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Aldığı nefesin ne büyük zenginlik olduğunun farkında olan asla surat asmaz hayata...
21.01.2022 09:59 #newsharing
Tiger kitty
sleepy rat redraw 🐀🧸🌷
“You teach people how to treat you by what you allow, what you stop, and what you reinforce.”
— Tony Gaskins (via onlinecounsellingcollege)

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@mizoguchi
“Things falling apart is a kind of testing and also a kind of healing. We think that the point is to pass the test or to overcome the problem, but the truth is that things don’t really get solved. They come together and they fall apart. Then they come together again and fall apart again. It’s just like that. The healing comes from letting there be room for all of this to happen: room for grief, for relief, for misery, for joy.”
— Pema Chödrön
Making your angst hurt: the power of lighthearted scenes.
I’m incredibly disappointed with the trend in stories (especially ‘edgy’ YA novels) to bombard the reader with traumatic situations, angry characters, and relationship drama without ever first giving them a reason to root for a better future. As a reader…
I might care that the main siblings are fighting if they had first been shown to have at least one happy, healthy conversation.
I might cry and rage with the protagonist if I knew they actually had the capacity to laugh and smile and be happy.
I might be hit by heavy and dark situations if there was some notion that it was possible for this world to have light and hope and joy to begin with.
Writers seem to forget that their reader’s eyes adjust to the dark. If you want to give your reader a truly bleak situation in a continually dim setting, you have to put them in pitch blackness. But if you just shine a light first, the sudden change makes the contrast appear substantial.
Show your readers what light means to your character before taking it away. Let the reader bond with the characters in their happy moments before (and in between) tearing them apart. Give readers a future to root for by putting sparks of that future into the past and the present. Make your character’s tears and anger mean something.
Not only will this give your dark and emotional scenes more impact, but it says something that we as humans desperately, desperately need to hear.
Books with light amidst the darkness tell us that while things are hard and hurt, that we’re still allowed to breathe and hope and live and even laugh within the darkness.
We as humans need to hear this more often, because acting it out is the only way we stop from suffocating long enough to make a difference.
So write angst, and darkness, and gritty, painful stories, full of treacherous morally grey characters if you want to. But don’t forget to turn the light on occasionally.
Support Bryn’s ability to provide writing advice by reading their debut novel, an upbeat fantasy about a bloodthirsty siren fighting to return home while avoiding the lure of a suspiciously friendly and eccentric pirate captain!
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“I wake up thinking of yesterday. The joy is in remembering; the pain is in knowing it was yesterday.”
— David Levithan, Every Day (via anditslove)

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Hey ya sorry son of a bitch.
- Walking at the place where dreams are still possible -
by Pedro Gabriel
Write fanfiction guiltlessly. Do it not only because it’s good practice, not only because you don’t feel like putting your energy into original stuff, but because you do feel like putting your energy into fandom. Write fanfics of epic proportions or tiny one-shots; write fluff or angst or cliches or tropes; publish the roughest version or keep the twelfth draft for only yourself. Do it without feeling bad. You owe no one anything; the act of creation is a gift in and of itself, and it doesn’t matter if you’re creating fanfic or original stories or whatever else you want. All that matters is you enjoy it, because why else would you do it at the end of the day?
Write fanfiction guiltlessly.
This is good advice.
:)
Same should apply to fan art too. YES, we SHOULD promote original works. At the same time, there is a LOT of creativity that goes into fanart and fanfiction.
Normal? What’s that?
YES

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David Levithan, The Lover’s Dictionary
ok but the hunger games literally did mention it All like… the use of propaganda by the elite as an attempt to divide the minority groups they oppress by making them perceive each other as rivals and prevent them from recognizing and uniting against their real enemy? check. criticism of the way we consume media with no consideration for other people’s privacy like we’re entitled to every detail of their lives and a lack of empathy for their pain because it makes good entertainment? yeah. realistic depictions and explorations of the effects of trauma, particularly that caused by conflict? hunger games has you covered. acknowledgement of the existence of and links between racism and classism, and that conventional standards of beauty are influenced by the societal elite, which people are encouraged to harm themselves in order to conform to (the fact that the weathier people in district 12 are white, blonde and blue-eyed while the coal miner families are mostly people of color; that the two poorest districts, 11 and 12, have majority poc populations; that most people, katniss herself included, consider prim to be prettier than katniss partly because she looks like her white, blonde, blue-eyed mother, who was from the wealthier part of the district; that the first thing that happens to the tributes when they’re taken to the capitol is they they’re “prepped” to conform to capitol beauty standards before they even meet their stylists in ways that literally violate their bodies permanently, and that many of the capitol residents have extreme body modifying surgery that can take a severe toll on their health and wellbeing in the long term)? none of this is accidental, and is both brought up and criticised multiple times throughout the trilogy. the sexualization of minors for adult consumption, especially young celebrities? the fact that politicians in positions of power and authority gain those positions through corruption and by considering anyone harmed in their acension collateral damage? the significance of propaganda and social influence in modern warfare? the misery caused by poverty, which is caused and intentionally maintained by the wealthy elite? the brutal and violating experience of living in a surveillance police state, especially as a member of a minority group and/or poor person? the inherently immoral and corruptive nature of warfare and the military and the unimaginable atrocities and suffering it leads to for ordinary civilians? every YA dystopia novelist tried so hard to be mrs collins but most didn’t even understand half of what went into her books that made them so compelling.