this blog is running on queue now bc i put a lot of posts in there lmao im at @baldwinpdf now!

Game Changer & Make Some Noise

Jar Jar Binks Fan Club
I'd rather be in outer space 🛸

@theartofmadeline
Fai_Ryy
ojovivo
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occasionally subtle
Color Me Curious

if i look back, i am lost
RMH
untitled
$LAYYYTER
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bliss lane

#extradirty
art blog(derogatory)

izzy's playlists!
🩵 avery cochrane 🩵

seen from France
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@baldwinpdf-archive
this blog is running on queue now bc i put a lot of posts in there lmao im at @baldwinpdf now!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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this blog is running on queue now bc i put a lot of posts in there lmao im at @baldwinpdf now!
JANE FONDA + ROBERT REDFORD in Barefoot in the Park (1967) Dir. Gene Saks
Malcolm X. Dir. Spike Lee. 1992.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Malcolm X. Dir. Spike Lee. 1992.
Malcolm X (1992) dir. Spike Lee
We didn’t land on Plymouth Rock. Plymouth Rock landed on us! Malcolm X (1992) dir. Spike Lee
denzel washington + theresa randle in malcolm x, 1992
Fiona Apple and Jonathan Ames, NYC, 2007

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
CINEMATV 5K CELEBRATION ↳ #4 LEGALLY BLONDE | 68 votes
I just don’t think that Brooke could’ve done this. Exercise gives you endorphins. Endorphins make you happy. Happy people just don’t shoot their husbands, they just don’t.
MARINA Venus Fly Trap (2021)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
No, I’m the real thing.
PERFECT BLUE (1997) dir. Satoshi Kon
I think that was part of the appeal of the clothes in the film; they all looked lived-in and authentic. If they hadn’t it just wouldn’t have worked as well as it did. – Rachael Fleming, Trainspotting costume designer