Guys there are still three Mayumis in a trenchcoat, they're just all hyperfixated on Deltarune now and I can't stop them
Formerly known as Kozachenko (current username on some of my other accs)
She/They-18
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The best thing you can do for someone who has somehow never seen an Undertale spoiler is get them to play it and then gaslight them fully into believing they beat the game once they kill Asgore and there is no other boss after that. Nothing. He is the true final boss. That's it.
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New Deltarune AU: Breaking Runes, it's Deltarune but with the plot and setting of Breaking Bad.
Carol Holiday is a depressed and comedically underpaid Chemistry teacher in the Albuquerque suburbs of New Home. Her husband Rudy seems to have caught a little bit of a cold but thankfully it isn't much, her daughter Noelle is in community college and still lives at home (Noelle has a strained relationship with her mom), and her eldest daughter Dess has been missing for over 10 years. Rudy was college buddies with Asgore and used to be like, a fireman or something and is buddy buddy with Undyne, the head of the DEA (Asgore was fired and is still divorced). Asriel has graduated and is working as a prosecutor who's had to deal with some.... interesting opponents in the court to say the least...
So Carol hears the news from Rudy's doctor that Rudy is fucking dying, probably lung cancer, inoperable, blah blah blag. He's made his peace with the situation but now the family is racked with medical bills blah blah blah, she comes home and Undyne is there and all proud and hawty because of a drug bust aaaaannndddd yeah standard Breaking Bad Episode 1 stuff.
Now, Carol is in a bit of a rough spot here, and upon learning of how much money she could make from cooking crystal meth, so she asks Undyne if she can watch one of her meth bust operations to see the equipment and she agrees.. So Carol is watching this shit all go down when suddenly she spots a familiar face jumping right out of the window. A face she hasn't seen in a while hops out of the top window, somehow managing to escape without being seen.... a person who she hasn't seen in years since they flunked in aaalll of her chemistry classes.
Yeah it's Kris. Kris is Jessie Pinkman in this AU.
So Carol asks Kris if they wanna make Meth together, again, standard Breaking Bad episode 1 stuff, everything goes as usual.
This was initially gonna be a shitpost. In fact, this whole idea started because I wanted to make a Deltanoir shitpost but realized how anachronistic it would be and decided "fuck it, new Deltarune AU but we're combining two of my hyperfixations." I still have to flesh out so many things because I am actually thinking about how to tie in the character dynamics from Deltarune into the plot of Breaking Bad, so I'm probably going to have to make an entire lore document or some shit for the world's dumbest crossover AU.
Some other details I want to include on who's going in which roles:
Sans is Mike Ermentrout. Don't ask me about Papyrus he's too innocent to be involved in this shit. His day job is working as the background inspector for the local Fatha's Wing-Dingeria....You can probably guess based on the name alone who the Gus Fring of this AU is...
Spamton is Saul Goodman. That's it. That's the reason for this AU in the first place. I wanted to make a Deltanoir shitpost where Spamton is basically a lawyer and then have it be Sans and Papyrus cooking meth until I realized that a show from the early 2000s would probably be a very anachronistic fit for an AU in the Deltanoir universe.
Tenna is Kim Wexler. Friend is Lalo. Ramb is Nacho. Berdly is Gale.
Yes Noelle is the one to find out about the meth thing. Yes Kriselle in this AU is incredibly doomed. Yes Dess going missing was partially Kris' fault but I still have to figure out the lore of this. I am still trying to figure out how Susie fits into this whole thing, but TBH Susie not fitting into any role within a preestablished narrative is thematically fitting for her so she's the wildcard.
The core moments of Breaking Bad will be the same, but the stuff in between all of those big important moments will be very different. Yes Rudy dies believing his wife was an innocent woman (still figuring out if I want that though because I don't know what else to do with him). No I don't know what to do about the Roaring Knight, it's probably gonna be this AU's version of Todd that just ends up swooning a kid and torturing Kris personally for a while during El Camino.
Look this started off as a shitpost but I now want to seriously workshop this into an actually kinda decent story and retelling of Breaking bad, I just really wanna hear Spamton with Saul Goodman's voice because Bob Odenkirk has always been my voice headcannon for Spamton (just very VERY unhinged in his deliveries) so I don't know what to tell you. Insert Breaking Bad intro theme here.
ok so this may be the last deltarune art I post for a while because I ended up listening to the Touhou OST for the sake of nostalgia and am feeling like returning to my roots (haha no pun intended), still gonna pay attention to Deltarune and any other future chapters though. Also, major spoilers for Deltarune chapter five below, this piece itself isn't a spoiler but there are spoilers in the artist notes so be warned!
