Herne the Hunter appearing to Henry VIII on the terrace, by George Cruickshank for William Ainsworth's "Windsor Castle" (1843)
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Herne the Hunter appearing to Henry VIII on the terrace, by George Cruickshank for William Ainsworth's "Windsor Castle" (1843)

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Aka Manto. 🟥
29. Marizampa (Castilla)
En muchos lugares de España encontramos ogros idénticos bajo apariencias masculinas o femeninas. Normalmente se trata de asustachicos dedicados a devorar niños traviesos como puede ser el célebre Tragaldabas castellano-leonés, pues esta es la categoría más abundante en la Península y sus representantes se cuentan bajo multitud de nombres y aspectos. De esta forma tenemos al Zamparrón y a la Zamparrampa, a la Paparresolla y al Paparrotxu, al Zarrampla y la Zarrampla…
Aunque también existen ogros que solo tienen versión femenina. Como la Ransoña gallega, cuyo nombre también es utilizado para designar a las personas maliciosas o poco de fiar. Pero la más terrible de estas ogresas no es otra la Marizampa, una criatura presente tanto en Castilla-La Mancha como en Castilla y León.
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In many places in Spain we find identical ogres under male or female appearances. Normally it is frightened dedicated to devouring naughty children such as the famous Spanish-Leonese Tragaldabas, because this is the most abundant category in the Peninsula and its representatives are counted under a multitude of names and aspects. In this way we have the Zamparrón and the Zamparmpa, the Paparresolla and the Paparrotxu, the Zarrampla and the Zarrampla…
Although there are also ogres that only have a female version. Like the Galician Ransoña, whose name is also used to designate malicious or untrustworthy people. But the most terrible of these ogresses is no other the Marizampa, a creature present both in Castilla-La Mancha and in Castilla y León.
He’s still out there
Peter Pan’s Neverland Nightmare

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oh FUCK YOU boys that's of course right when i'm in the middle of a uni class in my time zone 😭😭😭😭😭😭
Bro walks like that when no one looks
Jaroslav Panuska
Johan Egerkrans

