I love characters who are like "I'm a terrible person" but when you look closer it's more like
"I adapted to survive something and now I don't know how to stop being that version of myself."
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@bewaretheidesofmarchyall
I love characters who are like "I'm a terrible person" but when you look closer it's more like
"I adapted to survive something and now I don't know how to stop being that version of myself."

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Ingrid, poor girl. She's convinced she's in Bridgerton and she's fully in Game of Thrones
Do you know this Musical Song? #397
I know the song and the musical
I know the song but not the musical
I know the musical but not the song
I may know this
I have never heard this
sorry if this is weird but i saw ur tags on the musical poll - thats the 2007 madrid production and its on youtube if you wanna watch it
sick thank you
I think "I don't know how to love him" was always meant to be in spanish actually
really specific trope i like that i feel like can only be explained in a diagram

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and so javert you see it’s true this man bears no more guilt than you. who am i?
I WOULD HAVE DONE TONS OF COCAINE WITH YOU, AND KEPT YOU ALIVE FOREVER.
“fujoshis are harmful to gay men” not this gay man.
on twitter this got a bunch of responses like “wow even the evil fujoshis? the homophobic yet hypocritically fetishistic ones? what if the fujoshi is racist?” and like well no obviously not in that case.
“shoutout to everybody from new jersey!” “even the new jersey serial killers…?”
LOVES me a comic relief character w/ a reputation for The Melodrama—but once you consider their backstory/working conditions you realize they are actually holding shit soooooooooooooooo much closer together than most-o-us could manage in the same situation.
there are MANY goons and mooks and goofy best friend characters this applies to, but i wanna give a shout-out to the Living Prima Donna Embodiment from phantom of the opera.
woman with 20+ years experience, most respected professional in her field, refuses to work under unsafe conditions (aka shitty colleague literally trying to murder her) and instead of listening to her massively justified concern, the new tech bro investors decide to just have an entry-level employee fill in for her.
Carlotta shoulda personally been allowed bring that crummy chandelier crashing down on her shitty bosses' heads!!!
YES! YES! YES!
“These things happen” On what planet Mr French Multimillionaire?!? On what planet is that an acceptable working environment! And the Phantom is picking on her and taking her voice because he, one out of thousands, doesn’t like it! And the owners just… fold?!? No!
"UNTIL YOU STOP THESE THINGS FROM HAPPENING, THIS THANG DOES NOT HAPPEN!"
hell yeah Carlotta invoking 👏 her 👏 worker's 👏 rights 👏

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ohhh my god I just fact-checked, Nolan actually DID cut the "Nobody" scene from his Odyssey movie. Mfer that is like cutting the Father reveal from Star Wars. Let me speak in a language you understand this is like not dressing Batman up in his suit. "It was not possible to work it in" the TikTok musical with a budget of $4 and a scratched Hamilton CD managed to work it in in SONG form, step up your FUCKING GAME
As someone who has written academic papers about the role of disguise and deceit in the Odyssey — Nobody is so damn important.
Prior to this point, when Odysseus tries to exercise Xenia (ancient Greek guest rites/hospitality code), he did what he was supposed to do. (Well, we think so anyway — notably, the most famous books of the Odyssey are told by Odysseus, who isn’t exactly a reliable narrator.)
But when Polyphemus kills and eats some of the men, the game changes. The Cyclops makes it clear he has no intention of abiding by Zeus’s laws, and will cannibalize the lot of the men. So, Odysseus responds in kind — he breaks Xenia and lies. He introduces himself under a false name as part of a trick. Polyphemus then breaks Xenia again — he tells Nobody he’ll be eaten last, and that is the Cyclops’ guest gift to him.
Odysseus’ transgression is clearly the lesser one. The Nobody trick works. It gets Odysseus and most of his crew out of the cave alive.
But, crucially, before leaving Odysseus sheds his disguise. He admits his true identity, in detail, so he can boast of his achievements and add vanquishing a Cyclops to the list. And it bites him in the ass spectacularly.
The only reason why Polyphemus can curse Odysseus, can bid his father Poseidon to curse the man who blinded him, is because he now knows who did it. If Odysseus had kept his mouth shut, he might have safely made it home from there. But while a big part of why the Nobody disguise vs. real name reveal is showing Odysseus’s hubris, it’s not just about that. It’s also about the start of a pattern that hurts him more than it helps him.
From this point in the Odyssey on, Odysseus lies about his identity constantly. And sometimes it protects him, but more often it’s a detriment or at least unnecessary. He’s lying about his identity primarily to people who are on his side — a kindly loyal swineherd, his son, his faithful wife, his ailing father.
The last one is especially damning, because happens when Odysseus has already killed the suitors and returned home and reunited with the rest of his family sans disguises. He knows from everyone else that Laertes never betrayed him or his legacy, but was mourning his son and heartbroken for almost a decade. Odysseus has publicly declared his return to everyone else — his father doesn’t know because he’s living in squalor remotely. But Odysseus doesn’t tell his father who he is. He makes up a fake identity and tells a story implying Laertes’ son is dead. And when Laertes bursts out crying, then Odysseus drops the charade and finally admits who he really was.
There was no utility to that lie. No loyalty to test. No hidden threats to worry about. But Odysseus still instinctively lies to his beloved father about who he is, only dropping the charade when he sees the damage it’s doing to his relationships.
Because at this point, lying is pathological for Odysseus. He can’t seem to stop doing it. Because with Polyphemus, a lie protected him and the truth hurt him. That is the point of the “ Nobody” disguise.
And they fucking cut it???
im so sorry that you're doomed by the narrative but i really need you to answer my message on Microsoft Teams
Remember when Xbox was going to basically ban used games for the xbox one, and Playstation made fun of them with that video titled "how to share games on Playstation" and it was just one guy handing another a game disk? And now Playstation is getting rid of physical disks entirely
It’s like they expect us to just forget their original marketing schemes in favor of more and more money grabs.
Anyway here is my take:
I think trying to make a movie out of The Odyssey (not the story of Odysseus, but The Odyssey as in the poem) is a bit of a doomed endeavour as the structure of The Odyssey simply does not jive with the structure of the Hollywood movie
I think you COULD make a good movie out of the odyssey but would need to engage w the fact that it's a work which veers back and forth between fantasy and realism; that it's a story told out of chronogical order; and also that it is a Trickster Hero story first and foremost. It is perhaps best done as a comedy but with the occasional shocking swerve into graphic violence.
Here are my opinions:
The Odyssey should be a musical but ☝️only some of the time. When Odysseus is narrating? Musical. Penelope and Telemachus on Ithaca? 🙅♀️
Odysseus can break the fourth wall during the parts where he's narrating.
Movie opens with Odysseus inside Charybdis, whirling around and around clinging to a tiny raft and screaming. *Freeze frame* yeah, that's me. You're probably wondering how I got here.
In essence am I implying it should be tonally similar to the emperor's new groove but with ultra violence? Perhaps
masks as a signifier of deceit or attempting to hide something is Out. masks being used to represent stepping into one's own identity and not one foisted upon them is the new hit craze
masked character removing their mask in front of someone as a sign of trust: boring, overdone, reinforces the idea of the mask as the "fake" identity and the "real" face as the "true" identity
masked character's mask accidentally comes off in front of someone but they look away to avoid seeing their face as a sign of trust and respect: now we're cooking with gas

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based on my sample size of EXU: Calamity, Critical Role Campaign 4, and Private Nightmares, i have come to the conclusion that Luis specialises in creating guys who seem Normal and Put Together and underneath have a deep strain of mental unwellness never seen before