Artist's Notes;
So I figured out how to change my phone ringtone and notification sounds and immediately wanted to theme my phone around Deltarune because I was so hyped for Chapter 5. I legit used a ruler to make sure that my ratio for this was big enough and it worked pretty well so I'm happy about that. Flowery's boss fight annoyed me so much mainly because of how clunky the mechanics are to get used to. I feel like it would have been more interesting if throughout each fight with one of the six flowers, they used their soul effects on you (i.e. Blue makes you blue, yellow makes the soul yellow, etc), where each fight introduces each mechanic, and then the Flowery fight makes you switch in between each soul mode during each attack somehow idk it'd probably be even more clunky but ooooh my god I wish we could have gotten more chances to acclimate to the orange soul's playstyle becaue I struggled SO HARD- but yeah other than that I liked the mechanics of this chapter a lot. Also I love Mew Mew, I love her fight so much, Petal Dance is my favourite track of the chapter because of those BEAUTIFUL ZUN-PETS YEAAAAAAAAAAAH- (I was literally thinking during Aqua's fight, "wow! these bullet patterns feel very Touhou-" AND THEN THE ZUN-PETS KICKED IN AND I WENT FERAL. Speaking of feral, the moment Flowery showed up I hissed like a feral cat the moment he said his name, he pisses me off so much I LOVE HIM, he's such a professional ragebaiter. I really enjoyed Chapter 5 overall, and while a lot of people aren't that big a fan of the tone of the chapter, I think it works with it being the last "fun" adventure and is also pretty good juxtaposition to... something that happens in this chapter that has genuinely made me physically ill thinking about but tickles my morbid love for existential and psychological horror so much that it makes this game feel like a large scale psychological experiment, no joke.
Anyways, onto the art. So I wanted to try doing actual lineart for once after using the chalk brush again. Despite a few stray lines here and there, I'm actually pretty happy with how this turned out. It's a different sort of style and feel compared to what I usually go for, but I enjoyed changing up my style for this one. Choosing an actual colour palette was really difficult, but once I changed up my process and added the actual foreground and background I ended up really liking it. I was inspired by the Kingdom Heart's Stained Glass art, so that influenced the composition of the piece a lot. I'll also put my sketchbook doodle for this piece in as well, because there were a few changes in terms of Kris' design along the way. I made Kris' cape cover up the entirety of their chest because I genuinely did not feel like drawing their torso and also because I liked how it looked a lot. I really like making Kris' cape big and flowy because there's just more oppurtunities for posing and compositions that way. I also just really like drawing fabric, it's so fun. I may not be 100% satisfied with the way the pose reads, though I blame that on the fact that I've been looking at this god damn piece for way too long LOL-
I REALLY REALLY wanted to incorperate the blue roses Kris is associated with into the piece, and this ended up making me think about Kris' backstory again. So, blue roses are genetically modified versions of white roses (which thinking about it now, calls to mind the whole "copies are monochrome but you coloured us in with care" thing) and this got me thinking about theories like "Kris is the vessel we made in the beginning of the game." I'm not 100% a follower of this theory, but a part of me also believes that Kris is tied to Gaster in some way. Another idea I've had is that Kris was experimented on by Gaster in the shelter, or that Gaster is PLOT TWIST! A HUMAN! And is Kris' biological father that heard about the prophecy, had a religious psychosis about it, can did scientific experiments on his own child to try and create a vessel for them in the shelter, to which Kris escaped and was taken in by the Dreemurrs. Their dynamic would probably be something like, "no matter how much you hate me, your are still my child," and a lot of Kris' childhood was Gaster focusing on making Kris a strong enough vessel for us, the player (I wanna make another post and/or art piece talking about this so I'll leave it at that). On that note, I believe that down in the shelter, something similar to the determination experiments is going on down there, and if Dess Knight is true, then those experiments are what caused her to turn into the Roaring Knight. This is also why Friend is similar to Endogeny, they're also an amalgamate, alongside the knight (who noticeably drips darkness goop when we first see it in Chapter 3). I don't have any solid evidence as I don't know all of the lore, but I just wanted to talk about some of my ideas here.
I'll admit, because there is so much going on in Deltarune's story, and so many loose threads I'm a liiiiittle concerned for how the story is going to wrap everything up. I have faith, but I'm still a little worried.
Haven't really posted any sketches in a long time, especially not in this style I used to do a lot in my early digital art days, so here are a few Kris sketches that I did. I realized in trying (and failing) at doing another piece that the way I drew Kris' side profile didn't really feel like them, so I did this little head turnaround thingy just for proportions.
I actually had to think about Kris' other eye for once... the one I always cover up with their hair... you don't wanna see the bald edit, it's kinda cursed... anyway, I fucking love facial crests or whatever you call this sort of style, so I did that, kinda makes them look a wee bit like a bird but I don't fucking care uhhhh Kerdly shippers this is your chance!?!!?! Kerdly isn't my main OTP but I'm a multishipper so use this accidental design element as you will???? If Kris were to be any bird they'd probably be a corvid of some kind idk, maybe that's just because I did the edgy hair thing where one of the eyes is covered. If you know more about birds than me and wanna throw in your two cents lemme know, I had a friend obsessed with centipedes tell me what Centipede I would be Scolopendra alcyona, all I know about them is that they're blue and cool looking so-
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FNAF fangame concept. It's similar to Pizzeria Simulator and the nights are normal, but you actually get to work the day shifts yourself and it's basically a Papa Louie's game. So during the night you're fighting for you life against animatronics that wanna murder you, and during the day your customers are gonna wanna murder you because you happened to place the pepperoni on a slightly bad angle and you loose points on your toppings score despite it looking PERFECTLY FUCKING FINE (I've been on a Papa's Freezeria grind lately if you can't tell).
Bonus features, you're basically trying to keep the animatronics from not only getting to you, but also fucking up the facilities. If an animatronic were to get in the kitchen, you'd have to spend time during your shift fixing all the equipment and making sure Chica didn't eat half of the ingredients again, so you gotta order more but that ends up making a lot of noise because your office computer is so shit it sounds like its on its dying breaths every time you so much as open a webpage, the webpage in question being old school Internet Explorer because fuck you in particular.
