Ian McQue - http://mcque.deviantart.com  -  http://www.gallerynucleus.com/artist/ianmcque  -  https://www.facebook.com/ianmcque/?ref=page_internal  -  http://www.ianmcque.bigcartel.com  -  https://twitter.com/ianmcque/media
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Ian McQue - http://mcque.deviantart.com  -  http://www.gallerynucleus.com/artist/ianmcque  -  https://www.facebook.com/ianmcque/?ref=page_internal  -  http://www.ianmcque.bigcartel.com  -  https://twitter.com/ianmcque/media

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Doodle actionn đđ
There will always be beings far more radiant than you, But that does not mean you canât shine brightly too
biasedismymiddlename (via wnq-writers)
Educate yourself. When a question about a certain topic pops up, google it. Watch movies and documentaries. When something sparks your interest, read about it. Read read read. Study, learn, stimulate your brain. Donât just rely on the school system, educate that beautiful mind of yours.
(via travel-as-a-happy-hippie)
How...how do you draw mouths the way that you do??! They're always so expressive and just plain pretty to look at. Please teach us more of your awesome ways *bows humbly*
Ohhh gosh, thank you! Iâm glad you like em! I actually donât do anything too special, but hereâs a few tips!Â
The first thing I focus on is the top lip. The more you focus on the curve, the more variation and form itâs given.
Then, I focus on the lip shape in general. The top lip is actually âdarkerâ than the bottom, because itâs in shadow.
Itâs better illustrated in color, and it makes seeing form in it easier and clearer.
Another big aspect I rely on and love to utilize is the gums. Gums are great for giving a very real, tangible, finite look to the teeth, rather than have them stretch endlessly in the mouth. Again, use curves!
Another big thing with the gums, is knowing where theâre at. Think of how the jaw is lowered and raised, rather than the top, which remains static. For the top though, the lip itself can reveal the gums, when stretched.
When expressing emotion, (and I know I bring this up a LOT) exaggerate! Pull the corners back far, show the gums, show the bottom row, move the tongue! Again, use curves! Never keep too static a line, especially in the top lip.
And finally, wrinkles! Use the surrounding skin and flesh I to your advantage! Pull it for age and expression, compress it to show youth, (typically).
Thank you again, and I really hope this helps! <3

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My coworker brought in her childhood pics && she was too adorable not to do an inktober for it lolz
Nathalie Arbel recaps last month's Women in Design event.
âI think we all have a vision for something,â Tiffani said. âIf you believe in something deep in your gut and in your heart, itâs probably going to be inspiring to other people.â She acknowledged that finding the right way to articulate your worldview is difficult, but that this work is also important and worthwhile.â
Some work in progress from The Red Turtle (La Tortue Rouge) animated feature film.
We have to create; it is the only thing louder than destruction.
Andrea Gibson, Yellow Bird (via wordsnquotes)

