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Lint Roller? I Barely Know Her

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In an interview it was said that Yashahime was about who your biological relatives were vs the importance of who raised you. A fundamental part of the plot is that the three protagonists do not know their biological parents, and Sunrise made an effort to show us the profound impact that the adults around them had on their upbringing: Sota, while still very young, found a 4-year-old Towa, who had no one and was scared. He takes care of her and eventually adopts her, becoming her father figure. Something similar happens with Shiori and Setsuna (there are even many parallels in their first meeting and the first meeting between Sota and Towa). And Shiori also becomes a mother figure to Setsuna.
And we can continue: Moe Higurashi, whom Towa also considers a mother figure. Kaede, who is already established as one of the important figures who helped raise Setsuna.
We have Koga, Ayame and Yawaragi, who were in charge of raising Moroha. And the role of Kohaku who serves as a guide, teacher and even (perhaps) a father figure for Hisui and Setsuna.
All of them are adults (even though some are very young) who helped raise one or more children. And it is not necessary for them to have a legal document saying âadoptive father / motherâ like Sota, for they already represent maternal and paternal figures. They are adults who are representing the biological fathers and mothers who are NOT present in the childrenâs lives.
And Sunrise knows it. That is why it bothers me so much that they did not understand that this totally applies to Sesshoumaru and Rin.
Sesshomaru is a grown man who found, raised and protected an orphan child. How can you see the story of the other adults and children in Yashahime, and not understand that the story of Sesshomaru and Rin is the same? What do you want us to understand, Sunrise? You want to tell us that it would be okay for any of the other adults to marry and have children with those children they helped raise? If they wanted to show the importance of adults raising children with whom they do not share blood, in a series centered on Sesshomaru, It is illogical that they would not understand that Sesshomaru ,in fact, was also a father figure to Rin and this is a central part of his character development.Â
âSesshomaru was just a friend to Rinâ Sesshomaru being a father / authority figure to Rin throughout the ENTIRE Inuyasha series: Episode 44. Kaijinboâs Evil Sword: When Sesshomaru lifts Goshinkiâs head with one arm, Rin starts screaming excitedly, like the little girl she is. Then Sesshoumaru tells her to keep quiet, so she immediately obeys. Here we see how much authority Sesshomaru has over her. And weâll see it over and over again, as this is the way most of their interactions are: he orders and she obeys.
Episode 45. Sesshomaru Wields Tokijin:Â When Sesshomaru senses someoneâs presence (Kagura) he orders Rin to keep still. And she is so young she understands it literally, so she stands right where she is.
It is only when Sesshomaru has finished talking to Kagura (another adult) that he tells Rin she can move again. And she obeys immediately. Again, Sesshomaru and Rinâs interactions are those of an adult in authority over a child he cares for.
Episode 52. The Demonâs True Nature: I love this scene. When Sesshomaru returns from stopping Inuyasha (who had turned into a full demon), Rin cheerfully welcomes him, as she always does when he arrives. And he asks Rin if she has been good. And sheâs so young she even includes Ah-Un in her answer (who, by that time, has become her watchdog). This scene makes me think of a father who returns from his job and is greeted by his daughter, whom he left with the babysitter (Jaken) and asks her if she has been good. For me, this scene completely establishes Sesshoumaru and Rin as father and daughter. I canât imagine two âfriendsâ interacting like this.
Episode 66. Narakuâs Barrier - Kaguraâs Decision: This is another scene that reminds me of a father taking care of his daughter. Rin stays behind because she wish upon a star, so Sesshoumaru tells her to walk along with everyone, like any parent would. Once again, Rin immediately obeys.
Episode 79. Jakenâs Plan To Steal The Tetsusaiga: Sesshomaru listens to Rinâs stomach and encourages her to look for food on her own (To me, this seems like a father trying to encourage independence in his daughter). And she, again, says âall rightâ without question.Â
But Sesshomaru doesnât send her alone, he orders Jaken (the babysitter) to go with her and help her, and they take Ah-Un, so she doesnât get tired of walking. Sesshomaru actually cares about her safety and well-being, like any parent would.
Throughout the entire series, Sesshomaru acts the same way a father figure would: he provides protection, gives her instructions, makes it easy for her to find food, gives her clothes, shoes, a safe place, a babysitter, and even a pet. In a way, Sesshomaru gives her a family and he continues to care for her even years later. Rin goes from being a child who suffered abuse and malnutrition to looking happy and healthy. A grown man who does all this for a child, cannot be seen as someone who, at least in part, supported the raising of said child?
At the end, we finally find out how much Sesshomaru loves Rin (who has always been just a 7 year old girl). So, Would it be logical to think that someone who is only a âcompanionâ can feel that love? For me, if an adult does all this for a child and it´s also clear that he loves that child, the healthiest thing would be to think that he sees her as his own child. Not as a future wife. I donât understand how anyone could have seen a potential romance in all of this.
By the way, I love this scene, because they also include Kohaku, another human child that Sesshomaru cares for, indicating the way both children have influenced him and how through them he, who has had âproblemsâ with his own father figure, can take on that role and grow and develop tremendously as a person and as a character.
Finally some normal people who understand the problem with this sesshrin pairing. Itâs disgusting.
â STUDIO GHIBLI + STREAMS â
Howlâs Moving Castle (2004) The Secret World of Arrietty (2010) The Wind Rises (2013) Kikiâs Delivery Service (1989) Nausicaä of the Valley of the Wind (1984) My Neighbor Totoro (1988) When Marnie Was There (2014) Whisper of the Heart (1995) Only Yesterday (1991) The Tale of the Princess Kaguya (2013)
by blueming_soo

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