Guardabassi family, Coat of Arms
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Guardabassi family, Coat of Arms

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Pepa family, Coat of Arms
Pilati family, Coat of Arms
“The Crest”
A crest is a component of a heraldic display, consisting of the device borne on top of the helm. Originating in the decorative sculptures worn by knights in tournaments and, to a lesser extent, battles, crests became solely pictorial after the 16th century (the era referred to by heraldists as that of "paper heraldry").
A normal heraldic achievement consists of the shield, above which is set the helm, on which sits the crest, its base encircled by a circlet of twisted cloth known as a torse. The use of the crest and torse independently from the rest of the achievement, a practice which became common in the era of paper heraldry, has led the term "crest" to be frequently but erroneously used to refer to the arms displayed on the shield, or to the achievement as a whole.
The word "crest" derives from the Latin crista, meaning "tuft" or "plume", perhaps related to crinis, "hair". Crests had existed in various forms since ancient times: Roman officers wore fans of feathers or horsehair, which were placed longitudinally or transversely depending on the wearer's rank, and Viking helmets were often adorned with wings and animal heads. They first appeared in a heraldic context in the form of the metal fans worn by knights in the 12th and 13th centuries. These were primarily decorative, but may also have served a practical purpose by lessening or deflecting the blows of opponents' weapons (perhaps why their edges came to be serrated).These fans were generally of one colour, later evolving to repeat all or part of the arms displayed on the shield.
The fan crest was later developed by cutting out the figure displayed on it, to form a metal outline; this evolved in the late 13th and early 14th centuries into a three-dimensional sculpture. These were usually made of cloth, leather or paper over a wooden or wire framework, and were typically in the form of an animal; also popular were wings, horns, human figures, and panaches of feathers. These were probably worn only in tournaments, not battle: not only did they add to the already considerable weight of the helm, they could also have been used by opponents as a handle to pull the wearer's head down.
Laces, straps, or rivets were used to affix the crest to the helm, with the join being covered by a circlet of twisted cloth known as a torse or wreath, or by a coronet in the case of high-ranking nobles. Torses did not come into regular use in Britain until the 15th century, and are still uncommon on the Continent, where crests are usually depicted as continuing into the mantling. Crests were also sometimes mounted on a furred cap known as a chapeau, as in the royal crest of England.
D’Avino family, Coat of Arms
The Royal Family Trees of Cymruan Kingdoms

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The 4 Kings of Cymruan
Philip the First of Gwynedd, son of Patrick the great, the smiling prince,  the Green Knight, the liberator of Powys. After defeating Damion, he married Paulina the Sorceress, princess of the Dyfed and half-sister of Peter II of Powys.
Peter the Second of Powys, son of Mark the strong, the dispossessed lord, the exiled prince, the king in the Mercian's bed. He married the heir of Mercia, queen Martia, uniting the houses of Powys and Mercia into one and promising union between the territories.
Paul XIII the quiet of Dyfed, descendent of the Paul’s bloodline of Pauls, the ancient lord of the Riunited Land.With a shy and reserved character, he has never been a good king and has always surrounded himself with advisors eager for power. He set up the “Senate of teh Sea” to delegate the political decisions of the realm to it. He married a water witch who had divorced Mark II the strong king of Powys. Which gave him a daughter Pulina the Sorceress. He later married a noblewoman of Emlyn, sister of Lope Cockport his first adviser, who bore him a son and heir, the future Paul XIV.
Damion the Terrible of Morgannwg, The last son of the previous king of Morgannwg, he inherited poor territories where he managed to find the ancient "Tome of Power" which gave him extraordinary strength. In short, he exterminated his entire family and began to conquer surrounding territories. He succeeded in storming the Fortress City of Powys, driving out the kings by right and usurping the throne.
The Cymruan
This land is the game setting for my D&D quest.
The Petty Kingdom of Powys (azure), currently at war with their southern neighbors, who have recently conquered the capital of the same name. But King Peter II has recently married a powerful queen of Mercia and thanks also to the help of his brother, Bishop Owen, he is ready to fight to regain his due.
The Kingdom of Morgannwg (gules), a kingdom ruled by a tyrant King Damion the Terrible, who after exterminating his family and subduing some nearby lands is now trying to take over the entire Cymruan and give life to his tremendous empire.
The Pirate Kingdom of Dyfed (or), a kingdom formed by city-states surrounded by wasteland, in the capital Emlyn pirates, smugglers and merchants from all over the world are welcome. But his mysterious government led by the elderly King Paul XIII is about to become even more mysterious following some events related to the politics of the entire Cymruan.
The Petty Kingdom of Gwynedd (vert) also known as “the Kingdom of the Jagged Coasts”, famous for its predominantly hilly landscape full of mounds and ancient tombs dating back to the first kings of the earth who made this region the beating heart of their empires of the past.Leading it is the young King Philip I, who recently took over the kingdom after the death of his father.
The World
This is the world’s map of my personal D&D quest.
Stay tuned for new posts focused to exploring the regions and nations!
House Canossa in Crusader Kings II
This is the House of my main character in my last CKII run, Matilda of Canossa, Queen of Sardinia, Corsica, Tuscany and Umbria.
She’s married Edgar of Wessex and her’s heir, Angelo of Canossa, now have a claim on English throne.
Long Live the Queen!
Sardegna (Sardinia) and Corsica
Two Islands, Five Moors and One Cross

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Mystical Woodland Animal Art Prints by RivuletPaperShop
x / x / x / x / x x / x / x / x / x
Sardegna (Sardinia) Region, Coat of Arms
The symbol of the island is the Four Moors, one of which is found in a similar form in the flag of the neighboring island of Corsica.
Piemonte (Piedmont) Region, Coat of Arms
The colors go back to the coat of arms of the Prince of Piedmont, the eldest son of the King of Sardinia, and show a color reversal of the Sardinian coat of arms.
Basilicata Region, Coat of Arms
The four wavy lines represent the four major rivers in the region: Basenot, Agri, Bradano and Sinni.
Liguria Region, Coat of Arms
The emblem of this region is a stylized silver caravel with white sails on which four silver stars are placed.

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Abruzzo Region, Coat of Arms
The coat of arms of the Abruzzo Region is composed of a stylized Samnite shield divided into three transversal bands of white, green and blue color, organized, in order, the snowy peaks, the woods and the hills and the sea of ​​Abruzzo. The white band is located in the upper left, the green one in the center and the blue one in the lower part, reflecting the arrangement of the succession of mountains, hills and sea, according to the natural geographical - morphological trend of the regional territory.
Valle d’Aosta (Aosta Valley) Region, Coat of Arms
The silver lion in the coat of arms. A gold crown rests on the shield