If Undertale or Deltarune were to somehow get a movie (despite their plots not fitting the medium), if animation is inexplicably off the table, the only way for a live action adaptation to work would be to have everyone but the humans be puppets, old school Jim Henson style. Practical effects is the only way a live action Undertale or Deltarune would even work, and the only CGI used should be for characters like the Roaring Knight to make them feel extremely uncanny and like they don't belong in the world (ok thinking about it now that might actually look goofy as fuck, maybe stop motion instead?)
Exceptions are Sans and Papyrus because they'd be done best via stop motion.
The only humans in normal costumes allowed are the ones playing Frisk, Chara and Kris. Every single monster and/or darkner is a puppet of some kind.
ok so turns out changing the colour palette and composition was the key to actually making me wanna finish this piece YIPEEEEE
Artist's Notes;
IDK why but I tend to really struggle with using bright fuchsias and hot pinks in art. Maybe it's just because I tend to gravitate towards certain colour pallets or I just don't like using super bright cold colours. I had this issue with the last piece of Deltarune fanart I made where I just didn't like how the pink of Kris' cape stood out, and my one gripe about that piece is how monochrome it looks. I think improving on my colour range (like, the kinds of colours I use, IDK I just made the term up) is gonna be my next thing to work on because I do wanna try branching out to colours and pallets I normally don't use.
I was also listening to Penumbra Phantasm a lot while working on this piece, and while a lot of people thought it would be the final boss theme, idk I always saw it as being Kris' theme weirdly enough. Maybe because the original version of it is played on the piano or I just really like Kris and think they deserve a cool-ass theme lol. I do think they'd take after their father and include the game over leitmotif in "Faint Courage" because I think it really fits them. I was even humming it at certain points while listening to Penumbra Phantasm and it actually works really well in the key of the piece. If I were to ever compose a musical piece for like, a battle theme for Kris, I'd probably throw in a leitmotif or two from Heartache to represent their connection to Toriel, using Penumbra Phantasm as a base, and then using the Faint Courage leitmotif as well. The main instrument would probably be a piano because I think their love for playing the piano should be reflected in any potential boss theme they get.
You'll also notice some changes in how I designed Kris' armor. Like many aspects of my art style, the way I interpreted Kris' in-game armor was inspired by Yoshitaka Amano's work on the Final Fantasy series. My headcannon is that Dragon Blazers is the Deltarune equivalent to Final Fantasy, and the aura that Amano's works give off just feels like the kind of aura Kris wants to exude. Like, they'd fucking love the fact that their armor looks like it came straight off of some Dragon Blazer's box art, so they have every right to aura farm.
I like how the blockyness of their cape ended up contrasting with how intricate their armor turned out, and I also loved rendering their hair. One thing that I've started doing when doing the lighting is having it almost reflect off of the armor to emphasize how shiny it is.
So the process of figuring out Kris' armor started in my sketchbook. I found a bunch of references of how Amano designs armor and tried to sort of capture the vibe they gave off while drawing Kris' armor (also Noelle as a bonus, I'll be honest I'm still trying to figure out how to draw her in my style as well). I also wanted to give them some silver hoop earrings because that just feels like something Kris would wear all the time.
In some of my initial drafts for Kris' armor I gave them long sleeves but found that the short sleeved look just worked better for Kris (also is more accurate to their in-game sprite) and also fit the vibe I was going for (I'll put some of those initial sketches in here too). The one I did in colour was like, one of the first drawings of Kris' dark world form I did. You can also tell these are old because of how wack the anatomy is (also bonus Ralsei, Frisk, and Friend). In these older sketches I gave their cape this collar that I stylized by making it a triangle, and even tried giving Kris some chainmail but I was never 100% happy with them. You can also see where I started trying to take some inspo from Early final fantasy designs with Kris' armor. I'm also really really bad with markers so please pardon the shitty colouring. Weirdly enough I have an easier time with Kris' in-game palette traditionally than digitally idk. Originally I was going to give them a heart-shaped chest plate but I'll be honest I couldn't make it work digitally. Also, I do not CARE if the long ass cape is impractical, it's fucking cool as shit and it lets me have fun with Kris' silhouette when drawing them so SHHHHH-
Sharing this WIP of Kris because I swear I had a (mental) concept for this piece where there's cool magic shit coming from inside the cape but I don't know what to fucking do now and I designed a whole ass sword just for this because I wanted to give them a sword but it isn't fitting anywhere and I'm just struggling rn AAAAAAAAAAAAAAAAAAAAAAAAA
More Zanmu/Byakuren ship ideas I have been thinking about ever since I made the Yokai Jesus and Yokai Judas post because I can't get them out of my head. I know some of these backstory interpretations may sound a bit out there but please HEAR ME OUT-
(Long long post ahead so I'll just put a little keep reading thingy here)
I like the idea of them paralleling Reimu and Marisa when they knew each other in the past. I know this may be a bit unorthodox of an interpretation for Byakuren, but maybe like Marisa things didn't initially come easy to her when she first started practicing Buddhism. However, much like Marisa she worked hard to get better at Yokai extermination and the spiritual aspects of Buddhism.
