pay homage to the deserts rich mining history. Over time the panels acquiring a patina similar to that of the desert mountain range. The redwood was also chosen for its aging quality, and its precedent as a building material for the original Taliesin West desert camp.
The entrance to the shelter is located on the inner courtyard of the concrete pad closest to the chimney mass. This allows for a student to open up the shelter and gain warmth on a cool night from the nearby fire.
The interior wall finish material is a combination of plaster and birch plywood. The cold color of the plaster creates a cave like experience, and the intersections of the birch plywood built-in, provide a place to set a book or a few candles for nighttime visibility. From inside the shelter, the views towards the entrance frame the McDowell mountain range (that span from the northeast towards the south). The window closest to the chimney frames the Phoenix Valley.
The shelter’s operable windows allow a current resident on the warmest nights to receive a gentle breeze from the desert wash, from the toe of the bed, to the head. On colder nights, the windows can be shut to retain heat.
Last but not least, along the pad near the chimney mass of the shelter, is a small landscaping addition. Existing “L” shaped blocks (Originally used for a low wall on the site) were used to level out the ground of the existing concrete pad. The “L” shape was used as a design inspiration and reference throughout the project. The shape appears at every scale of design throughout the project. In plan, you can see it by the shelters placement onto the existing site, In elevation you see where the shelter overhangs and interacts with the Palo Verde tree, and in detail throughout the interior where the plaster and birch plywood interact.
3826 LANCASTER AVE.
Installation Video
3826 LANCASTER AVE. TYPOLOGY: Art Installation LOCATION: Philadelphia, PA COMPLETED: August, 2011 PROJECT MANAGER(S): Russell Mahoney and Emil Crystal
A temporary architectural “armature” on the façade of an inoperable building. An armature, in brief, is a new “skin” which is situated proud of the existing structure which will give the building a new aesthetic perspective. The hope is to give the surrounding area a boost of visual interest, and provide the community with a greater sense of purpose, and enhance the experience of Lancaster Avenue as a retail corridor.
1412 SOUTH BROAD
TYPOLOGY: Facade Improvements LOCATION: Philadelphia, COMPLETED: June, 2011 PROJECT MANAGER(S): Russell Mahoney
DESCRIPTION: Increase "curb appeal" by facade improvements. The use of a new "skin", color, and aluminum detailing to create a more coherent and contextual facade. Property was under contract withing 6 weeks of facade improvements.
BRITTLEBUSH
LOCATION: Taliesin West, Arizona COMPLETED: May, 2010 PROJECT MANAGER(S): Simón De Agüero with Erik Krautbauer PROJECT TEAM: Nathaniel Allen, Dakotah Apostolou, Thai Blackburn, Jillian Brooks, William Brunson, Chelsea Clark, Emil Crystal, Simón De Agüero, Matthew Dickerson, Daniel Dillow, Dave Frazee, Saul Glass-Siegel, Jeff Graham, Christopher Gritzmacher, Saskia Jorda, Aaron Kadoch, Erik Krautbauer, Annett Marsico, Marietta Paglakou, Todd Lehmenkuler, Austin Mahoney, Russell Mahoney, Brian Maxwell, Marli Post, Taryn Seymour, Skye Whitman, Chris Williams, Hui Ee Wong
Brittlebush is an experimental desert dwelling. Envisioned as an open-air living space, this design concept includes a terrace for drinks with friends and a quiet retreat bed. Approximately 90% of the steel in the project was re-used material; 100% of the earth for the rammed earth walls was from the site; 100% of the wood used for the form-work furniture was salvaged from renovation waste. Everything was designed and built by soularchiteXture.

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MIDWAY FURNITURE
TYPOLOGY: Prairie Shelter LOCATION: Taliesin, Wisconsin COMPLETED: September, 2009 PROJECT MANAGER(S): Russell Mahoney