Untitled

Gili Tal at Vilma Gold, London, 2015

Tubo da mettere tra i fiori (Tube to Place among the Flowers), 1963 (2001 Version)

Once across the bridge, phantoms came to meet them at ANDOR, London, 2014

Series D Vierkantrohre (Square Tubes), 1967

Hans-Christian Lotz at Dominique Lévy, New York, 2016

Courtrooms throughout New York State use benches built by prisoners in Green Haven Correctional Facility. The court reproduces itself materially through the labor of those it sentences.

The Outside Can’t Go Outside

Exchange of common stock, certificate, powder-coated aluminum, nail polish

Stall 1, 2, 3, 2011

First Continent, Baltimore

Southard Reid, London

For the duration of the Biennale Arte, three people will reside on the roof of the German Pavilion. There, unseen by visitors, they will carry out a mysterious task, a shadow economy under the glaring sun. The actors will only be visible from time to time, when they step towards the edge of the roof to throw boomerangs. They are in search of a suitable trajectory, the ideal form for their flying objects. They produce the boomerangs in a workshop, the vague contours of which can be discerned only from a distance.

Astro 5, 2015

Negatives, 2015

For Ryan Conrad Sawyer’s first solo show in New York, he will be committing this action within the gallery by removing all copper from the interior walls in order to sell the material as scrap metal. Leaving the gallery without power for the duration of the exhibition, this action disrupts the white cube’s “sanctity” by leaving open wounds of drywall and brick that outline the building’s electrical skeleton.

Ink, chalk pastel, charcoal on newsprint mounted to wood outlet cover

Bouquet IX, 2012