On the contrary, Zanmu was a natural. She was probably considered the pride of whatever monastery she was trained at and was their most skilled monk. She had a talent for exterminations, urging restless souls to let go of their ties to the mortal realm, that their efforts to achieve their goals in life now mean nothing. She would have a calming presence for those around her. Heck, if you didn't know the fates of either of them you'd assume Zanmu would end up with Byakuren's status after she was unsealed.
The two of them would probably cross paths on their own respective pilgrimages maybe, or one of them visits the other's temple, but I like to imagine that since that meeting they'd probably enjoy talking about their differing views on Buddhism and even if they may disagree with each other they both enjoy having a meaningful conversation. They'd also work together on Youkai exterminations or investigating incidents a la Reimu and Marisa, but they would have probably made a good team. They would balance each other out as Byakuren's emotional openness would stand in opposition to Zanmu's strict reasoning (she was like that even as a human). I also want to add that Zanmu was Byakuren's gay awakening and Byakuren had a big fat crush on Zanmu for the longest time (unbenownst to Zanmu). Zanmu was fond of Byakuren but for reasons she didn't entirely know the meaning of. She was never really good with her own emotions, let alone the emotions of others, and just assumed that her fondness and protectiveness of Byakuren probably just came out of reciprocity for the emotional breathing room Byakuren gave her. The world had hardened Zanmu, but Byakuren was a respit from that in a way. Byakuren helped soften up Zanmu a bit, and Zanmu helped Byakuren learn to hold on to reason and logic even in a stressful situation (and Myouren was pretty much the third wheel). They lived their lives just like this together for the rest of their day and it could have stayed that way...
But then Myouren dies. Byakuren was devastated and soon, began fearing death and desperately trying to learn to prevent it. Byakuren slowly began spiraling trying everything her religion allowed and Zanmu could only watch as the one person she cared about the most in her life slowly drive herself into this mental hell-hole with no escape. Zanmu would probably start to worry about her, afraid that she may get a little too desperate and start meddling in things she shouldn't. Soon, the two grow apart and continue their lives on their own.
One day, Zanmu and Byakuren run into each other again and Byakuren seems... better. She looks pretty much how Zanmu remembered her since her brother died and has actually found success as a monk. When they finally reunite Byakuren tells Zanmu that she did it. She found the key to immortality. The two of them are finally able to talk to each other again, though when Zanmu asks about human villagers whispering to each other as Byakuren passes by she just dismisses them. Zanmu, being the way that she is, soon realized after doing her own investigation that there are rumors of Byakuren helping the Youkai. Suddenly the fears she had all those years ago come right back into her mind, and one day, she asks her about it.
Now imagine how Zanmu felt when Byakuren, with absolute joy and relief, came to tell her about how she finally found a way to escape death, and it was through Youkai. Something that went against the very foundations of their religion. Those rumors of a demon disguised as a monk, those rumours about Byakuren... were true this entire time.
Imagine being Byakuren, finally finding a way to save herself and the person she loves from death, trusting them enough to tell them. Hell she even confessed her feelings that day, feeling like she could trust Zanmu with the knowledge of feelings that their society would ultimately frown upon.
And then that person becomes the one responsible for you being sealed away for an eternity.
She had to do it. If the people find out about any of this who knows what would happen to her. The sudden confession, the lack of time's wear and tear on her face, all of it made sense now. She exposed Byakuren for everything, her feelings, the reason for her immortality, her sin, everything. But as Zanmu sealed Byakuren away, gazing one last time into her eyes...she felt sick to her stomach. Sick with guilt. Something in her gut told her that she made a horrible decision way too late.
And as Byakuren gazed on last time into Zanmu's eyes, she saw everything. The regret, the sorrow, and most of all the fear. In that moment, Byakuren felt pity for her. Had humanity been just a little more forgiving, Zanmu wouldn't have done this. Had she truly opened her heart and give a chance to all of the Youkai she helped, she would have understood why she did what she did. But the fear she taught Byakuren to see through had blinded her, and she sealed her to the depths of Makai for the rest of time.
Zanmu was never the same after this. For days and days upon end she grappled with the guilt that hollowed her very soul. She had done something good, right? And on one of those days, a cruel realization hit her. What she felt when she was around Byakuren was love this whole time. She threw away the one person who would have been open enough and caring enough to accept her feelings all because she was too stupid to realize that she felt the exact same way for her this entire time and for what? She saw the same monks who had helped her in the sealing ritual pursue the exact same forbidden desires, relish in greed and gluttony yet somehow Byakuren was the guiltiest of them all? Byakuren, the woman who extended the kindness of the Buddha to those society had abandoned, who cared for people no matter if they were human or Youkai, and the one who pulled Zanmu out of her isolation. Her strict following of her religions teachings had all been for nothing, humanity was still cruel and she had just commited the same crimes the world that hardened her had done against her. And it was through this revelation she realized,
She finally did it. She has achieved true enlightenment.
It's at this point that Zanmu starts acting more like how her omake.txt describes and also like how her historical inspirations acted. She slept around with other women to try and fill the void where Byakuren was meant to be. She let herself indulge in the same corruption as the one true practitioner of their religion's teachings was no long gone. During the Sengoku era she once again was forced to witness humanities cruelty and began "saving" spirits and Youkai in her own way and you probably know the rest.
