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@blondecrowns
Journey to the Center of the Earth,

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cutest princess in all the realms
Itās not a business venture, not a theme park, but an entire world. We designed every inch of it. Every blade of grass. In here, we were gods. And you were merely our guests.
zamaron:
villain: im going to kill everyone if you donāt stop me tbh. hero: if we kill this villain then we are just as bad as him me watching: just kill him omfgā¦..

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THIS is the influence Regina has on Emma which is not merely a representation but the epitome of what victim blaming IS:
Emma has come to be thankful for Reginaās abuse of herself and her family because she feels like she would not have been complete without said abuse.
Regina robbing Emma and her parents of agency is now justified because if it had not happened Emma would have never learned to exercise said agency. And the version of her that was NOT affected by the misery inflicted by Regina would have āsuckedā because she would not have known what to do with the free will and healthy&positive childhood and youth she would have had.
Emma does not know her own mind, her own heart and her own personality - said personality has been entirely shaped and defined by Regina, Reginaās choices and the latterās abuse. Emma does not get to have choices because she would not have been able to figure out what to do with them. She needed her life decided for HER because it is the ONLY way she would not have grown up to be a pitiful incompetent damsel.
Emma the self reliant, courageous, self asserted woman, a ātough lassā Killian has elaborately called her because of her personal, independently mastered qualities, Emma who ācan do itā if she stops pretending to be someone she isnāt, Emma who is ātoo strongā to let the Evil Queen destroy her efforts is someone who, because of Reginaās abuse, has come to credit Regina for her own individuality.
Because Emma no longer believes she has built herself and her own character. Emma now believes her character was forcibly built by Regina whilst she had no say and no agency on the matter.
āIt has to be her choiceā - thatās no longer the notion the writers celebrate.
āThe pain is what makes me - meā - THIS is the notion the narrative celebrates and itās the notion Reginaās relationship with Emma represents.
It is no longer about āpunching back and proving them wrongā, it is not about Emma being a strong, resilient woman in SPITE of the pain she went through because of Regina.
Per the current narrative Emma is a product of Reginaās abuse and she is the way she is BECAUSE of said abuse. This is the message and the conclusion the show draws. This is what SEASONS of Emmaās story have been about (or, more accurately, what her story has been reduced to).
And you cannot possibly tell me itās not the most gratuitous character assassination to ever happen.
My fear for this episode was that Emma would not be happy and that as a result she would thank Regina for cursing her.
Instead what we got was worse. Emma was not EMMA - and she thanked Regina for cursing her.
This episode was the worst kind of character assassination. Not just for Emma, but also for her parents. Are we to believe that the two heroes that defeated the evil queen wouldnāt have raised their daughter to be STRONG like they were? Heroic like they were? Why was Henry, who had also led the sheltered royal life, brave yet Emma was weak? Is nothing of her Emmaās personality a product of her heritage or her own personhood? Everything she is, all her strength, comes from pain? Really? Because I thought it came from LOVE. Her love for others and the True Love of her parents that created her.
This episode made no sense for the show and no sense for Emmaās character. And once again we had to watch Emma show gratitude to Regina for abusing her.
I just feel sad right now.
Remember in 3x17 when ariel is all āthe woman who broke ur heart,,,, do u still love her?ā and ur all āWHOSE THE WOMAN WHO BROKE HIS HEARTšššš???!?!!;!ā even tho u kno damn well who it is u just extra dramatic and then shes like āswear on the name of the woman u loveā and ur ass is like āWHOSE THE WOMAN HE LOVES ššššššššā even tho u know damn well who it is and hes like āI swear by emma swanā and u scream
Almond Branches In Bloom, San Remy | Vincent Van Gogh
harry: moony, wormtail, padfoot, and prongs? who are they? did u know them?
remus: -thinking about the sick burn his map alter ego just laid on snape; internally screaming GET REKT-
remus: we've met

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danger, thy name is | (2/2)
Thereās whispers of spreading darkness, 28 years of quiet breaking - and she finds herself sharing an alley with him. The story may have started long ago, but itās ready for a new beginning. Whether they are is yet to be written.
notes: this is the second and final part to that enchanted forest/captain duckling/canon divergence au. i may write something else in this verse, maybe, someday. i really want to thank @blondecrowns for doing the lordās work and holding my hand through this, and also to all of you who sent kind words about the first part. i may not have responded personally, but i did read each & every word, multiple times.
part 1Ā | only on ao3Ā (because the chapter got way too long & i forgot mobile doesnāt like cuts.)
Jennifer Morrison attends the 26th Annual Beat The Odds Awards, hosted by Childrenās Defense Fund - California, at Regent Beverly Wilshire Hotel on December 1, 2016 in Beverly Hills, California.
Chaos is an angel Ā Ā Ā Ā Ā Ā Ā Ā that fell in love with a d e m o n
your gaze is dangerous
modern au | rated tĀ
Itās Saturday night in Storybrooke and that means one thing. Racing at The Pit, Ruby in her tiny red shorts in the passenger seat, dirt flying and tires spinning. Time was, years ago, they didnāt allow girls to race the old dirt track. Even now, thereās probably a bunch of folks whoād rather not see her behind the wheel. But sheās Emma Swan, reigning queen four years running, and nobodyās gonna take her down tonight.Ā
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07: āI really like this.ā - Anonymous SubmissionĀ

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literati text messages [insp.]