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Maquettes from our 25 years of Nickelodeon Animation exhibit
Maquettes are 3D character models that animators use for reference when drawing a character from different angles. Along with model sheets, maquettes also help bring consistency to drawings of the same character by different artists.
These ones almost got thrown out before they were scooped up for the exhibit. Close call!
Dear ADs, I am a working artist who has not 'broken through'. I am in my mid 30's and not yet 'a big deal'. It's difficult at this point to start new projects because I despair of ever reaching the career goal posts I have set for myself. I intellectually understand that I am not old, but it is hard to see artist after artist in their early 20s being lifted aloft and not judge myself as wanting in comparison. Sincerely- 'Wasn't cool when I was young, either'.
This is both a really personal, and also a really universal issue. Let me answer you in a bit of stream of consciousness here, bear with me.
1ââBreaking thruâ and âBig Dealâ are completely arbitrary concepts, depending entirely on your POV. I am friends with artists who were (and still are) heroes to me. Theyâre so famous, and so goddamn good, that youâd think they could rest on their laurels and finally relax and just go about being great and enjoying it. But itâs not true, because that feeling of never being where you want to be, not having made it yet, never goes away. It doesnât matter how far you climb, that feeling climbs with you. So get used to it. In a way, you need it. The artists that donât have that drive never rise above mediocre. Itâs that dissatisfaction that keeps you striving. Unfortunately it can also make you miserable. Each of us needs to find a way to balance and walk the tightrope between being dissatisfied enough to keep growing, while letting ourselves be pleased with what weâve accomplished at the same time.Â
Go ahead, listen to some interviews with some artists you admire - theyâre all going to talk about having this feeling.Â
And remember, no matter where you are on the ladder - youâre only looking up the ladder to your heroes. Remember thereâs also people below you on the ladder looking to YOU and wishing they could be where you are.
2âDonât fall into the trap of comparing the 100% of your life that you know with the 10% or 25% or even 50% of someone elseâs life that you can see. Social media and the internet in general is the worst for this, but it happens in real life tooâŚyouâll see someoneâs successes and not see their hardships. We do this naturally as human beings. We donât put our chronic diseases, our divorces, our depressions, our failures, out there for the world to see nearly as much as we celebrate our wins. You see the artist suddenly getting all the book cover commissions, but you donât see that theyâre stuck in the house 5 out of 7 days with Crohnâs Disease. You see someone get into Spectrum or American Illustration, but you donât see that theyâre going through a period of depression and intense dissatisfaction with their work to the point that they havenât made anything new in six months. You see the concept artist working on a bunch of big movies, but you donât see them struggling with overwork injuries. The key here is to just assume, just know, that youâre not seeing the whole story. Donât compare your lows to another personâs highs.
3âGoals are both critical to your success, but at the same time, can defeat you before you begin. Instead of setting really big goals that immediately overwhelm you with how far you have to climb to get there, try setting priorities instead. This exercise might help.Â
4âThe solution is to stop caring about what everyone else is doing, how young or old everyone else is, and especially worrying that youâre too old, too late, not where you want to be yet, havenât hit an arbitrary goalpost. Just put your head down and make great work. Show it to the right people. Repeat. Youâll get there. Everyone who has gotten there ahead of you got there this way.
âAgent KillFee
Yuca arts drawing challenge day 1 - your character as a kid. Say hello to lil Ria. đđ
How Love and Care for Yourself More
1. Interrupt the denigrating, negative self talk.
2. Donât beat yourself up when you get something wrong.
3. Give yourself credit for the ways youâve changed and grown.
4. Say something good about yourself everyday.
5. Refuse to fixate on the things that could go wrong.
6. Believe that you are worthy of unconditional love.
This weekend was the grand opening of Happy Happy! Joy Joy! Art and Artifacts from 25 years of Creator-Driven Cartoons, an art exhibit we created in partnership with Cal State Fullerton.Â
In addition to a public reception and autograph signing, Butch Hartman (Fairly OddParents, Danny Phantom) hosted a Creator Panel featuring Jim Jinkins (Doug), Arlene Klasky (Rugrats, Wild Thornberrys), Stephen Hillenburg (SpongeBob SquarePants) and Vanessa Coffey (founding executive of Nick Animation). Weâll have video coverage of the event coming soon, but for now check out some of the panel highlights from our @NickAnimation live-tweet!

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There are pencils that turn into plants when youâre done using them.Â
The âSprout Pencilâ is the first sustainable pencil in the world that can be planted after use.
âWe have chosen the seeds for our pencils with great care, and they germinate quickly: i.e. within 1-3 weeks, depending on the seed variety. Most plants can be grown both indoors and outdoors.âÂ
Itâs made of natural materials: the body is cedar wood, and the âleadâ is a mixture of clay and graphite.
Sprout pencils are available in 22 varieties, including sunflower, mint, lavender, sage, forget-me-not, cherry tomato, sweet pea, cilantro, and wild strawberry.
What to do
âWhen the Sprout Pencil has become too short to write with, it is ready to be planted. Follow the simple instructions below and see your Sprout pencil sprout.â
They are also available in the colored pencil variety, which makes me oh-so-happy!Â
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