I basically just wrote the skeleton notes for a long ass fanfiction and I haven't even gotten to the part where they reunite in Gensokyo. I initially wanted to do the boring thing and have Byakuren be all forgiving because "oh you were just as much a victim as I was" but I think it would be a lot more interesting for there to be some tension between them. Byakuren still cares about Zanmu despite everything that happened between them and has long since moved past what she did (because she understands why Zanmu did what she did and has come to terms with that) but now Zanmu is pulling even more shit and has indirectly put Nazrin into danger during Touhou 19's incident and she is not about to let Zanmu put the people she cares about in danger. A part of her also just wants to see what the fuck happened during those hundreds of years to see someone who was so close to practically becoming a Bodhisattva becoming the lord of Oni and Hell itself. On the other hand, Zanmu is absolutely elated to try and drag her down with her, to see if this kind, pure soul has it in her to be as sinful as herself. To prove that the one person who she saw as pure and virtuous isn't just another soulless bastard like every other monk she knew in her life, that there is still some hope for this world.
Got reminded of this thingy again. It's been a while since I posted any Touhou stuff but I think taking a break from the series has allowed me to get excited about it again, especially these two so TIME TO TALK ABOUT THEM SOME MORE- and this time I wanna think more about their hypothetical present-day relationship and interactions.
(again, this one's gonna be a long one lmao)
Zanmu meant the world to Byakuren pre-sealing, and during the time of Byakuren's imprisonment in Makai, she probably anticipated that Zanmu would become elevated to the status of a god or bodhisvatta. The people would worship her as the one who sealed away the demon disguised as a monk, and maybe things would change. She knows that Zanmu didn't seal her away out of malice, and maybe if she became some form of divinity and finally become truly enlightened, that she might one day come back for her in Makai. That her impact on her would lead Zanmu to becoming the person Byakuren always saw in her, and from there she'd be the one to maintain a temple for her. A place where both humans and Yokai can coexist, a place where her and Zanmu could just live peacefully together. Byakuren herself didn't need to become a bodhisvatta or divinity, she'd be way too humble to even consider that an option, but she'd want to be there for Zanmu. So she wouldn't feel so alone in her divinity, so Zanmu could have someone to understand her... and maybe, someone who understands her too. Zanmu was the only person that cared enough to help Byakuren through the loss of Myouren, someone she could fall back on so her responsibilities don't seem as overwhelming.
And every day spent alone and miserable in Makai, for every second of her isolation... she'd dream about that future. She'd go to sleep and spend days in this ideal world of hers, dream of the day Zanmu returns and forgives Byakuren for her sins and would sweep her off to one of her temples so they can live out the rest of their immortal lives together. And when she'd wake up? She'd still hold onto that dream. "What a beautiful story that would be," she'd wonder, "like the ending to one of those poems she'd write on those lazy afternoons..."
Even after she was unsealed, she'd keep Zanmu in her prayers. She'd pray that even if she never achieved enlightenment, that she still lead a happy life and let go of the fear that caused her to seal her away all those years ago. To see her change their world into a kinder one...
...so you can probably imagine her shock seeing how Zanmu actually turned out...
Byakuren would be horrified seeing her old friend like this, she absolutely wants to help her and understand where the fuck things went wrong,
But then Zanmu starts bringing the rest of her desciples into this...Her feelings about Byakuren would be.... well messy at best. She'd feel happy sure, but there's a part of her that's so envious of how she's ended up after all these years. Zanmu knows how to get under Byrakuren's skin. She knows every little dirty secret as if it were her own, and knows exactly what hurts her. She knows what makes her cry, what makes her angry, what brings her joy, she could play the woman like a god damn fiddle so that's exactly what she'll do because she wants to see just how much she can take before she ends up just like the rest of those self-rightous scumbags, to see if she'd be able to pull her down to her level so she doesn't have to feel so alone anymore. She'd taunt Byakuren with Myouren's death, she'd orchestrate an entire scheme just to see how far she can push and poke and prod until she breaks.
And yet,
she doesn't.
Their dynamic has changed completely since their days wandering together. Byakuren has become a master of her own emotions and is smart enough to thwart everything Zanmu throws her way, and Zanmu has become so lost in emotions she was once so good at nullifying that she can focus on nothing else but Byakuren. Zanmu wants Byakuren to hate her, but Byakuren never will.
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I wanted to draw Sans in an interesting pose that wasn't just him standing there, but I was art blocked so here's a drawing of him posed like an angel in a renaissance painting I saw in a museum because why not.
Ok so uh, why do the centers of some of the amalgamates in Undertale's True Lab resemble e-ram. I feel like I'm going insane and am just seeing things please tell me I'm not the only one who noticed this HAS ANYONE ELSE POINTED THIS OUT BEFORE DOES THIE MEAN ANYTHING??!?!?!?!?
I wanted to draw Sans in an interesting pose that wasn't just him standing there, but I was art blocked so here's a drawing of him posed like an angel in a renaissance painting I saw in a museum because why not.
After reading through the FNAF Touhou crossover post you did, I am now wondering if the characters that you mentioned in said post know like the ENTIRE FNAF lore or do some of them only know a certain amount.
Also who would your favorite Touhou girls favorite FNAF animatronic be since in this silly AU FNAF is canon in Touhou? 🐾
I feel like in Touhou, the lore of FNAF, the MCI and everything surrounding Freddy Fazbear's is kinda treated like a really fucked up unsolved crime case, and their levels of knowing the FNAF lore really just depend on how much they know about the supernatural.
