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These are Inspired by @droideplaneâ dividers here
I thought they were so gorgeous and they are absolutely perfect for a fic Iâm writing on my main account and I couldnât find more like them so i just made them myself :)
Free to use just either like/ reblog, tag if you would be so kind but itâs not necessaryđ
hi lovely!!! could you pretty please make some coffee / coffee shop dividers please? like with orangey/earthy green tones đ§Ąđ hope that makes sense, love your dividers!
hello love! and yes of course!! I had to add in some coffee bean dividers too because I think they just look so cute đ€ I hope you like them! â„ïž
please like and credit if you use, reblogs are appreciated! thank you! đ
in lieu of tumblr's new reblog feature. let's continue to support creators on this platform and keep this place as safe as possible.
please consider giving feedback here.
credit not needed. recoloring welcomed. feel free to edit as you need!
*credits to a dear friend of mine for this idea.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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do you have anything on gothic horror and gothic erotica?
Writing Notes: Gothic Horror & Gothic Erotica
GOTHIC HORROR
A subgenre of horror novels that focus specifically on death.
Originated in the 18th century.
Exemplified by the author Edgar Allan Poe.
Also known as gothic fiction.
It is a literary genre characterized by elements of:
mystery,
horror, and
the supernatural.
Features of Gothic Horror
These are a few of the distinctive features of Gothic Horror:
Complex heroes: In Gothic tales, writers portray the protagonist as an anti-heroâsomeone with a complex personality that reveals elements of good and evil. As an outcast of society, the protagonist usually has monotonous features, which appear physically or emotionally. For example, the hero may have an uncontrollable rage. Thus, the troubled and doomed anti-hero is a Gothic motif that has influenced the literary canon.
Damsel in distress: A damsel in distressâtypically an innocent, young womanâis a classic, Gothic trope used across stories. Often a supernatural being has held the helpless woman in captivity, locking her away in an isolated tower or castle. In Gothic romance, the damsel in distress often falls in love with the anti-hero, who has a seductive and charming personality combined with a dark side, such as a violent temper.
Existential themes: Explores existential themes to dramatize the plot. Gothic writers examine and question morality, reality, religion, and philosophy to match the ominous setting.
Extreme emotions: The idea of emotional extremes is another creative tool used in Gothic fiction to dramatize the story. Characters experience an internal torment that can assume a variety of different forms. Tragic and ominous plot points, such as the death of a loved one or an unsolved murder mystery, often send the protagonist into a spiral or raging catharsis.
Ominous setting: An eerie and spooky setting is a pillar of the Gothic novel, invoking suspense into the narrative. Common locations in Gothic fiction include Medieval ruins, haunted houses, and dilapidated monasteries. These types of ominous spaces often have secret hallways, trapdoors, and mysterious rooms that conjure fear and curiosity in the reader.
Supernatural elements: Supernatural elementsâsuch as the use of ghosts, vampires, monsters, and demonsâare another defining feature of Gothic fiction. Gothic writers employ these spooky elements to explore paranormal activity, embed terror into the plotline, and evoke fear within the reader.
Inspired by the aesthetic and architecture of the Middle Ages, Gothic literature gets its name from the Gothic castles, churches, ruins, and abandoned estates it uses as a setting for the haunting storyline.
Writers combine dark imagery with suspenseful narrative to reflect the decayed and battered state of the architecture, fusing terror with pleasure.
Romance often plays a role in Gothic fiction literature, as writers interweave the element of death into romantic relationships to build tension and capture the readerâs emotions.
Gothic Horror is one of the oldest of the horror genres.
Darker, edgier and on the Romanticism end of Romanticism Versus Enlightenment (in fact, it quite literally emerged alongside the Romantic movement in the late 18th century as a reaction against the values of the Enlightenment), it tends to play on both the thrill and the fear of the unknown and places a great importance on atmosphere.
It's usually heavily symbolic, sometimes even dreamlike.
In addition to being important to the horror genre, the first Science Fiction, Mystery Fiction, Fantasy, Romance, Thriller, and Adventure authors drew inspiration from Gothic horror, so it's sometimes considered the parent of all modern genre fiction.
