this blog is running on queue now bc i put a lot of posts in there lmao im at @baldwinpdf now!
we're not kids anymore.
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Sweet Seals For You, Always
Keni

#extradirty
NASA
🩵 avery cochrane 🩵
let's talk about Bridgerton tea, my ask is open
YOU ARE THE REASON
Aqua Utopia|海の底で記憶を紡ぐ
wallacepolsom
Today's Document
"I'm Dorothy Gale from Kansas"
he wasn't even looking at me and he found me
hello vonnie

titsay
Mike Driver
2025 on Tumblr: Trends That Defined the Year
I'd rather be in outer space 🛸

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@baldwinpdf-archive
this blog is running on queue now bc i put a lot of posts in there lmao im at @baldwinpdf now!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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this blog is running on queue now bc i put a lot of posts in there lmao im at @baldwinpdf now!
JANE FONDA + ROBERT REDFORD in Barefoot in the Park (1967) Dir. Gene Saks
Malcolm X. Dir. Spike Lee. 1992.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Malcolm X. Dir. Spike Lee. 1992.
Malcolm X (1992) dir. Spike Lee
We didn’t land on Plymouth Rock. Plymouth Rock landed on us! Malcolm X (1992) dir. Spike Lee
denzel washington + theresa randle in malcolm x, 1992
Fiona Apple and Jonathan Ames, NYC, 2007

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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CINEMATV 5K CELEBRATION ↳ #4 LEGALLY BLONDE | 68 votes
I just don’t think that Brooke could’ve done this. Exercise gives you endorphins. Endorphins make you happy. Happy people just don’t shoot their husbands, they just don’t.
MARINA Venus Fly Trap (2021)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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No, I’m the real thing.
PERFECT BLUE (1997) dir. Satoshi Kon
I think that was part of the appeal of the clothes in the film; they all looked lived-in and authentic. If they hadn’t it just wouldn’t have worked as well as it did. – Rachael Fleming, Trainspotting costume designer