Excerpt from Dr Charlotte Proudman’s article via the Independent “Being a radical feminist means being a trans ally at the same time”
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Excerpt from Dr Charlotte Proudman’s article via the Independent “Being a radical feminist means being a trans ally at the same time”

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i wrote this post over on bluesky today and, after receiving a few of the predictable "but what if i Want to write badly" responses you get to any opinion that can be taken as prescriptivist writing advice, i thought i'd talk more about what i'm getting at.
basically, it's an issue of suspension of disbelief. there are a lot of things in fantasy and historical writing that we're willing to look past. dragons, potatoes, the divine right of kings. we are able to suspend our disbelief that a monarch could be anything but a despicable tyrant if the story we're being told is convincing enough, or plays to our comforting worldviews about nobility and Great Man theory. we can also suspend it if we straight up didn't know that europe didn't have potatoes pre-columbian exchange. basically--it means it doesn't bother you that these elements aren't perfectly realistic. fiction is not required to be realistic. clue's in the name.
but there are some things we just can't ignore. some things hit us as out of place for the setting we've been presented, or the world as we understand it. it pulls us out of the story by reminding us, in that moment, that we are reading a constructed narrative made of a series of choices by an author. and for whatever reason, they made a Wrong choice, like plucking the wrong guitar string.
(x)
German hunting knife, 19th century

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Dolgiye Mountains, Russia by Arseny Kashkarov
by briscoepark

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Cece, the guardian and protector of Dendera Temple, Egypt
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Sauerland, North Rhine-Westphalia, Germany
sauerland.naturfoto

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伏見/梅雨の濠川 Fushimi/The River in Rainy Season
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