For example, Eiki would obviously know the most about every detail because that's literally her job lmao. She pretty much had to go through every single bit and piece of the FNAF lore during William's trial before he got stuck in UCN (before the trial poor girl was going fucking insane trying to make sense of all of it), same with Zanmu, since I'm imagining that TOYSNHK (the one you should not have killed) had to probably ask her if they could make a torture chamber for one specific dude, and Zanmu thought "Hey letting the vengeful spirits who have a grudge against some of the spirits here make custom toruture chambers is actually a pretty good idea" and said yes (also because they felt some sympathy for this kid who's life was taken from them too early, and I could probably sneak in some reference to one of her historical inspirations, Ikkyu somewhere because he also looked after the little brother of one of his lovers for a while so I imagine Zanmu has a bit of a soft spot for kids maybe and pretty much become's TOYSNHK's aunt with every single christmas gift), so she probably knows a good deal about the supernatural side of things and each of the missing children. Hecatia and Junko both know about the general gist of things, who William is, but not like, every single detail. All Junko cares about is the fact he murdered a bunch of innocent kids and whenever the two take Clownpiece there she just gives him the most ominous death stare imagineable. She also gets along with TOYSNHK and they both discuss tips and tricks on how to get vengeance on the people they hate. Keiki respects William as a scientist and craftsman but the part where he had to kill kids genuinely pisses her off (she's confused on why kids specifically and would often say, "You know you could have chosen other subjects for you experiments but noooo you had to kill children didn't you?"), though she probably had a few civil conversations with him where they talk about the science of possession. William really doesn't like the fact that Keiki and Eika beat him up every other weekend but he still likes talking to her because of how much he's learning about the science of the supernatural from the literal god of creating Idols that are meant to protect spirits with an entire high-tech city that literally involves spirits possesing artificial bodies. William is literally getting a god damn masterclass on the subject.
As for people outside of Hell, they only know the brief idea of the whole case, the murders, and only a few rumors about it. Reimu probably knows quite a bit about the whole thing from Zanmu because Zanmu is not risking William somehow escaping Hell and just wants someone in Gensokyo to know and be prepared for it. Upon learning about remnant and agony from a potential meeting with William (just so he knows that if he tries to get out he's gonna be so cooked) she'd just go "oh, so you were basically just creating artificial tsukomogami and turned yourself into a Yokai" and would leave it at that. The supernatural lore of FNAF is very straightforward for her.
Everyone agrees that the world would be better off with Seiga and William not knowing the other even exists so the spirit mausoleum and Myoren temple gang literally say nothing about it to each other because oh god Seiga and William would get along way too fucking well and no one wants to imagine what would happen if they met. Seiga and William have no idea the other exists, at least for now.
Sanae, despite being from the outside world, knows about the case but is too freaked out by it to think about it. When she first learned about the whole thing she probably prayed for the missing children and their parents.
Sumireko on the other hand... oh good lord she's basically the MatPat of this AU. She is absolutely OBSSESSED with this case and has definitely taken some trips to America before UCN to check out the run down and abandoned pizzerias that are somehow still functioning in the 2010s. She'd be conducting so many paranormal investigations, would chat with all the spirits via a Ouiji board, and would be connecting so many of the dots that the police were too fucking stupid to connect and would actually be able to figure out that it was William who was behind the murders. The only person who'd know more about it than her would be Eiki and that's saying a lot. She would be so hyped to meet William and TOYSNHK once she learns that they're literally in Gensokyo's hell and she can just ask to meet them.
I also added onto this whole "shared universe with all of my hyperfixations" AU in a reblog of my original post because I am very normal about two very specific games right now and thinking about how they could exist in a shared universe with the Touhou games has been reinvigorating my interest in Touhou Project rn.
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New headcanon, FNAF is canon to Touhou and the UCN building that was made for the sake of torturing William Afton is a legit pizza place during the day that Hell's denizens actually go to. Junko and Hecatia take Clownpiece there occasionally and the pizza tastes like shit because it's in Hell cooked by clunky old animatronics, what else do you expect. Zanmu visits to ragebait William because she thinks he's pathetic. This is also how Zanmu was introduced to the concept of pizza, and her and Hisami go on dates there every now and then because the concept is just funny to me and because they both like ragebaiting William. Keiki is just really curious about the animatronics and how they work and her and Eika also kick the shit out of William during his day shifts when the animatronics aren't kicking the shit out of him because they both fucking hate him because he's a child murderer. Komachi, Kutaka, and Eiki also go there during lunch breaks sometimes, to which they comment on how weird the animatronics are and just eat the pizza because none of them know how pizza is supposed to taste. Kutaka dislikes the portrayal of chickens in the restaurant. For the sinners in Hell who actually know what pizza is supposed to taste like, the fact that it's so shit only adds to their suffering, plus all of the 50 creepy animatronics there.
And of course, William gets no pay because this is Hell and he's experiencing all of the karma the average CEO should receive for the treatment of his minimum wage workers when he was alive.
Been thinking about this again and would like to add another thing that I also wanna cross over with Touhou for shits and giggles.
So, POV. You and the people you were born to protect are now trapped in a miserable underground prison because of humans. You are now running this large civilization and are also becoming aware of other underground societies, specifically those connected to the different mythological Hells because your circumstances can't get any worse. You try reaching out to multiple of them for help because having access to an entire bank of sinful souls and spirits would kinda help you and everyone you care about get out of this situation without needing to get your own hands dirty, but unfortunately a majority tell you to fuck off and come visit their specific variants of eternal damnation sometime.
