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Ugo Mulas, Bar Giamaica, Milano, 1953 - 54
Grouper: Holding (Ruins 2014).
I hear you calling and I want to come Run straight into the valleys of your arms and disappear there But I know my love could fail you Because in a clearing when the sunlight comes Exposing all the shadows of/in our intricate behavior I see/feel a sort of fading We build our own unfolding
It’s in the morning when the sadness comes The tears fall down in patterns on the windows and our shape is undone You only wanted holding and I let my structure fail you You know, I watched as it unfolded.
And in the image of the other hand A needle drawing pictures in the blood that runs the valley Your honesty engraves me Stay the line The pain of its derailing
And in the water where a mirror opens up To show the gravity of non-repeating patterns When no one else can hold you Come in and then unfold Oh the lines I’m lying just to hold you
It’s in the evening when the moonlight comes Illuminating silver in the rivers as they fall/run into the sea The beauty of their failure as the tides erase their lining
There’s nothing left to hold to.

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Giacomo Alberico
Paula Rego & Ana Luísa Amaral
ESCENIFICACIONES Y CASI VUELOS
Una luz construida
ilumina
esos santos,
cada uno sin su halo,
mas con paloma circundante
en la cabeza
Son cuatro santos en el tope
de la iglesia,
y cada paloma eligió
la cara más marcada,
los rizos de piedra
que fuesen mas suaves
Tal vez no sean santos
sino apóstoles, tan del barroco,
y su gusto en el vestir:
un exceso de desvío,
casi pecado
Apóstoles o santos,
las palomas circundantes en la cabeza
son halos delicados
que, creyéndose en cielo,
ven por poco media ciudad,
en el centro: el río y los tejados
de las casas
Fingiendo que bendicen con la mano
son ornamentos de un teatro
entero:
caos escenificado
o un perfil egipcio
Los rizos solemnes y sombríos
convidan al pecado
y me convocan aquí: noche de verano,
a la liquidez de la mirada
Y yo sin poder,
en piedra,
abrir las alas.
_ Ana Luísa Amaral, “ENTRE OTRAS NOCHES”. Taller de Edición Rocca, Colombia, 2013. Traducción de Lauren Mendinueta.
- "Dog Woman" (1994) by Paula Rego
Ed Valfre, Sonoma
Poley, H. S. (Horace Swartley), Fish in a basket (1890-1915).
Paula Rego & Ana Luísa Amaral
Una botánica de la paz: visitación
Tengo una flor
mas no sé su nombre
En el balcón,
perfume común
de otros aromas:
cayenas, un rosal,
un puñado de citronela
Mas esos son prodigios
de otra mañana:
porque esta flor
brotó con hojas de verde
ensombrecido,
minúsculas y leves
No la amenazan bombas
ni románticos vientos,
ni misiles o tornados,
ni ella sabe, aunque está cerca,
de la sal inquietante
que el mar trae
Y el cielo azul del otoño
simulando verano
es, para ella, bendición,
como el agua pequeña
que le doy
Debe ser esta
una especie de paz:
Un secreto botánico
de la luz
- Ana Luísa Amaral (5 de abril de 1956, Lisboa, Portugal - 5 de agosto de 2022) de Entre otras noches, Rocca Ediciones, versión de Lauren Mendinuetta
_ Paula Rego, Untitled No. 5 (de los Abortion Pastels), 1998 por Paula Rego

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"Marsh with Water Lilies", Vincent van Gogh, 1881. Pencil, pen, reed pen.
Geometry
Paradise Lost & Paradise Regained, John Milton FYI - This is 1 of 15 vintage paperback classics that comprise our current giveaway.

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Kibble Palace ~ Glasgow ◇ The Victorians built cages for weather