Interview with the Vampire (2.08) | The Vampire Lestat (3.05)
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Interview with the Vampire (2.08) | The Vampire Lestat (3.05)

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SHEILA ATIM as AKASHA INTERVIEW WITH THE VAMPIRE | Season 3, Episode 5, "New York"
Clark: "You can eat them"
Me:
The most important change in the Backrooms movie from the original short films is the fact that you can now "easily" enter and leave the backrooms this time.
Originally, you had people accidentally falling and getting stuck there and that was the main fear the backrooms instilled on people; What if you were trapped in an infinite room and maybe theres creatures in there?
This time, the film gives the protagonist infinite chances to go back, to place a big dresser in front of the entrance and forget he ever saw it.
But he can't and he won't. And that's so much scarier.
Hi. Can we just talk about how Clark treated Barbara's still life? Like the way he handled her body and commented stuff on "how she never learns" and "I've went over this before" (when asking her to turn the lights off)? Like how he ripped her hair off, ripped a part of a memory of hers essentially, just to put it on Mary's head for her to handle him?
CAN WE talk about how Barbara's still life was the only one to react with horror, running and screaming to a corner, trying to escape, when Captain Clark appeared in the room? How she's only a fragmented memory, but that memory still held fear?
I'm not trying to say Clark was a horrible man, no. But he is no saint and even if the movie didn't give us much about Clark and Barbara's relationship, it surely indicated what dinamic they had.

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man that backrooms movie was crazy. because yeah, it’s about the backrooms, but it’s also about the BACK ROOMS of a broken man’s mind and his warped perception of those around him, ending up harming everyone he comes into contact with until the broken animalistic part of himself (The Pirate) kills off the last sane part of him. but its Also about how those with authority and power (ASYNC) leave people to fend for themselves as that feeds their power and control over the situation. but it’s Really About Mary and outgrowing the hold that her mother’s mental condition and behavior had over her and that no one’s the same after trauma and how the traumatized versions of themselves take over their and others lives (The Pirate killing Clarke and the Backrooms People, the different parts of Mary’s life succumbing to the Backrooms including her copy), and though you can overcome your trauma that broken part of yourself will always exist in that pain. but the REAL REAL meaning is don’t go into strange rooms that appear in your basement after you’ve been drinking
The backrooms are a failing brain trying to hold onto even the most basic of memories, even as they warp and decay.
The backrooms are generative AI trying to capture something real but only achieving a malformed, mindless imitation.
The backrooms are stagnation, an unwillingness to step into the new and uncomfortable effort of changing, instead running through the same old routine even as it starts to fall in on itself.
The backrooms are nostalgia cannibalizing itself, trying to remake and remake what it already knows without making anything new, until the familiar is so bastardized it's barely recognizable.
I really did like the ending of the Backrooms 2026, actually. The twist that the Backrooms is a space that you can physically exit but a part of you mentally will always be trapped in is a great subversion and really effectively inverts the concept. The main scientist character looks directly into the camera and reveals he is still caught in the same nostalgia trap that Clark was, stuck in a repetitive motion and going nowhere. Mary got out but she's still in there. You can leave but you can never escape
For a little I felt like we missed Clark’s spiral and that’s why the change felt so sudden but in the same scene that Clark shows this “sudden” violent part of himself he says ‘I don’t want to change’.
Clark has always been like this. We saw his extreme anger at the start of the movie. His disregard for those around him with how he speaks to and about them. The implied breaking of the glass was that he threw it, not knocked it over.
I was expecting a spiral but he didn’t need one. He was already there.
BACKROOMS (2026) dir. Kane Parsons

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the desire to engage in my hobbies leaving my body as soon as I have the day off even though I was looking forward to it all week
Hey the US government is proposing to get rid of the Endangered Species Act. Please go comment.
(yes this entirely for corporate profit)
Cut and paste the docket number to put in your response if you remember. You can comment anonymously if you want.
The Oregon Zoo has some sample arguments you can make.
We have until December 22nd!
and not to sound like a conspiracy theorist but another reason I hate the return of 2000’s th*nspo shit is bc starving does make women frail and has longer term consequences like early osteoporosis, brittle bones/teeth, insomnia, ect. Your muscles will start eating themselves. It also makes you extremely emotional and severely lowers your capacity for critical thinking not bc you’re a girl but because your brain isn’t getting any fucking nutrients so idk I just feel like its very convenient that every time there’s an uptick in fascist rhetoric and women’s rights are being stripped suddenly it’s peak fashion for women to be starving, weak, and exhausted

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If Larian is using generative AI to develop concept art which is then given to artists to turn into game assets and environments, then they can’t say there is no AI generated content.
For placeholder text - Lorem Ipsum exists for a reason.
This is super disappointing.
Source.
The majority of Larian’s all-star VA cast for Baldur’s Gate have been massively outspoken against AI - and not just for performances.
Concept artists are unbelievably valuable, and AI generated concept art absolutely pushes them out of work.
How many of your favourite games have had a ‘making of’ documentary with amazing concept art shown as backdrops.
At the 2024 game awards, Swen Vincke said the winners of future Game of the Year awards would be studios who didn’t treat their staff like numbers on a spreadsheet — That’s how concept artists and junior writers are treated when it comes to Gen AI.
Last bit I'll add - He openly admits it isn't leading to big efficiency games. What did Larian think they were missing when developing BG3 that they needed to resort to using Gen AI?
And "Everyone at the company is more or less OK with the way we're using it" is such a shitty line. There have been so many job losses in the industry recently that the majority of people absolutely will keep their heads down if they thought speaking out would put them at risk losing their income.
It's frustrating when such a positive creative force in the industry pushes this angle.
Valentine Cameron Prinsep - "The Lady With The Owl"