Gothic fiction is usually used as a synonym or is the name given to Gothic horror stories that are saturated with the above mentioned sci-fi, fantasy, romance, mystery, or adventure elements.
As new writers contributed to the Gothic genre, numerous subgenres developed, such as the Southern Gothic, Gothic romance, Gothic ghost story, and modern Gothic, all of which fuse aspects of the supernatural into the story.
While the popularity of the Gothic novel soared during the late 18th century, it peaked during the Victorian era.
Today, Gothic fiction continues to inspire the themes and styles of thriller and horror novels.
Modern writers that use Gothic elements in their stories include Toni Morrison, Shirley Jackson, Susan Hill, and Stephen King.
If youâre looking for a basic answer for what makes up gothic horror, some of the hallmarks are:
Haunted and decayed settings (castles, homes, etc.)
Supernatural elements (especially ghosts)
Themes of isolation and/or confinement (both physical and mental)
Emotional and psychological overwhelm (characters doubting their reality, facing emotional turmoil like grief and loss, etc.)
Morally ambiguous characters (these characters engage the readerâs thinking on a deeper level)
Discussions of religion or philosophy (often tied to the morally ambiguous character)
Terror vs. horror (terror is when authors use suspense to build unease, and horror is when the promise of that terror is delivered)
Examples
Dracula by Bram Stoker (1897). A gothic horror novel about a vampire who wants to spread the undead curse to as many people as possible.
Frankenstein (1818): Mary Shelleyâs Frankenstein is one of the most well-known works of Gothic fiction. In this classic Gothic novel, Shelley explores the ramifications of science, as protagonist Victor Frankenstein attempts to create life from a corpse. Shelleyâs image of a monster sewn together from human body parts has become a famous symbol associated with Gothic literature and horror.
The Picture of Dorian Gray (1891): Oscar Wildeâs The Picture of Dorian Gray is a Gothic horror story that uses a portrait as a base for entering the supernatural world. Wilde examines morality in the text, as the protagonist chooses to sell his soul in the pursuit of sin.
GOTHIC EROTICA
This blends elements of gothic literature (see Features of Gothic Horror above) and the erotica genre.
The erotica genre intends to arouse the reader.
Any genre can become an erotic genre, as long as it has a place for sexâexplicit sex scenes, to be precise.
Romance novels might be a gateway to the erotic womenâs novel, but the romance novel has more emphasis on the sweet relationship between the characters, where, the erotic novel is more tuned in to the sex acts.
Erotic Literature - (or Erotica) written stories about people having sex.
Although it's like porn, Erotica can be educational, well-written, and sometimes even pass into the literary canon as acknowledged classics.
A way to divide the two is to mentally remove the sex from the story. If you still have a story, it is erotica.
Modern day books tend to deal with the emotional side of sex and sexuality, and often â with varying degrees of success â attempting to introduce a story or arching plotline.
Erotic Horror works often push against the limits of our comfort zones. Typically includes:
Consent issues
Graphic violence
Sexual themes that shock
A blend of discomfort with titillation
"Psychosexual Horror" Trope
This trope is when eroticism, sexuality, and scenes of a sexual nature are the theme or genre of a story, usually done through Personal Horror, Psychological Horror, Supernatural Fiction, or represented by characters and monsters with Freudian associations.
These powerful feelings of desire are depicted as uncontrollable hormones, instincts, and temptations that overwhelm a character's better judgment with great force and intensity, leading to conflict when it overcomes their judgment.
The psychosexual horror genre explores themes of:
sexual exploitation,
emotional manipulation,
sexual violence, and
sexual identity.
Often involving:
power imbalances in relationships,
manipulation,
obsessions, and
traumas that are linked to past sexual abuse, childhood trauma, or other traumatic experiences.
In relationships, sex is a weapon in these stories by using sexual tension and sexual prowess as a means of control and dominance.
Examples
Bitten: Dark Erotic Stories by Susie Bright. An anthology of gothic-style erotic horror.
The Bloody Chamber: Many of the stories (including the title story, which is based upon "Bluebeard") explore themes of sexual awakening, intimate relationships and predatory behaviour via Gothic fairytale retellings. The stories usually focus on a female perspective, with girls and women having to outwit predatory men, although some stories play around with this (for example, "The Lady in the House of Love" has an innocent, idealistic young man preyed upon by a female vampire, who struggles to overcome her monstrous nature to obtain her dreams of love).
