2 years ago today: June 4th 2024 paper collage „Eine Maschine, angetrieben von Liebe und Zweifeln“ („A machine fuelled by love and doubts“).

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2 years ago today: June 4th 2024 paper collage „Eine Maschine, angetrieben von Liebe und Zweifeln“ („A machine fuelled by love and doubts“).

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Mark Gowing, Language system of counter oblongs (I wish I had listened), (natural ochre, acrylic, graphite and book pages on aluminium), 2025 [© Mark Gowing]
"X-RAY OF PAINTING, 1946, AFTER BACON" ROBERT LONGO | HUNGRY GHOSTS, 2017 [charcoal on mounted paper | 120 x 81"]
Escutcheon Plate, Metropolitan Museum of Art: Medieval Art
Gift of Henry G. Marquand, 1887 Metropolitan Museum of Art, New York, NY Medium: Iron
http://www.metmuseum.org/art/collection/search/468791
Emilio Scanavino
Costrette
1969
Oil on canvas

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neil spiller
Theodore Gericault - Head of a Guillotined Man
plastic/sock by talia chetrit, 2016, inkjet print 15 × 11.2 inches (censored for tumblr guidelines)
Koichi Yamamoto (Japanese, 1967) - Ganiuta (2026)

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Wet Veil, c. 1937
Photography: Erwin Blumenfeld
Emilio Scanavino (Italian, 1922-1986), Tramatura, 1973. Oil on panelled canvas, 50 x 50 cm.
Illustration by Hayashi Yoshifumi, scanned from “A Materialist's Bride Who Birthed a Brain,” 1994.
Ursula Stock - Nervensäge, 1984
Bronze
Emilio Scanavino (Italian, 1922-1986), Alfabeto senza fine [Endless Alphabet], 1982. Oil on honeycomb canvas, 81 x 100 cm.

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Christopher Charles Curtis
J. & M. L. Fattorusso, Florence: The City of Flowers, 1937