Except for one...
So you find a way to the mythological Underworld located on like, the other side of the god damn planet. You meet with the ruler there and you explain your situation to her and the two of you agree to help with the economic situation since both your part of the underground and her part of the underground both kinda need the boost. You get a bit of a bad feeling about her but beggars can't be choosers now can they? Plus, their ruler said she'd look out for anything that could help you and your people and ominously told you, "If you bury your nose in too many corners, you'll fail to know what's just underneath it" before walking away laughing to herself like an insane person.
So things are going great for a little while, you kingdom's doing well, no progress on the whole "getting your kingdom out of the underground" thing, but overall things are relatively stable.
Until money from the Hell you found just stops coming in one day. The only communication you get is from their king's weirdly down bad assistant lady wearing a giant purple flower on her head who just gave you a note and fucked off.
And so, confused as all Hell (the pun was entirely intended according to your lazy-ass royal judge) you read the note.
So it turns out that the lady you made a deal with decided to just fuck off and relocate her Hell to a random fun dimension a god from another different religion made because it got too fucking crowded, somehow convinced your only royal scientist to jump into the giant geothermal battery he made for your kingdom because "everything shall return to nothing in the end" and that somehow drove his otherwise very logical ass to FUCKING INSANITY, was using you and the goods you traded to gather the resources for this move you knew absolutely nothing about DESPITE THE OFFER SOUNDING LIKE SOMTHING THAT COULD REALLY IMPROVE YOUR KINGDOM'S SITUATION RIGHT NOW AND SHE FUCKING KNEW IT- but in all honesty what were you expecting from someone ruling a place filled with sinners.
AND YOU HAVEN'T EVEN GOTTEN TO THE WORST PART OF THIS GOD FORSAKEN MESSAGE
So, in what could only be described as throwing someone covered in nothing but open wounds into several pools of salt, she explains her entire backstory right at the very end of the message.
Turns out,
she used to be a human
a human,
that had THE UTTER AUDACITY, to march on in to what, from her perspective, was her culture's form of Eternal damnation, SOMEHOW talk her way into becoming king,
and worst of all?
She transformed into an Oni during that whole process. A human soul turning into that of a monster. A Soul that was perfect mix between the two with a FUCK ton of Determination. She could have actually gotten you and your kingdom out of the underground by just, coming over, walking past the barrier, breaking it, and you got everyone out of the underground without having to kill anyone.
Needless to say,
you're pissed.
This summarizes the events of Asgore Dreemurr's first, and last, partnership with Zanmu Nippaku.
[huge spoilers for Deltarune btw, forgot to mention that last time I posted about the game on here, I'll do my best not to forget that, and if I do then just reblog it with a spoiler tag and I'll be reminded of it]
Artist's Notes;
aaaand this is the reason why I said I never wanted to draw pianos ever again because HOLY FUCKING SHIT THE PIANO WAS TOUGH TO FIGURE OUT-
It was worth the work in the end, but holy shit it was fucking agonizing.
Ok so the scene in chapter four where Kris plays the big ass piano in the church's dark world had a really big emotional impact on me and I knew what I had to do.... draw it.
I've seen a couple of other people's renditions. One thing you'll notice in mine is that Kris' caplet is blue/gray because I wanted to take full advantage of the fact that from behind and during that scene the colours used in the sprite art for them playing the piano are the same as the colours used to shade their armor and I was having a rough time getting red and pink to work nicely with the piece while also fitting the vibe i wanted. Besides, it's not like the Dark World in this game can never impact the way lighting hits certain colours and stuff so just take this as an artistic liberty lmao. I really wanted it to have this dreamlike feeling, because the dark worlds in Deltarune (ESPECIALLY chapter four's) remind me of settings I've seen in my own dreams. The music for this chapter was also phenomenal, dark sanctuary is so beautiful and well composed and Hammer of Justice is probably the most Touhou sounding song ever composed by someone other than ZUN and I get excited every time I listen to it.
So, the big piano in the Church Dark World in Deltarune can be interpreted and illustrated a couple of different ways, but omg going off of the game alone was kinda tough since it's kinda hard for me to make out details in pixel art (which is just a product of the medium since you gotta keep stuff simple a lot of the time), and what I wanted for this drawing was to make the piano/organ feel MASSIVE. Kris, Ralsei, and Susie are teensie tiny in comparison and I love the idea of the dark world exagerrating and amplifying aspects of their light world counterpart's location. However, there's only so much you can attempt to get away with when drawing instruments because at one point the piano was looking like this.
If a sentient piano were to look at this, would this image be the piano equivalent to an Alternate from the Mandela Catalogue?
There were at least 90 keys on the piano at this point in the process and the moment I realized it I knew this piece would take a while to do. Eventually I got to this part in the process where I could finally block out the main composition elements and idea for the lighting. This was when I also realized that I didn't know what the fuck to do with the hands for this pose, and had to consult so many stock photos of just people playing the piano at a specific angle in a specific pose and none of you have any idea how hard that kind of reference was to find that actually gave me a good idea of the anatomy.
