It's the nickname I should have picked rather than the more common one I go by.
I was on Tumblr in the early 2010s so if I say shit like "my cries" and "oh my ovaries", it's cause I'm old AF. Get off my lawn.
I like making shitposts and sharing art and fics, 99.9% Interview with the Vampire TV series, The Magnus Archives and Malevolent.
I'm a librarian in the rural southern United States. It ain't easy, but there's more diversity out here than is apparent from the surface, and we need to support each other.
When I get old, I'm moving to a very small apartment in a very big city so I never have to drive anywhere again.
I'm an adult, I'm bi, I'm married to a guy, we have a kid who's 12, she's also a therian and a furry.
AMA and I'll probably answer since it's like my job and shit.
New profile pic by @maybemediocreatbest based on this meme.
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crossposting this here- life got in the way for both @reticentvampyr and me so we had to delay our plans for this but it'd still be a cool idea to do a louis and claudia/jacob and delainey appreciation week to fundraise for a charity supporting black dv survivors. channel this energy into some material good yk
also we should absolutely question the show's choice to remove gabrielle, magnus and marius' overt antiblackness from the tvl book when the writers got armand out here acting like he's auditioning for kkk grand wizard. clearly the show isn't shying away from depicting antiblack violence considering the treatment of black characters in the past two episodes, so the refusal to depict gabriella, marius and magnus as the white supremacists they were in the source material, is a blatant tell- the writers are protective of their white characters, even the antagonists, and don't want them to seem "too" evil (which tracks for white and nonblack liberals acting like being called racist is worse than being racist.) and this clearly isn't a concern they have when it comes to the characters of color- armand has for 2 seasons now enacted forms of explicit violence inflicted on enslaved black people- louis and claudia's cut ankle tendons, the entire public humiliation of the trial, claudia's burning, louis' head on a spike, coercing him into a performance of self-debasement and contrition and branding his body- and claudia calls her black father a slave in a bioessentialist, derogatory context and expresses a level of internalized antiblackness she was never even hinted at feeling when she was alive. in both scenes, the narrative is much harsher on louis than on lestat and the nonblack writers go into extreme detail in their antiblack dialogue and racialized, borderline pornographic depiction of louis' torture. but gabriella is portrayed shallowly complimenting louis' beauty when realistically she would be calling him slurs when talking about him to lestat, magnus' "master race" aspirations and fixation on white supremacist beauty standards for how he chose his victim pool and "heir" aren't addressed, and marius' racial politics ("rotten boy", the whitewashed portrait of armand- we know he's racist, the show just hasn't acknowledged it and intentionally excluded the parts of tvl where he expresses that racism when talking to lestat) remain an elephant in the room. and ofc the way the writers are tryna be like "see lestat isn't racist, black people love him" in-universe through characters like merrick and paul (lol. lmao even) and tryna overwrite or dance around every textual example of lestat's antiblackness is so transparent in its clumsiness.
I donโt know what the fuck โhe did more damage than the Queenโ is supposed to mean but I do know that after โwish-fulfilling delusion rooted in childhood conflictโ Iโm rooting for Armand to burn the whole world down so you know what hell yeah go Arun go!!
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First of all, your โcompanionโ has vampire autism, Daniel, so watch your mouth. You should know better.
Second of all, Danielโs dialogue had been so strange. Itโs like they gave him one big offensive thing to say per episode. This doesnโt feel like Daniel just being an asshole anymore.
One big offensive thing per episode, and it always comes out of nowhere. Itโs too big and too frequent to demonstrate the casual biases he realistically has. Season 1 and 2 did it more naturally. It was a comment here and there, not every episode. Thatโs a believable character. Daniel is intelligent and has travelled the world but heโs also still a crass man of a certain age so heโs gonna be saying shit.
Itโs offensive, of course, but does anyone else just find it weird too? I want to say itโs Lestat trying to portray Daniel considering how cartoony every side character was this season and that it makes sense for him to make Daniel look bad, but I donโt know if I can say that confidently anymore. By the time it got to the autism comment, I was just rolling my eyes at the writing. You donโt need to do it that often. I barely want to use it to analyse Daniel as a character anymore because I just donโt think he was himself this season. No one was.
