I've lost everything in this dust.

[image ID: a figurative sketch in green coloured-pencil on brown paper. it depicts a figure, nude from the chest up, standing facing the left and twisting away from the viewer. its left arm is held close to its chest and bent at the elbow. its right arm is held such that its hand is in front of its abdomen. on its side, a bruise stretches across three ribs. the figure wears dark, belted jeans, which are undone. it has shoulder-length curly hair and is thin. it casts a dark shadow to its left.

beneath the brown paper, in blue pen, the words "self portrait with bruised rib", in english handwriting. /.End ID]

[image ID: a ballpoint-pen sketch, portraying a figure in three-quarters view facing the right. the figure's face is relaxed, its right-eyelid drooping slightly, its mouth open. the right side of its face appears bruised. its hair is straight and somewhat messy, nearly shoulder-length. it looks young.

[image ID: a black-pen sketch of a figure, bare-chested, lying on the floor of a room. it is viewed from a slightly elevated ventage-point close to its head, looking down and forwards at its body, creating significant foreshortening.

the figure looks to the right, its left arm is raised and bent at the elbow, with its hand by its head, its right is straight and extended, resting by its side. its entire body is slightly turned to the right, its hips tilted further than its hips, with its right leg resting along the floor and the left bent at the knee. the figure is thin and quite boney.

its face is mostly obscured by its hair, mid-length, dark and curly. it wears loose trousers, which are unbuttoned, and a belt, also undone. its feet are close to a wall.

seen leaning on the wall, from right-to-left: two notebooks, a rolled-up sheet of paper, a large book, the bottom-right corner of a frame, and some loose paper. taped higher on the wall, center-right of the image, is the bottom part of a picture.

the figure's skin and hair are shaded with dense and thin hatching and cross-hatching. all other elements are left without shading.

the very bottom of the page includes text, reading: "prep for narcisse", in english capitals. the page itself is somewhat dirty. /.End ID]

[image ID: a red-pen sketch of two nude figures, one lying on its back, the other leaning over it. the lying figure's head is thrown back, its neck extended. the leaning figure sends its arms to cover the lying figure's body, holding its shoulder and hip areas. its head rests on the lying figure's collarbone.

the lying figure is disemboweled, but the organs are over-sized and do not all belong in the abdomen. most prominent are a large heart with the coronary arteries folded to somewhat resemble intestines, and and an open kidney. additionally, on the left side of the page is some text in square hebrew script.

lines throughout the sketch are fast and loose, the bottom of the page is torn. /.End ID]

[image ID: a sketchbook page spread. on the left, a figure in blue-pen. it stands in contrapposto with its back to the viewer. the figure's head, shoulders and arms are largely normal, while the rest of the body is composed of organic shape somewhat resembling branches or a human skeleton. dark orange blotches show through the paper.

on the right, a portrait in black ballpoint pen. thr figure looks towards the right, wearing a neutral expression. it appears young. the top left section of the page is roughly blocked out in pencil.

[image ID: a black-pen sketch of Alan Strang of Equus. Strang, depicted as a thin and semi-androgynous figure, lies on his back at the bottom of the sketch. he is stripped to the waist, dressed in loose-fitting trousers. his left hand rests by his thigh, his right by his hip. his head is thrown back, and the top of his face is obscured by his hair. the figure is shaded with dense cross hatching, such.that his skin has a somewhat shiny appearance.

behind him, a portrait of Martin Dysart in profile, placed on the left. depicted as an older man, Dysart looks towards the right, affecting an inquisitive look. his face is shaded in a different style to Strang, the lines more sparse and naturalistic.

to Dysart's right, the word "equus" in large block capitals. inside the letter Q is the face of a horse, looking towards the right.

at the bottom of the page, in smaller block capitals, is the text: "you'll feel nothing. nothing's going to happen now but what you want to happen." /.End ID]

[image ID: a black-pen sketch of Aviv Guedj performing. he is viewed in profile, facing the right. his right hand holds the mic stand, while his left is raised such that his palm rests by his face. he wears a loose shirt with its sleeves rolled up. /.End ID]

[image ID: a black-pen sketch of Alan Strang of Equus and a horse. Strang, not depicted as any specific actor, is represented as a thin, long-limbed and somewhat androgynous figure. he is entirely nude, and stands at the centre of the drawing. his body is turned slightly towards the right, while his head is thrown back with his gaze aimed towards the top-left. Strang's arms are behind him, supporting his weight as his hands clutch a railing-like structure. he has a small mouth, which hangs slightly open, and his eyes are relatively large. his hair is shoulder-length and falls around his face in loose curls.

the horse's head hangs over Strang's left shoulder, is seen in profile and facing the left. the horse's hooves are raised off the ground, its body in the midst of a dramatic turn. both creatures' eyes are blacked out.

to the left of the figures, in block capitals, the word "equus" is written down the lower half of the page. the middle three letters are each embellished with a dot at their centres.

the hatching is dense and layered. the background is left entirely blank. /.End ID]

[image ID: a sketchbook page-spread, containing black-pen sketches of moments from a scene in The Wicker Man.

the right page contains:

a portrait of Christopher Lee as Lord Summerisle, dramatically lit, with his face half in shadow.

two snails mating, their heads entangled.