Once all of the genuinely hard shit was done, the rendering was really fun, especially the armor. I had so much fun playing around with Kris' armor, and even though you can't see it because of the caplet Kris' wears, I actually put in a lot of detail into their cuiress. The way the pauldron kinda curves around the should was also influenced by Yoshitaka Amano's artwork for the Final Fantasy series, because his art makes me think of the type of aura Kris' would really want. They probably post like they're in one of Amano's artworks in group photos in the Dark World and when they were younger when prompted to do a "cool photo" with Noelle since they're both nerds.
I liked the idea of the cape kinda falling apart into a weird abstract trail, and it really helped with the composition of the piece, though it mainly came as a result of kinda struggling with the cape itself... anyways,
Kris has pretty much become my comfort character and I've only been apart of the UTDR fandom for less than a month. I've only done one run of Undertale since I already knew a lot more about it than Deltarune, and omg I am so glad I had zero clue what the hell was going on with Deltarune aside from Friend, Spamtenna and The Weird Route because I genuinely can't get this fucking game out of my head now ESPECIALLY KRIS OMG. THEY'RE SO INTERESTING AND HAVE WORMED THEIR WAY INTO MY HEART SO I GUESS WE'RE EVEN????
After watching a theory vid arguing how Kris could be the vessel we make from the start of the game, while I don't 100% argee with the concept, I love the idea that since Kris was born their only purpose was to fulfill the prophecy and nothing else. My headcannon right now is that Gaster was Kris' therapist, not in a way that actually helped Kris get better, but more in a "oh god this is the type of shit you'd learn about in a psychology class when talking about a controversial and unethical mind experiment that has helped us learn a lot more about the human brain but oh god that shit should not have happened." Not saying it would be like a physical torture thing (though they probably got the god ol' determination experimentation treatment in the shelter probably), but moreso an erasure of Kris' sense of self to try and perfectly mold them into exactly what they need for the prophecy. Fuck, maybe during the goner creator sequence at the beginning of the game, we're not playing as us but rather Kris in a sort of demonstration where he lets Kris create a goner, a copy of themself, who they want to be, and then forces them to watch it get discarded, thrown into the Depths. No one can choose who they are in this world, and you are no different. Carol would absolutely make sure to remind Kris of this fact. I think it's the reason Kris may have stopped playing piano at one point. The day Carol saw Kris playing piano she would have made sure to stop it in an instant. What do you think you're doing? Do you have any idea how selfish you're being right now? And why would they do this? Well, in my interpretation, I think Kris being a part of the Goner creator also had a different purpose. To show them something. To remind them of what exactly they will become... a vessel...
Something I noticed when seeing stuff related to the Weird Route is how much the player's influence is present. Things like us being able to read Noelle's thoughts, the whole "who's going to hear?" thing... maybe the Weird Route is a version of the game where as we, the player, force Kris to do worse and worse shit, continuing to push them down their own downward spiral, we start to override their personality, their conscious becomes ours, and our determination overcomes theirs.
I think Carol and/or Gaster taught Kris how to tear out their own soul, or they forced Kris to learn "the hard way" by ripping it out of Kris themselves as a punishment for deviating from the path they were destined for. Because of this, Kris picked up the habit and learned how to do it to themselves. At first they would have done it to make sure their soul is still theirs, but over time they became paranoid. They lost trust over their own thoughts, scared that at any moment they will stop being themselves and will lose control over their body, and that any little intrusive thought they have is a sign that the possession is under way, that soon they will lose control of their body, their mind, and begin hurting the people they care about (This is also where my headcannon that Kris has severe OCD comes in). In this case, I think the reason for Kris attacking the soul when its trying to get Dess' guitar is because at that point they're so deep under Carol's control that seeing their own soul, their true desires, freaks them the fuck out and is trying desperately to suppress it.
But that's in the normal route. By the time we get to Chapter 4 in the weird route, the battle for the dominant consciousness is already underway. What I think is interesting about the moment after Noelle asks "who's gonna hear?" and the player responding "me" is the moment when the lighting goes red and the wind blows from out of nowhere. This hasn't happened (yet) at any point in the normal route, even when Kris puts the soul back into themself we don't get anything like this. I think at this point in the weird route, the turning point for the game in general, we, the player, will begin to overpower Kris' will, and soon enough, replace them entirely. By the end of the weird route Kris will spiritually be dead, an empty husk for us to control. Maybe they begin to look more and more like an actual goner. Maybe the only characters to actually stick by us would be Noelle, forced by her mother, and the player, to serve the walking husk of their childhood friend to bring about the apocalypse.
And we know that something like this is absolutely possible, and this happens in every single genocide route of Undertale. To go back and update my theory I posted about Undertale being the consequences of Deltarune's prophecy or "bad ending" I think Chara and Frisk are still both aspects of Kris. Frisk represents who Kris actually was before we possessed them, and Chara represents what we, the player, turn them into. A hollow, soulless version of Kris that gets left behind once we complete the game. When our weird route save file is long gone, and all that's left is an empty vessel. I think under this new lense, it still allows Frisk to be their own person while still connecting them to Kris, more of a reincarnation if you will.
And oh would you look at that, the game Tenna's game board is parodying happens to be a game series where the protagonists and antagonist are stuck in a cycle like that hmmmmm interesting.
Ok fuck I forgot this was supposed to be about the art uhhhhh, enjoy your art with a side of theorizing/fanfic, bone apple tea I suppose?????