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@blondecrowns
Journey to the Center of the Earth,

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cutest princess in all the realms
Itâs not a business venture, not a theme park, but an entire world. We designed every inch of it. Every blade of grass. In here, we were gods. And you were merely our guests.
zamaron:
villain: im going to kill everyone if you donât stop me tbh. hero: if we kill this villain then we are just as bad as him me watching: just kill him omfgâŚ..

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THIS is the influence Regina has on Emma which is not merely a representation but the epitome of what victim blaming IS:
Emma has come to be thankful for Reginaâs abuse of herself and her family because she feels like she would not have been complete without said abuse.
Regina robbing Emma and her parents of agency is now justified because if it had not happened Emma would have never learned to exercise said agency. And the version of her that was NOT affected by the misery inflicted by Regina would have âsuckedâ because she would not have known what to do with the free will and healthy&positive childhood and youth she would have had.
Emma does not know her own mind, her own heart and her own personality - said personality has been entirely shaped and defined by Regina, Reginaâs choices and the latterâs abuse. Emma does not get to have choices because she would not have been able to figure out what to do with them. She needed her life decided for HER because it is the ONLY way she would not have grown up to be a pitiful incompetent damsel.
Emma the self reliant, courageous, self asserted woman, a âtough lassâ Killian has elaborately called her because of her personal, independently mastered qualities, Emma who âcan do itâ if she stops pretending to be someone she isnât, Emma who is âtoo strongâ to let the Evil Queen destroy her efforts is someone who, because of Reginaâs abuse, has come to credit Regina for her own individuality.
Because Emma no longer believes she has built herself and her own character. Emma now believes her character was forcibly built by Regina whilst she had no say and no agency on the matter.
âIt has to be her choiceâ - thatâs no longer the notion the writers celebrate.
âThe pain is what makes me - meâ - THIS is the notion the narrative celebrates and itâs the notion Reginaâs relationship with Emma represents.
It is no longer about âpunching back and proving them wrongâ, it is not about Emma being a strong, resilient woman in SPITE of the pain she went through because of Regina.
Per the current narrative Emma is a product of Reginaâs abuse and she is the way she is BECAUSE of said abuse. This is the message and the conclusion the show draws. This is what SEASONS of Emmaâs story have been about (or, more accurately, what her story has been reduced to).
And you cannot possibly tell me itâs not the most gratuitous character assassination to ever happen.
My fear for this episode was that Emma would not be happy and that as a result she would thank Regina for cursing her.
Instead what we got was worse. Emma was not EMMA - and she thanked Regina for cursing her.
This episode was the worst kind of character assassination. Not just for Emma, but also for her parents. Are we to believe that the two heroes that defeated the evil queen wouldnât have raised their daughter to be STRONG like they were? Heroic like they were? Why was Henry, who had also led the sheltered royal life, brave yet Emma was weak? Is nothing of her Emmaâs personality a product of her heritage or her own personhood? Everything she is, all her strength, comes from pain? Really? Because I thought it came from LOVE. Her love for others and the True Love of her parents that created her.
This episode made no sense for the show and no sense for Emmaâs character. And once again we had to watch Emma show gratitude to Regina for abusing her.
I just feel sad right now.
Remember in 3x17 when ariel is all âthe woman who broke ur heart,,,, do u still love her?â and ur all âWHOSE THE WOMAN WHO BROKE HIS HEARTđđđđ???!?!!;!â even tho u kno damn well who it is u just extra dramatic and then shes like âswear on the name of the woman u loveâ and ur ass is like âWHOSE THE WOMAN HE LOVES đđđđđđđđâ even tho u know damn well who it is and hes like âI swear by emma swanâ and u scream
Almond Branches In Bloom, San Remy | Vincent Van Gogh
harry: moony, wormtail, padfoot, and prongs? who are they? did u know them?
remus: -thinking about the sick burn his map alter ego just laid on snape; internally screaming GET REKT-
remus: we've met

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danger, thy name is | (2/2)
Thereâs whispers of spreading darkness, 28 years of quiet breaking - and she finds herself sharing an alley with him. The story may have started long ago, but itâs ready for a new beginning. Whether they are is yet to be written.
notes: this is the second and final part to that enchanted forest/captain duckling/canon divergence au. i may write something else in this verse, maybe, someday. i really want to thank @blondecrowns for doing the lordâs work and holding my hand through this, and also to all of you who sent kind words about the first part. i may not have responded personally, but i did read each & every word, multiple times.
part 1Â | only on ao3Â (because the chapter got way too long & i forgot mobile doesnât like cuts.)
Jennifer Morrison attends the 26th Annual Beat The Odds Awards, hosted by Childrenâs Defense Fund - California, at Regent Beverly Wilshire Hotel on December 1, 2016 in Beverly Hills, California.
Chaos is an angel         that fell in love with a d e m o n
your gaze is dangerous
modern au | rated tÂ
Itâs Saturday night in Storybrooke and that means one thing. Racing at The Pit, Ruby in her tiny red shorts in the passenger seat, dirt flying and tires spinning. Time was, years ago, they didnât allow girls to race the old dirt track. Even now, thereâs probably a bunch of folks whoâd rather not see her behind the wheel. But sheâs Emma Swan, reigning queen four years running, and nobodyâs gonna take her down tonight.Â
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07: âI really like this.â - Anonymous SubmissionÂ

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literati text messages [insp.]