(Sentences from various sources for criminals and/or dangerous muses. Adjust phrasing where needed)
"I'm going to ask you a question. How you answer it will determine how this night ends."
"I've paid for the sins of my past. What about you? Can you say the same?"
"I will teach you to lie so well that people thank you when you stab them in the back."
"I go by several names. I doubt any of them are your concern."
"You can catch a devil, but you can't hold him long."
"Behind that that hard, criminal mind is a soft teddy bear, but I promise not to tell anyone."
"You mistake me for someone who takes orders rather than gives them."
"How does it feel to go around town with a psychopath?"
"I should have killed you the first time we met."
"I don't take orders from you."
"Remorse? Oh, I did away with that a long time ago."
"I have a very odd feeling that you're taking advantage of me."
"Some day, I hope you'll realise that you and I are actually on the same side."
"This business is based on trust. I don't trust you."
"I want you to find the men who did this and bring them to me."
"If I want to immobilise someone and I've already shot him in the leg, he's kind of stuck in situ while I shoot him in the other one, so I might as well do it!"
"Where I come from, men like you die pretty easily."
"If I was going to kill you, I'd have done it when you walked to the car this morning and would have been gone by the time you hit the sidewalk."
"You have to be careful fighting monsters or you might turn into one yourself."
"If you're looking for a reason not to kill me, I don't really have one."
"Have you heard about these bank robberies?"
"If you make someone rich, you can get away with just about anything in this country."
"You know, you talk like we're not going to get away with this."
"If you disappoint me, you can be so easily discarded."
"You are literally the worst shot I've ever seen!"
"I've got a short fuse, so don't strike matches."
"Can't you feel anything?"
"I don't kill boring people."
"On the rare occasion when I tell someone who I am, they tend to be frightened of me."
"I could give someone a bad name just by standing next to them."
Literary theme - the main idea or underlying meaning a writer explores in a novel, short story, or other literary work.
The theme of a story can be conveyed using characters, setting, dialogue, plot, or a combination of all of these elements.
In simpler stories, the theme may be a moral or message: âDonât judge a book by its cover.â
In more complex stories, the central theme is typically a more open-ended exploration of some fundamental aspect of society or humanity.
Common Themes in Literature
The best literary themes explore human nature on a universal level. Itâs no surprise, then, that multiple books may share the same central idea. Each of the following popular theme examples reveals the human condition and offers readers food for thought long after the story is finished.
Good vs. evil
Love
Redemption
Courage and perseverance
Coming of age
Revenge
Ways to Create Literary Themes in Your Writing
Incorporating a solid literary theme into your work wonât happen by accident, but it doesnât have to be incredibly difficult, either. Whether youâre composing short stories, writing a novel, or working on a screenplay, incorporate the following literary devices to better convey the theme of your story. As you layer them in, they should be as subtle as the theme itself.
Put your characters in conflict with one another. Most themes center on controversial ideas that are a source of conflict for human beings. By putting your characters in conflict, youâll create more opportunities for actions, choices, and conversations that enable them, and your readers, to tackle your theme head on.
Reinforce your theme with motifs. A motif is a recurring image or detail that highlights the central ideas in a story through repetition. In F. Scott Fitzgeraldâs The Great Gatsby, for example, Gatsbyâs constant, lavish parties emphasize the theme of excess, materialism, and the pursuit of the American dream. Use motif to shed additional light on the theme and also give readers a reminder of its existence.
Represent your theme with symbols. Symbols are objects, characters, or settings that are used to represent something else (while, again, supporting the theme). A symbol may appear one time, or be present throughout the story. In The Great Gatsby, a green light symbolizes Gatsbyâs dream for a better life with Daisy. In the beginning of the book, he reaches toward it; in the end, it seems unreachable.
Literary Theme: Good vs. Evil
The classic battle between light and dark, altruism and antagonism, the theme of good versus evil stretches beyond even Biblical times.
A story about good triumphing over evil may pit two characters directly against each other, or a main character against society at large, as in Harper Leeâs To Kill a Mockingbird.
