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Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Me Yee Owu Den - K. Frimpong and His Cubano Fiestas
1980
A hypnotic Ghanaian afro-funk journey
Mesmerising rolling guitars, glowing organ, and irresistible grooves from one of the genre's true masters.
'City of Cards'. Piero Fornasetti. 1950.
The 1924 Mikiphone Was The World’s First Pocket Record Player. The pocket size phonograph sponsored by the Moulin Rouge.
The Mikiphone pocket phonograph was designed by Hungarian brothers Miklós and Étienne Vadász, and mass produced under licence by Masison Paillard of Saint Croix, Switzerland.
Formed by a consortium of local watch makers in 1814, Paillard began making music boxes from about 1860. Just before the turn of the century, the company added cylinder phonographs to its catalogue, switching to disc gramophones in 1905. In 1913, Paillard developed an electric AC gramophone motor, and from 1927 the company built electric amplifiers for gramophones, and later radio equipment. Somewhere between those two developments, Paillard made around 180,000 of the Vadász brothers’ Mikiphones.
The Science Museum in London says the first machine was made in 1923, and in November 1924 patented and licensed by Paillard, which, as Earthly Mission notes, churned the thing out between 1925 and 1927.
It’s a lovely gadget, predating the Sony Walkman and iPod. The parts are stored in a nickel-plated box (also available in gold or silver), which, when closed, had a diameter of just 11.5 cm and a thickness of 4.7 cm. You pulled and pushed the thing together, connecting the recorder head and the two-part Bakelite resonator to the foldout tone arm, placed the record on the turntable’s pin, flexed your fingers, wound the handle 50 times, stuck on your 78rpm 10-inch platter and listened.

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Piergiorgio Branzi. Adriatico, Italy 1957.
https://youtu.be/AZ89Z6LSzeo
MOMA Film Library, Works of Calder, 1950
Surrounded by the hypnotic rhythm of his own sculptures in motion, legendary artist Alexander Calder is shown working in his studio in this clip from visionary photographer and graphic designer Herbert Matter’s 1950 film Works of Calder, featuring a soundtrack by John Cage.
Renowned for his ability to “sculpt with air,” Calder dedicated his seven-decade career to observing the complex nature of movement, pioneering kinetic sculptures, called mobiles, which prefigured the work of a diverse range of contemporary artists such as Richard Serra, James Turrell and Olafur Eliasson.
“Time, space and the actuality of the moment are integral components of Calder’s oeuvre,” explains Alexander S. C. Rower, President of The Calder Foundation. “Perhaps Sartre most aptly described the intuitive nature of his pieces when he compared it to ‘a little hot jazz tune, unique and ephemeral, like the sky, like the morning.’”
Premiered at New York’s Museum of Modern Art in January 1951 and virtually unseen since, the film came about after a chance encounter between Calder and multi-Emmy-winning actor Burgess Meredith in a cocktail bar three years earlier.
The pair enlisted Matter to adapt his photomontage techniques to moving image, and create the surrealist portrait of the artist and his mobiles under the hazy light of Roxbury, Connecticut.
Source : nowness.com
Me Ting Is Mine
Desafinado

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View of Macuto, Venezuela
Venezuelan vintage postcard, mailed in 1914
Palm trees in Ocho Rios, Jamaica
British vintage postcard
Customers in a London record store, 1955.

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Antoine Dougbé et L'Orchestre Poly-Rythmo De Cotonou 1977 - 1982 (Analog Africa No.44)
Analog Africa's latest find is another collection of infectious afrobeat, the best off Antoine Dougbé's three albums recorded late 70s/early 80s. So energetic, so much vibe!
Mambo Ry-co - Ry-co Jazz
1961
Smooth. Sharp. Ry-Co
Ry-Co Jazz perfectly captures that 1960s magic where African rumba meets high-octane mambo.