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Fred Eversley

Untitled, 1970.

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Kianja Strobert, Untitled, 2011

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Kianja Strobert

Untitled, 2011

20th Avenue ODILI DONALD ODITA Kaleidoscope, 2012 Laminated glass in platform windscreens

#odilidonaldodita #contemporaryart #blackabstraction

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James Little Juju Boogie Woogie, 2013.

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mary lovelace o'neal untitled, 1975

#marylovelaceoneal #abstraction #contemporaryart

sam gilliam half circle, red 1975.

#samgilliam #abstraction #contemporaryart

But blackness is not the absence of color. So far is black art also always late work, correspondent to the victory of escape

Fred Moten, "The Case of Blackness", 2008.

Howardena Pindell Untitled #98, 1977

#abstraction #howardenapindell #contemporaryart

ed clark. ife rose. oil on canvas. 1974

#edclark #blackcontemporaryart #abstraction

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Howardena Pindell Untitled 1968-70

#blackcontemporaryart #newpainting #howardenapindell

Joe Overstreet Purple Flight (from the "Purple Pattern" series) 1971

#joeoverstreet #purple #newpainting #blackcontemporaryart

A Letter from Bob Thompson

“for a twisted sort of way I am doomed to be buried alive in cadmium orange, red, yellow light with flowers on my grave of magenta violet, and my casket being the canvas for forcefully having to wrap, walk, and slide into it everyday I like the wave Russian blue shore and the shore of the tree the leaf the wind the end…I want to paint – paint, paint! Paint! Paint! And then paint more and more. I’m what is jokingly called an esthetic junkie- I’m hooked on pigment. So please forgive me and most of all believe in me.”

#bobthompson #painting #jazz #contemporaryart

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Rodney McMillian, Untitled, 2011. Carpet. Courtesy of Susanne Vielmetter Los Angeles Projects, Culver City, CA.

Bob Thompson. The Judgement 1963. oil on canvas. on view now at the Brooklyn Museum

#bobthompson #contemporaryart #painting #goodandevil

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Orly Genger. Untitled 2010. rope, latex, paint, marker.

#orly genger #sculpture #contemporaryart

"Curating, it seems to me, might best be understood as a kind of relationship – a friendship – that is both committed and somehow capricious enough to be, in any product of the relation, altruistic. There’s a very real possibility that artists and curators are the same and the other to one another." - Ed Atkins on "Being Curated"

#curator #contemporaryart #frieze #ed atkins

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