Edward Woodward as Sgt. Howie, lying in bed, clutching his own arm with his left hand. his head is entirely in shadow, with none of his features visible.

Edward Woodward as Sgt. Howie, viewed from the back. the left side of his face as visible. he leans on the bed as he prays, wearing a harsh expression.

at the top, some messy hebrew text in cursive script, containing general impressions regarding the scene. the words "נא לזכור", which open the paragraph, are underlined.

the left page contains:

a zoomed-in view of a snail's skin, showing its texture. it is labeled, in the same loose hebrew script, "תקריב עורו הרירי של אחד החלזונות המזדווגים".

the same two snails mating, from a different angle - one looms over the other's shell.

Sgt. Howie viewed from the back, again posed for prayer. his face is turned to look directly at the camera, and he is lit intensely, heavy shadows obscuring the left side of his face and hiding the details of his expression.

a zoomed-in view of Lord Summerisle's left eye, which is primarily in shadow. it is labeled - "תקריב עינו של הלורד סאמראייל הצופה".

the same two snails mating, their heads entangled. it is hard to separate the two figures from each other as they are in intense shadow.

to the right, boxed text reading: "בוהק הוא הרושם הבולט ביותר בכל תמונה". the first word is underlined.

at the bottom, hebrew text containing general visual impressions from the sketching process. next to it, some title options, written as a list. /.End ID]

[image ID: an oil portrait of a figure lying down with its face pressed to a mattress. it wears an unfocused expression, its eyes heavily lidded and looking towards the mattress. it has light brown skin, brown hair and brown eyes. the figure appears sweaty, with a noticeable shine on its nose and upper lip. /.End ID]

[image ID: a red-pen sketch of an old woman. it is a portrait, the woman facing the right in three-quarters view. her expression is blank, and she looks directly forwards. she has light, curly hair, and wears three necklaces, one with small beads, another with a hamsa pendant, and the third with large, flat circular beads. /.End ID]

[image ID: an open book of Natan Zach's poems (in hebrew), with a pencil sketch on the right page. the sketch depicts a breakwater stretching out into sea. in the distant part of the breakwater, a large human face replaces one of the stones. it is staring upwards and to the left in profile. on the right page, the last stanza of במרוצת השנים. on the left, עורך נקטף. /.End ID]

[image ID: the same book, with pencil sketches on each page. on the right page, the sketch depicts a winged angelic figure looking down at a human figure kneeling in sand. the angel is positioned in the top left corner and posed in flight, its robes blowing in the wind, and its left hand raised in warning. the human figure is positioned in the bottom left, looking up towards the angel, its face shining. in front of it, near the middle of the page, is a large rock partially submerged in the sand. also on the page is the poem דמדומים כהכנה.

the left page contains the chapter-title העיר, as well as a sketch of a 1970s london street. two rows of buildings stretch towards the horizon, and between them passes a road. /.End ID]

[image ID: the same book, with two pencil sketches. the right page has nothing printed on it, and the sketch depicts part of a room. looking from below, it shows a door. above the door and to its left are cupboards. the door of the cupboard to its left is slightly open, with a towel hanging on it.

the left sketch contains a portrait of a figure, facing left in profile, its eyes and mouth open wide. the eyes are entirely blank, and the figure has no eyebrows. another figure rests a hand on its shoulder. behind the figure is the bottom of a closed window, with the blinds lowered (but not completely shut). also on the page, the poem כל שעה. /.End ID]

[image ID: the same book, with pencil sketches on each page. on the right, the back of a hand, posed such that the fingers are bunched together but mostly straightened out. slightly above the top of the wrist, horizontally centered on the hand, is an "x" symbol. printed on the page is the poem אפורים.

the left sketch depicts a figure sitting on the floor in front of a radiator and smoking. it faces the right in profile, and is viewed from a slightly low angle. its left hand touches its chest while its right is propped up on its knee, holding a cigarette. it is shirtless, dressed only in sweatpants. it also wears glasses, and has short, dark, curly hair. printed on the page is the poem מזג האויר חולה. /.End ID]

[image ID: the same book, with two pencil sketches. on the right, the sketch depicts two figures, wearing short, loose dressed, walking in the street after leaving a car. the figure on the right is turned fully away from the viewer, walking directly forwards. the figure on the left faces slightly towards the right, also turned away from the viewer. in its right arm it holds a coat, and with its left it closes the car door.

on the left page, a split trash bag on a pavement. the bag is drawn in the upper left corner, and its contents - mostly vegetables - spill out, arranged on the diagonal from the upper left to the bottom right.

printed across both pages is the poem בצל, with the majority of text on the right page. /.End ID]