ARTFIGHT‼️‼️‼️ come and get me if you dare >:]
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oozey mess
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@brokedex
ARTFIGHT‼️‼️‼️ come and get me if you dare >:]

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The new generation announcement actually reminded me that I had these mane 6 redesigns laying around that I never finished!
I never got around to truly finishing Rarity and Fluttershy. And I believe I was still tinkering with Pinkie too, but the general thought behind it was as follows:
George Platt Lynes (American, 1907-1955), a pair of wool needlepoint cushions depicting Two Male Nudes, c.1940-50. Each approximately 23½ x 25 in.
Selections from the book, 'Showroom & Exhibition Display by Meisei Publications' (1993)
Nissan booth at the 28th Annual Tokyo Motor Show - designed by Nippo, Inc. Shoko Bijutsu Co., Ltd. (1989)
2. Itoki Osaka New Office Gallery - designed by Nikken Sekkei Architects
3. Tokyo Gas Pavilion - Yokohama Exotic Showcase '89 - designed by Design Art Center Co., Ltd. (1989)
4. National Panasonic Pavilion - Yokohama Exotic Showcase '89 - designed by Yokohama Branch, Kajima Corp. (1989)
5. Sony Booth at the '89 Business Show - designed by Design Art Center Co., Ltd.
6. The 45th Anniversary of Iwasaki Electric Corporation - designed by Murayama Inc.
7. Theme Zone - 24th Kyoto Scope (for the Kyoto Textile Converters) - designed by Fujiya Co., Ltd. (1989)
8. Theme Zone - 24th Kyoto Scope (for the Kyoto Textile Converters) - designed by Fujiya Co., Ltd. (1989)
9. Nissan Aprite Zama - designed by Yokohama Branch, Kajima Corp. & the ILYA Corp.
10. America-Ya showroom - designed by Tokyo Senbi Co., Ltd.
11. Toyota Auto Salon Amlux Tokyo - designed by Nikken Sekkei Ltd. Dentsu Inc. & Takenaka Corporation
12. Toyota Auto Salon Amlux Tokyo - designed by Nikken Sekkei Ltd. Dentsu Inc. & Takenaka Corporation
Selections from 'The Sourcebook of Architectural and Interior Art 16' (2001), a collection of various artworks & applied art for residential & commercial applications
Sculpted bronze doors and window by Louis DeMartino
2. 'Play Time' sculpture by R.W. McBride
3. Studio entry in Houston, TX by Ellen Abbott & Marc Leva
4. 'Moss Canyon', Hall residence, Morgan Hill, CA by John Pugh
5. 'Olde Florida Portico' and 'Two Manatees Bench', Jan Kaminis Library, Tampa, FL
6. 'Pier', three-dimensional wall sculpture - neon, plexiglass, wood - by Luminous Artworks
7. Carved and welded glass doors by Glassic Art
8. 'Transformed commercial sink' by Sheryl VanderPol
9. Sculpture for the Nolin Rural Electric Cooperative - plaster, steel, and light (1998) - by Rich Griendling

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something I really enjoy is that I've now seen like 4 or 5 variations of roughly this same video, all slightly different in their angles and timing while obviously being the exact same bunny and room, implying that this is a consistent and frequent behavior for this bunny instead of just a funny thing it did once that got caught on camera. I wish I could have as much raw unfiltered enthusiasm for anything as this little rabbit has for its dinnertime
it really is quite bad for your military to have an image of itself as a warrior class. what you really want is for your soldiers to think of themselves as boring professionals who will fill out a report form if someone gets a little too warrior ethos out there
Taglines from science fiction covers

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I hate anatomy
Petra Cortright
““Give Me Back My Beast!” Greta Garbo reportedly called out those words at the ending of Jean Cocteau’s Beauty and the Beast (1946), when she first saw the film. When the trapped Prince appears, after shedding his monstrous exterior, there is a strange sense of disappointment and loss, something that the film, beautifully, does not shy away from. The Beast, as played by Jean Marais, is such a visceral presence, so fearsome in aspect and yet so deeply emotional, that to see him as just a regular human (also played by Jean Marais) is upsetting. Something has been born, something has died. Belle (Josette Day) stares up at the glimmering prince before her, and you can see the loss flickering in her eyes. She does not fall upon him with lusty gratitude that he is now “beautiful” and therefore worthy of her love. She stares at him, in awe at the magic that has unfolded, but it is clear that her feelings are mixed. Finally, she says, “I’ll have to get used to it.” This is profound.”
— Sheila O’Malley
A clinging jellyfish (Gonionemus vertens) in Alameda Co, California, USA
by Robin Gwen Agarwal

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Good thing i have a wednesday to thursday transformation fetish
smoking that shit that made the Miocene epic