palo alto (2013)

pigment print w/ holographic tape + adhesive

orchid mantis

Five layers of fabric been woven on a handloom (opposite), using the five different colored threads traditional in japan together with fiber optic, used in the industry as a transmitter of light. 'Pushing', 'polishing'or 'slashing' the fabric shifts the fibres to create the ambiguous shimmenng shapes. The artist worked on this piece in collaboration with the weaving studio Nozakiorisho Inc. and the textile company Toray Inc.

Kano Eino, Birds and Flowers of Spring and Summer

“Chongqing may be an extreme character, with its unique landscape and history, but it is the perfect representation of what all of China is experiencing.”  – Tim Franco, Metamorpolis, 2015.

photo: David Castenson

Kyoto, 1980

2021-12-16

Henrik Olesen at Cabinet via contemporary art daily

Anya Taylor-Joy in Japan

Crocus after the frain