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Don’t Be Afraid of the Dark (2010) dir. Troy Nixey
Cinematography by Oliver Stapleton
The Bestiary: Douen
The douen comes to us from the folklore of Trinidad and Tobago; and, so you don’t embarrass yourself like I did while researching it, it’s pronounced dwen.
Douen are said to be the souls of children who were not baptized before their death. They are small, not known to wear a lot of clothes, and are known for one very specific physical deformity: their feet are turned around backwards. One of the few articles of clothing they’re mentioned wearing is a large floppy straw hat, pulled low to cover their face.
Douen are fond of pulling pranks on humans or the other creatures that live in their forest, swampland, or riverside homes. However, they’re even more fond of luring unbaptized children away from their homes or lurking around homes with lots of children, hoping to attract the love of the mother that lives there. Although they don’t seem to eat the children that they lure away, it is far from a good thing to be spirited away by a douen. Most of the children are never seen again.
Calling a child’s name out into open space is said to attract a douen, but so can just talking about them. Once in your home, a douen is supposed to be very difficult to get rid of.
So, we all know that the goblins are goblins. I get that. But often, the term goblin serves as something of a catchall term for the little, oftentimes misshapen, trickster creatures we all know and love. Note that this excludes Tolkien’s interpretation of goblins, which were orcs anyway.
Moving on.
The point is that interpreting Labyrinth’s goblins as douen specifically melds pretty nicely with what’s already canon, or at least implied canon if you’ve only seen the movie. (Manga? What manga?) At least some of the goblins were either implied or outright stated to be the past wished-away children. The fact that most of them were won over by Sarah pretty eaily also helps. We all know that Sarah isn’t a mother (and makes a pretty terrible babysitter), but she might have been the only vaguely maternal figure any of the goblins–or douen–have seen in a long, long time.
A list of creatures in this bestiary:
Okay, I thought this blog was a bit chaotic, so I attempted to create some clarity by making a “library page” with links to all the creatures I posted articles about so far. The idea is that I’ll post a link to this page at the end of future posts, and also update this list with every new entry. (But keep in mind that I’m still fairly new to this site and I may be doing everything wrong as I have no idea what I’m doing.)
I also grouped some mythologies together for convenience, but clarified whenever possible.
Inuit mythology
The Mahahaa
The Amajuqsuit
The Palraijuq
The Ijirait
The Tunnituarjuit and related spirits
African mythology:
The Shetani (Makonde myths)
The Aigamuxa (Khoekhoen myths)
The Inkanyamba (Zulu myths)
The Adze (Ewe myths)
The Zin Kibaru (Songhai myths)
Thai+Laotian+Indonesian mythology:
The Phi Kong Koi
The Pocong
The Krasue (Thai, Laotian)
BeNeLux folklore:
The Witte Wieven (Dutch)
The Ossaert (Dutch)
The vuurmannen (Dutch)
Brazilian mythology:
The Curupira
The Lobreu
Corpo-Seco
The Encantado
The Anhangá
The Capelobo
The Caruara
Japanese mythology and Yokai:
The Dorotabō
The Umibōzu
The Joro-Gumo
British/Celtic mythologies:
The Blue Men of the Minch (Scotland)
The Fachan (Scotland)
The Kelpie (Scotland, Celtic)
The Bodach (Scotland, Gaelic)
Y Mari Lwyd (Welsh)
The Gwiber (Welsh)
Chiloé mythology and Chilean mythology:
The Imbunche
The Chonchon
Trinidad mythology:
La Jabless
The Douen
Slavic mythologies:
The Karakondžula (Serbian myth)
The Samodivas
The Krivomjeri (Croatia)
The Kikimora
The Lesovik or Leshy
The Zmaj
Medieval European mythologies:
The Mermecoleon
The Trolual (also Icelandic myth)
The Aspis
The Peryton
Italian folklore:
The Badalisc
Spanish folklore:
The Huay Chivo
Maori mythology:
The Ponaturi
The Taniwha
The Patupaiarehe
Chinese mythology:
The Fenghuang
The mirror people
Mexican/Nahua/Aztec mythology:
The Tlahuelpuchi (Nahua)
The Ahuizotl (Aztec)
Dineh/Navajo mythology:
The Skin-walkers
Algonquin mythology:
The Wendigo
Egyptian mythology:
The seven scorpions of Selket
Greek mythology:
The Amphisbaena
The Hekatonkheires
Persian mythology:
The Manticore/Mantichora
The Simurgh
Bulgarian, Anatolian mythologies:
The Karankoncolos and the Karakondjul
German folklore:
The Roggenmuhme
Mesopotamian mythology:
The Lilin
The Stone Men
Aboriginal mythology:
The Garkain
Taíno mythology (Caribbean):
The Zemis
Hinduism and Buddhism:
The Apsaras
Modern cryptids:
The sky rods
The Ahool
The River Ribble was said to have a spirit called Peg O’ Nell, and at the end of every seven years, she claimed a life unless an animal was drowned to placate her.
-Encyclopedia of Superstitions, Radford, 1949
(picture of Peg O’ Nell’s Well and the headless statue of Peg O’ Nell, who was a servant girl who drowned. http://www.oldclitheroe.co.uk/page37.htm)
11. Coche de la sangre (varias comunidades)
Los asustachicos pueden parecer seres arcaicos o ancestrales, pero en algunos casos se han modernizado con el devenir de los tiempos. La llegada de los primeros automóviles a España, por ejemplo, despertó nuevos miedos y fobias que pedían a gritos su propia leyenda grotesca. Imaginemos el asombro de los habitantes de pequeños pueblos en aquella España antigua al contemplar, a lo lejos, nuevas máquinas recorriendo los rústicos caminos y senderos. Si a la desconfianza en esta moderna tecnología le sumamos la omnipresencia de los sacamantecas y sacauntos en el imaginario popular, tenemos la combinación perfecta para la germinación de nuevos mitos acerca de horrores sobre ruedas que sirvieran, al menos, para alejar a los jóvenes de las carreteras y demás lugares donde podían ser atropellados.
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The Bloodmobile
Boogeymen may seem like archaic or ancient figures, yet in some instances, they have modernized with the changing times. The arrival of the first automobiles in Spain, for example, sparked new fears and phobias that cried out for their own grotesque legends. One can only imagine the astonishment of villagers in that bygone Spain as they watched, from afar, strange new machines traversing rustic roads and paths. If we combine this wariness of modern technology with the omnipresence of the "sacamantecas" (fat-stealers) and "sacauntos" (kidney-snatchers) in the popular imagination, we find the perfect recipe for the birth of new myths—tales of horrors on wheels that served, at the very least, to keep young people away from roads and other areas where they risked being run over.

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