In addition, the theme of good versus evil may be explored through the external actions and dialogue of the characters, or via their internal struggle to do the right thing when faced with temptation.
Literary Theme: Love
Love is one of the most universal themes in literature, as in life. In fact, the theme of love is underpins many of the stories weâve discussed so far. Love can be a force for good that inspires people to sacrifice themselves for others, or a toxic force that drives people to madness or violence. Different flavors of love as a literary theme include:
Forbidden love. Yearning and disapproval collide in forbidden love stories, which often find star-crossed lovers hurtling towards a tragic fate. Examples include: Romeo and Juliet by Shakespeare and Atonement by Ian McEwan.
Family love. Stories about the love between parents and children or siblings often explore the costs or challenges of family loyalty. Examples include: The Sound and the Fury by William Faulkner and My Sisterâs Keeper by Jodi Picoult.
Unrequited love. The pain of loving someone who does not return your affection is a frequent subject in literature. Examples include: The Phantom of the Opera by Gaston Leroux and The Sun Also Rises by Ernest Hemingway.
Friendship. The power of friendship to carry people through hard times and change themâwhether for better or worseâis an especially common theme in young adult literature. Examples include: The Body by Stephen King (adapted into a film, Stand By Me) and The Lord of the Rings by J.R.R. Tolkien.
Literary Theme: Redemption
Failures or tragedies set the stage for a sad story, but it doesnât have to end this way: in books that employ redemption as a central theme, characters see the errors of their ways and strive to right the wrongs theyâve committed, making for an uplifting tale. Stories of redemption often involve a reformed character sacrificing his or her freedom or life.
Examples of stories that explore redemption include A Christmas Carol by Charles Dickens and Les Miserables by Victor Hugo.
Literary Theme: Courage and Perseverance
The triumph of the human spirit in the face of adversity is a hugely popular theme in literature, film, and real life. Characters in stories about courage endure difficult circumstances or impossible odds, persevering through sheer determination, grit, and gall.
Examples of stories with courage as their central theme include: A Wrinkle in Time by Madeleine LâEngle and Black Hawk Down by Mark Bowden.
Literary Theme: Coming of Age
Also known as a bildungsroman, a classic coming-of-age story follows one or more characters during their journey of growing up into adulthood. These characters may experience everything from a loss of innocence, to an awakening or self-awareness before finally reaching maturity. While coming of age stories are popular in young adult literature, theyâre also common in memoirs.
Examples of books that employ coming of age as a central theme include Little Women by Louisa May Alcott, Great Expectations by Charles Dickens, and The Catcher in the Rye by J.D. Salinger.
Literary Theme: Revenge
A common plot in literature, the theme of revenge sets up a conflict between one character and his or her enemies as he or she journeys to avenge wrongs done to them. A revenge story may depict the trials a character must endure in order to achieve their vengeanceâor, explore the human cost and moral dilemmas around pursuing vengeance in the first place
Examples of stories that use revenge as their central theme include: The Iliad by Homer, Carrie by Stephen King, The Count of Monte Cristo by Alexander Dumas, and Frankenstein by Mary Shelley.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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If there's anything I want people to take from this blog, it's that creativity requires curiosity and curiosity begets learning. Also that learning doesn't stop when you finish school, and it doesn't stop with your favorite genre/subject, and it doesn't stop at the borders of your country.
Keep learning because there are those who dread you getting smarter. Keep learning because there are those who need guidance. Keep learning because it literally keeps your brain healthy. Be kind, but be smart. Ask questions, but also question answers.
You are never a lost cause. A lack of educational access, a disability, or oppressive circumstances may hinder you, hopefully only briefly, but keep the curiosity and creativity alive to keep your self alive. You're going to need it.
Free writing advice while I've got my editing hat on: it is never a bad idea to add some sensory detail at the beginning of a new scene.
It doesn't have to be a full pause to describe the scene in excruciating detail, but a smell, a sight, a sound, a sensation, something will help to ground the scene and avoid having everything happen on an empty stage.
It is very easy to forget that the reader cannot see the inside of your head but if you make it a rule to put sensory details at the beginning of each new scene, let's say somewhere in the first two paragraphs, you will at least have given the reader something to latch onto and imagine along with you.