Booksteacats

Darker in theme and content than its predecessor, more polished in terms of plot and pacing, more cohesive from start to finish. Still not without its problems, but I liked this substantially more, more even than I expected to.

Still, I’d rather talk about the problems rather than endlessly gush about how much I adore my best boy Alec. Because I could. But I won’t.

So, those problems:

Micum. He was a major side character in the first book, and this plot would have me believe he’s one of the mystical Four that are needed to save the world from the Big Bad. But he’s not present at all in this book until Seregil goes to fetch him from home 2/3 of the way through, and even when he’s around, he’s not really doing much. The page-space I expected him to fill here was entirely taken up by the military subplot featuring his daughter Beka, and given the triumphant-but-not-perfect way the ending falls out, I honestly don’t see why she couldn’t have taken over his role entirely, even in the prophetic sense.

And while I like Beka and I understand the point of her arc, honestly, the military maneuvering was boring compared to the rest of the story, and it was hard to be invested in the various injuries and deaths among her troops, because I didn’t have time to get to know them, and meanwhile in another plot thread my favorite character was being psychically tortured by an evil, vengeful necromancer. What can stand up to that, in terms of engagement?

Certain aspects of the ending were not just foreshadowed, but telegraphed, to the point where I have a hard time believing Seregil didn’t see it coming…

Which is tied to my dissatisfaction with Nysander’s constant insistence that everything related to the prophecy must be kept strictly secret on pain of death, until oops Seregil figures out a bunch of it on his own, so then Nysander is like “lol I guess you can warn the others then.” And that’s before Alec falls into enemy hands. Why the sudden change of heart? Nysander acts like not telling them is mostly to spare them the dread of knowing that “a terrible Something,” as Seregil puts it, might happen–but then after the fact, Alec is pleased that he couldn’t tell the enemy anything important during his torture, because he didn’t know anything important, despite Seregil explaining the prophecy. The prophecy that was the enemy’s plan in the first place, so didn’t they already know? And the actual information that needed to be kept secret wasn’t something Seregil ever knew, exactly, and wasn’t revealed to the enemy by him, but through the murky Ylinestra/Thero subplot at the beginning. I’m genuinely confused by the ways secrets are regarded and handled in this story, because I can’t figure out why they’re vital sometimes and less dangerous other times.