Edvard Munch, Woman Looking out to Sea, nd pen and brown ink on buff laid paper Smith College Museum of Art, Northampton, MA Bequest of Selma Erving, class of 1927

he wasn't even looking at me and he found me

Love Begins

Andulka

oozey mess

if i look back, i am lost
KIROKAZE
untitled
Lint Roller? I Barely Know Her
Not today Justin

@theartofmadeline

gracie abrams
Sade Olutola
macklin celebrini has autism
I'd rather be in outer space 🛸
2025 on Tumblr: Trends That Defined the Year
$LAYYYTER
One Nice Bug Per Day
EXPECTATIONS
seen from Bangladesh
seen from Saudi Arabia
seen from Bolivia
seen from United States
seen from United States
seen from Germany

seen from Malaysia

seen from Türkiye

seen from United States
seen from Russia
seen from T1
seen from Saudi Arabia

seen from Brazil

seen from United States

seen from Brazil

seen from Malaysia
seen from Russia

seen from Brazil

seen from United States
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@bookdustparticles
Edvard Munch, Woman Looking out to Sea, nd pen and brown ink on buff laid paper Smith College Museum of Art, Northampton, MA Bequest of Selma Erving, class of 1927

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Relief of a honeybee in the Tomb of King Seti I
Valley of the Kings, ca. 1290-1279 BC.
The danger of fiction is that it exposes you to experiences and passions you want for your life and the asks “what’s stopping you?”.
Janet Jumbo by Camila Akran for Elle France Magazine March 2025
Mieko Kawakami, from 'Heaven'

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Moments.
Assata Shakur, What Is Left?, in «Breakthrough» – Political Journal of Prairie Fire Organizing Committee, Vol. 1, No. 1, March 1977, John Brown Book Club, San Francisco, CA (text here, pdf here) [Bolerium Books, San Francisco, CA]
Joseph Selleny (Austrian, 1824–1875), "The Island of St. Paul in the Indian Ocean", 1868
sorry i was researching the author of a victorian book about raising children and now i'm fascinated by her. clear my schedule we're talking about lydia maria child.
"show a baby nice things" got it
wuh. hbuh.

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Robert Bresson's "The Devil, Probably" June 15, 1977.

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A new generation of poets, essayists, memoirists, and novelists is narrating stories of severed connections and exploitation—both their own