do you think two pennies is still enough for the ferryman or has inflation driven up the fare
if he makes me use an app I am simply not crossing the river Styx.

Product Placement

ellievsbear
2025 on Tumblr: Trends That Defined the Year
taylor price

pixel skylines

JBB: An Artblog!
NASA

Love Begins

oozey mess
Xuebing Du
cherry valley forever
todays bird
we're not kids anymore.

祝日 / Permanent Vacation

Stranger Things

⁂

shark vs the universe
🪼
$LAYYYTER

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@bossbot
do you think two pennies is still enough for the ferryman or has inflation driven up the fare
if he makes me use an app I am simply not crossing the river Styx.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Disney Designer Series by Steven Thompson
This is so true lol because this is what happened to me when I got into Gilgamesh😅
We need to hunt down & kill the inventor of “fuckbutter”
I found the rat bastard
Uh Oh
so embarrassing to have a favorite character honestly. like yes that's my specialest guy 🙄 yes i have 200 photos of him saved 😑 if i don't look at him or hear him talk every 2 minutes i'll start killing the hostages 😕 i think about him every day. because he's my favorite. whatever

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“Waltz of the Flowers” from Disney's Fantasia (1940) | Gifs credit x
There are no words that can express how much i love black cats.
When Sonic's birthday party goes wrong and the Chao are scattered across time and space, the Shadow Chao and Sonic Chao step up to save the day! As this is a proper manga style, remember to read from right to left! Story: Ian Flynn Lines: Misa Shion Color: Min Ho Kim

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Source
The Black Cauldron (1985), dir. Ted Berman & Richard Rich
Director Kirk Wise, screenwriter Linda Woolverton, and actor Robby Benson on casting the Beast [x]
They gave me an incredible amount of freedom. I didn't want Beast to be a cartoon character. I played it as though I were doing a Broadway show. As if this was a living person. And I wanted him to be funny. By funny, I don't mean shtick or one-liners. I am talking about real comedy. When real comedy works, and is truthful, especially with the Beast, it comes out of the fact that he is so pathetic. For some reason, I really understood that. Ha! Because of that, they gave me a lot of leeway. [x]
My first audition was recorded on, of all things, a Sony Walkman. As a musician, I had branched out into recording engineer and loved to play with sound. When I saw the Sony Walkman I knew it had a little condenser microphone in it, and if I were to get too loud, the automatic compressor and built-in limiter would 'squash' the voice— and there would be very little dynamic range to the performance. I did a quick assessment and wondered how many people who had come in to audition for the part were making that error: playing the Beast with overwhelming decibels, compressing the vocal waveforms. I decided to give the Beast 'range.' Because of my microphone technique, and an understanding of who I wanted Beast to be, they kept asking me to come back and read different dialogue. After my fifth audition, Jeffrey Katzenberg the hands-on guardian of the film, said the part was mine…
Beauty and the Beast was so refreshingly fun and inventively creative to work on that I couldn't wait to try new approaches to every line of dialogue. Don Hahn is one of the best creative producers I have ever worked with. The two young directors, Kirk Wise and Gary Trousdale, were fantastic and their enthusiasm was contagious. I not only was allowed to improvise, but they encouraged it. It never entered my mind that I was playing an animated creature. I understood the torment that Beast was going through: he felt ugly; had a horrible opinion of himself, and had a trigger-temper. Those are things that, if done right, are the perfect ingredients for comedy. Painful and pathetic comedy— but honest. The kind of comedy I understood...
In the feature world of Disney animation, the actors always recorded their dialogue alone in a big studio, with only a microphone and the faint images of the producers, writers, directors and engineer through a double-paned set of acoustic glass. Paige O'Hara and I became good friends; it was her idea that for certain very intimate scenes, such as when Beast is dying, we record together. We were able to play these scenes with an honest conviction that is often absent in the voice-over world...
The success of this film was the culmination of a team effort but I must say, the honors go to the animators— and for me (Beast), that's Glen Keane — and to Howard Ashman and Alan Menken. This was the perfect example of a crew who 'cared'. And the final results (every frame) of the film represent that sentiment. [x]

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
“So you’re saying you’d like to spend some time by my side? Very well then, I shall grant you the permission to lay beside the King of Heroes.”
Angel with a Shotgun?