Books and Berries

Time is running out

Someone (or an animal) is injured

Someone goes missing

A teammate is captured

The plan fails with no backup

A secret is revealed at the worst moment

Resources run out (money, magic, ammo, food)

An ally betrays them or freezes up

The enemy gains leverage

A moral line must be crossed

The safe option disappears

Communication is cut off

Help arrives too late

The stakes suddenly change

Winning now comes with a serious cost

A deadline is moved up unexpectedly

The antagonist learns their weakness

A trusted plan was based on false information

The environment turns hostile (weather, terrain, lockdown)

An important object is lost or destroyed

The character is forced to choose alone

Someone refuses to help when help is needed most

The truth comes out publicly

A past mistake resurfaces

The character is blamed for something they didn’t do

An escape route closes

A lie collapses

The antagonist is closer than they think

The character’s fear is deliberately triggered

An innocent person is put at risk

The cost of failure becomes personal

Authority steps in and makes things worse

A temporary win creates a bigger problem

The rules change mid-conflict

Someone hears or sees something they shouldn’t have

As a former music teacher, I can also say that "learn the fundamentals first" is the death knell for a vast percentage of beginners, especially adult learners.

I've run into this with drawing several times, where some well-meaning artist has lectured me on needing to study anatomy properly or not use shortcuts like CSP brushes. And oh, believe me, I know. I know exactly how to learn an artistic discipline in a structured way. I just...don't want to!

The thing is, I'm not aiming to be a professional artist. I want to draw my gay little anime guys. I would undoubtedly improve at art much faster if I approached every gay little anime guy drawing as a study exercise. But I would also have quit drawing a decade ago if I couldn't just let myself enjoy drawing imperfect fucked-up little guys with whatever shortcuts I needed to body myself across the finish line.

With my adult piano students, my approach was always "What's your goal?" If their goal was to learn exactly one Elton John songbook to play at parties, then...that's what we did. We'd put tape on the keys to label the notes, and just fuckin go for it. Learning exactly one Elton John songbook is a good and noble musical goal, full stop.

Some of my students needed and enjoyed a more structured approach to learning; if they wanted to be able to play classical music, then yes, scales were going to have to enter the equation at some point. And yet others would learn the Elton John songbook, catch their white whale, and realize they wanted to explore more of the ocean. The scales were still there for them to learn!

Often the choice isn't between "learn art well" and "learn art imperfectly" - the choice is between "learn art imperfectly" and "don't do art at all." To which I say, learn imperfectly! Or, what the hell, don't 'learn' art. Just do, and enjoy the doing of it.

'the one caveat here would be posture. With musical instruments especially learn good posture right away. that's a safety thing'

For the time being it is TOGGLEABLE and you can TURN IT OFF!

However, we do not know if Twitch will force this to be on at all times like some other platforms, like X/Twitter, have previously done.

Regardless of IF YOU STREAM OR NOT you should TURN THIS "TRAINING FOR GENERATIVE AI" SETTING OFF IMMEDIATELY!

To do so you must go to: https://www.twitch.tv/settings/security

And then scroll all the way down near the bottom.

There you'll find the "Training for Generative Ai" setting, toggle it to OFF!

Be sure to keep sending messages to Twitch that you do NOT want this to exist.

Lemme see your face - Part 1/3

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Lemme see your face - Part 3/3

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“We have a word for that in Japanese,” he said. “It’s called ma. Emptiness. It’s there intentionally.”

Is that like the “pillow words” that separate phrases in Japanese poetry?

“I don’t think it’s like the pillow word.” He clapped his hands three or four times. “The time in between my clapping is ma. If you just have non-stop action with no breathing space at all, it’s just busyness, But if you take a moment, then the tension building in the film can grow into a wider dimension. If you just have constant tension at 80 degrees all the time you just get numb.”

Which helps explain why Miyazaki’s films are more absorbing and involving than the frantic cheerful action in a lot of American animation. I asked him to explain that a little more.

“The people who make the movies are scared of silence, so they want to paper and plaster it over,” he said. “They’re worried that the audience will get bored. They might go up and get some popcorn.

But just because it’s 80 percent intense all the time doesn’t mean the kids are going to bless you with their concentration. What really matters is the underlying emotions–that you never let go of those.

— Roger Ebert in conversation with Hiyao Miyazaki

July 1, 2026