This is my favorite fucking album, EVER.
Ā Ā Ā Ā Ā Ā Ā Ā Clocking at just 13 minutes and 11 seconds, Joyce Manorās sophomore album, released by Asian Man Records, is a departure from the straightforward pop-punk sound from their debut, which was released just a little over a year prior.
Mostly gone are the fast, aggressive, and angry punk songs Joyce Manor had a reputation for writing. In their place are longing lovesick mid-tempo pop songs, two lo fi acoustic songs, and a pop punk cover of āVideo Killed the Radio Starā by The Buggles. The reason why I love this album so much stems partly from how alienating it can be, especially if your introduction to this band was their debut. From the abrasive devolution to a wall of distorted white noise in āThese Kind of Ice Skatesā, to the abrupt acoustic interlude of āDrainageā, itās clear that Joyce Manor really didnāt give a shit about conventional methods of how an album should be constructed. They also didnāt care much for peopleās expectations to make something similar to their self-titled album. I think Barry Johnson has gone on the record to say that the record was partly made reactionary to some publications lumping them in with bands like The Wonders Years, but at this moment I canāt remember where I got that fromā¦so donāt quote me on that.
The conscious decision to make something so totally different, directly after receiving so much acclaim was risky but it resulted in something magical. For Of All Things I Will Soon Grow Tired, Joyce Manor were less Alkaline Trio and Weezer and more like Morrissey in a so-cal indie/punk rock band. All of the songs stand independently as a unique idea in relation to the others. No idea is repeated or overstayed as the average duration for the songs here are about 1 minute and 30 seconds. On āSee How Tame I Can Beā, Barry Johnson belts out Morrissey-esque drawls over a jumpy syncopated bassline. Ā The album explodes from the quiet lament that is āDrainageā to the hyperactivity that is their āVideo Killed the Radio Starā cover. The latter is actually the first song I can remember listening to and falling in love with. Itās so drastically different from the original version. No cheesy 80ās synth keys, just fast unrelenting drums, bass and guitar. (Side Note: Iām watching the music video from The Buggles as I write this and despondent from the fact that Iāll never be as cool as the guy in a shiny silver suit, detached, staring off into the distance with sunglasses while his backup singers awkwardly dance behind him. Damn). The Smiths worship gets blatant with one of my favorite songs, āBride of Usherā. I love everything about this song; the lyrics, the jangly rhythm guitar, the leads, how it makes me feel like I havenāt moved in a long time cause of the line āI donāt remember being anywhere but hereā, everything.
I love this album because of its lyrics too. Theyāre not special in being super well written or anything but because I relate to them so well. They add a personal weight to songs I already enjoy for how they sound. THATāS THE WINNING COMBINATION WHEN IT COMES TO MUSIC. SOMETHING THAT SOUNDS GOOD AND MAKES YOU FEEL ABOUT A CERTAIN PLACE AND TIME AND ABOUT CERTAIN PEOPLE. In contrast to their first album where Barry Johnson is lets out pent up anger at people by burning their houses down, jamming pens into someoneās eye, or explosively sending off a train full of people into buildings, he laments of loneliness and longing. Ā Not to say that I donāt like the violent lyrics from the self-titled, I just also really like the ones from this album. My favorite line comes from āTameā, and it goes āFall into my arms because I want you/ Canāt you tell?ā. Also I love āViolent Insideā lyrically because of how it encapsulates a feeling of being so angry internally and having an inability to behave acceptably. As a matter of fact, ITS MY FAVORITE SONG EVER. I can tell you outright that nothing in my life has ever felt as cathartic as yelling out āI will feel violent because I feel violent all the time inside of meā during a live Joyce Manor set while crowd surfing. Shits fun.
Itās 2016 at the time of writing this. At this point weāre nearing 2 years since the release of their 2014 follow up to Of All Things I Will Soon Grow Tired, āNever Hungover Againā. Iām pretty excited to see whatās next from here on out and from what I know theyāve at least had one recording session in Earth Studios in preparation for a new album. Anyways, Iāll digress for one last thing I want to say about Of All Things, and that itās most likely not what will make you fall in love with the band like the first album most likely would, nor does it have their refined skills of writing catchy pop songs that came to show in Never Hungover Again, but it shows a band trying to do something different and unique without caring about the risk of a backlash, and in the end making something I feel is truly great.