This is a very anticlimatic and downright incomplete feeling episode. It's now clear this is a 'part 1' and not a whole story. I wouldn't call it even a half season, it feels more like an intro
This episode kind of feels like they realized 'oh shit this is the finale already, we need to do some character and plot development' and then rushed quickly through something that doesn't feel earned or even make sense. The only progress this episode brings is Lestat realizing his mother is evil. The last line of the last scene in the current timeline being him screaming at Gabriella 'you fucking monster' could've been good if Gabriella as a character and Lestat's relationship with her hadn't been so poorly depicted
This episode has essentially three sections: Lestat, Louis/Armand/Regina and Daniel/Talamasca and they're all bad in different ways
Daniel has become an incredibly bland and irritating character. He's bowling, he whines to Lestat's head, he's randomly says something offensive about autistic people. Alex is there and does nothing. Justin Kirk shows up and chews some scenery, the show seems to expect people to know that Talamasca is supporting the great conversion (i had forgotten that despite watching that spinoff). Daniel's 'companionship' with Armand and his sudden indifference to Louis makes no sense and i'm not sure does the show know it doesn't make sense
Louis and Armand scenes are some of the most violently antiblack scenes i've seen in my life. Despite having read descriptions beforehand nothing could prepare you for it and i still feel nauseous. Just to make clear Louis' entire screentime in this 54 minutes episode consists of him being brutalized. They wouldn't show Armand harming Lestat or Nicki like in the books but they had him do a literal snuff film of torturing Louis and Regina. Unless i missed it Lestat's severed head isn't even shown (!) but almost every time we see Louis' face it's his head on a spike
Jacob, Assad and Delainey are all phenomenal of course but the writing of these storyline is horrendous. Armand's words and actions inconsistent with his earlier characterization and even from a scene to scene. I don't think this episode is necessarily framing Armand's actions as 'right' but i feel it's framing them as understandable and redeemable. Armand decapitates Louis and sticks his head on a spike and threatens to sews it to Regina's body and brands his body like a slave and broadcasts it for people's enjoyement, and the writers consider this something the characters can come back from, to the point that in the future auction scene Louis doesn't appear scared of him and is smiling at him. Magnus and Gabriella are considered pure monsters for what they do to Lestat, but things that are done to black characters are considered forgivable. Like 1.05 which was also written by Hannah Moscovitch and included extensive graphic domestic violence againt Louis
Despite the extremely hateful racist treatment of Louis in this episode he's actually depicted in a way that makes him seem better. It's revealed that Armand carefully engineered the situation with Regina and it's not likely what Louis would've pursued otherwise. Louis is genuinely worried about Regina and ready to sacrifice himself for her. Even when Armand did all this to him he still feels sympathy for him, he cries when talking about Armand being abused as a child, and i think it's meant to be genuine especially when Armand is satisfied by it
One of the most heartbreaking things in this episode (most things just made me angry) is when Regina thinking they're going to die sincerely tells Louis that she liked him even though he was a bit messed up. I think it's one of the only times this season anyone has show kindness to Louis
Everything with Lestat left me just frustrated and tired. The concept of Lestat sitting at the long table where his fledglings and makers judge him is great. In practice it's mostly lackluster and doesn't go anywhere. Couldn't even enjoy Louis and Nicki commenting and sitting next to each other. The most important things aren't addressed. Lestat in the end is seemingly still in the denial even about those things that are said. The table scene is presumably from Lestat's subconscious. Gabriella says 'kills the daughter, saves the pimp' which once again implies that he actively wanted to kill Claudia when he went to Paris, and that he views Louis with disdain, which is also shown in the earlier part of the scene. Everything towards Louis this season is spiteful
Because this season ended up being a part 1 Lestat's arc is interrupted and vague. This episode makes me think they likely do have an intention to explore the unsaid things later. You can literally see him go back in denial and put his arrogant 'i'm a monster so what' mask back on in the hallucination. The line of the season set in the future being Lestat saying 'the fault was mine. all mine' is poignant. The problem is that i don't give a shit. This show has used up all the goodwill i had for it. I don't care if literally everything in Lestat's narration is revealed to be fake. This season still remains one of the most racist, misogynist and anti-victim pieces of television i've seen and in addition it's just terrible storytelling. This used to be my favorite show and s3/tvl is unrecognizable to me. The inevitable s4 can't get any better unless the writers' room is changed and yes, that includes the showrunner
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if you're feeling like i'm feeling, might i suggest reading this biblically accurate loumand breakup to heal yourself
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"You could have told me anything you wanted about Paris, Armand," I said. "Long before now. It wouldn't have mattered."
"Even that it was I who...?"
I turned to him as he lay there looking at the sky. And I saw the extraordinary pain in his face, in his eyes. It seemed his eyes were huge, too huge, and the white face that framed them too gaunt.
"That it was you who killed her? Who forced her out into that yard and locked her there?" I asked. I smiled. "Don't tell me you have been feeling pain for it all these years, not you."
And then he closed his eyes and turned his face away, his hand resting on his chest as if I'd struck him an awful, sudden blow.
"You can't convince me you care about this," I said to him coldly. And I looked out towards the water, and again that feeling came over me... that I wished to be alone. In a little while I knew I would get up and go off by myself. That is, if he didn't leave me first. Because I would have liked to remain there actually. It was a quiet, secluded place.
"You care about nothing..." he was saying. And then he sat up slowly and turned to me so again I could see that dark fire in his eyes. "I thought you would at least care about that. I thought you would feel the old passion, the old anger if you were to see him again. I thought something would quicken and come alive in you if you saw him... if you returned to this place."
"That I would come back to life?" I said softly.
And I felt the cold metallic hardness of my words as I spoke, the modulation, the control. It was as if I were cold all over, made of metal, and he were fragile suddenly; fragile, as he had been, actually, for a long time.
"Yes!" he cried out. "Yes, back to life!" And then he seemed puzzled, positively confused. And a strange thing occurred. He bowed his head at that moment as if he were defeated. And something in the way that he felt that defeat, something in the way his smooth white face reflected it only for an instant, reminded me of someone else I'd seen defeated in just that way. And it was amazing to me that it took me such a long moment to see Claudia's face in that attitude; Claudia, as she stood by the bed in the room at the Hotel Saint-Gabriel pleading with me to transform Madeleine into one of us. That same helpless look, that defeat which seemed to be so heartfelt that everything beyond it was forgotten. And then he, like Claudia, seemed to rally, to pull on some reserve of strength. But he said softly to the air, "I am dying!"
And I, watching him, hearing him, the only creature under God who heard him, knowing completely that it was true, said nothing.
A long sigh escaped his lips. His head was bowed. His right hand lay limp beside him in the grass. "Hatred... that is passion," he said. "Revenge, that is passion..."
"Not from me..." I murmured softly. "Not now."
And then his eyes fixed on me and his face seemed very calm. "I used to believe you would get over it, that when the pain of all of it left you, you would grow warm again and filled with love,
and filled with that wild and insatiable curiosity with which you first came to me, that inveterate conscience, and that hunger for knowledge that brought you all the way to Paris to my cell. I thought it was a part of you that couldn't die. And I thought that when the pain was gone you would forgive me for what part I played in her death. She never loved you, you know. Not in the way that I loved you, and the way that you loved us both. I knew this! I understood it! And I believed I would gather you to me and hold you. And time would open to us, and we would be the teachers of one another. All the things that gave you happiness would give me happiness; and I would be the protector of your pain. My power would be your power. My strength the same."
"But you're dead inside to me, you're cold and beyond my reach! It is as if I'm not here, beside you. And, not being here with you, I have the dreadful feeling that I don't exist at all. And you are as cold and distant from me as those strange modern paintings of lines and hard forms that I cannot love or comprehend, as alien as those hard mechanical sculptures of this age which have no human form. I shudder when I'm near you. I look into your eyes and my reflection isn't there...?"
"What you asked was impossible!" I said quickly. "Don't you see? What I asked was impossible, too, from the start."
He protested, the negation barely forming on his lips, his hand rising as if to thrust it away.
"I wanted love and goodness in this, which is living death," I said. "It was impossible from the beginning, because you cannot have love and goodness when you do what you know to be evil, what you know to be wrong. You can only have the desperate confusion and longing and the chasing of phantom goodness in its human form. I knew the real answer to my quest before I ever reached Paris. I knew it when I first took a human life to feed my craving. It was my death. And yet I would not accept it, could not accept it, because like all creatures I don't wish to die! And so I sought for other vampires, for God, for the devil, for a hundred things under a hundred names. And it was all the same, all evil. And all wrong. Because no one could in any guise convince me of what I myself knew to be true, that I was damned in my own mind and soul. And when I came to Paris I thought you were powerful and beautiful and without regret, and I wanted that desperately. But you were a destroyer just as I was a destroyer, more ruthless and cunning even than I. You showed me the only thing that I could really hope to become, what depth of evil, what degree of coldness I would have to attain to end my pain. And I accepted that. And so that passion, that love you saw in me, was extinguished. And you see now simply a mirror of yourself."
A very long time passed before he spoke. He'd risen to his feet, and he stood with his back to me looking down the river, head bowed as before, his hands at his sides. I was looking at the river also. I was thinking quietly, there is nothing more I can say, nothing more I can do.
"Louis," he said now, lifting his head, his voice very thick and unlike itself.
"Yes, Armand," I said.
"Is there anything else you want of me, anything else you require?"
"No," I said. "What do you mean?"
He didnโt answer this. He began to slowly walk away. I think at first I thought he only meant to walk a few paces, perhaps to wander by himself along the muddy beach below. And by the time I realized that he was leaving me, he was a mere speck down there against the occasional flickering in the water under the moon. I never saw him again.
Falseknees // Emily St. John Mandel, Sea of Tranquility // The Magnus Archives 106 - A Matter of Perspective // Jeff VanderMeer, Dead Astronauts // A. M. McLemore, Blanca & Roja // Bears In Trees, Array of Light // David Arnold, The Electric Kingdom
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