Tilda Swinton and Julianne Moore in The Room Next Door
Cosmic Funnies
styofa doing anything

TVSTRANGERTHINGS

@theartofmadeline
One Nice Bug Per Day
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AnasAbdin
todays bird

Kiana Khansmith

if i look back, i am lost

祝日 / Permanent Vacation

tannertan36
occasionally subtle
Peter Solarz

Love Begins
Misplaced Lens Cap
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he wasn't even looking at me and he found me
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@baankhunya
Tilda Swinton and Julianne Moore in The Room Next Door

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Hong Sang-soo
- By the Stream
2024
Directed by Heiny Srour, Leila and the Wolves (1984) revolves around the eponymous Leila, a London-based Lebanese woman who, in pondering her future within the limits of the patriarchal imagination, explores the long-hidden roles that women have had in Lebanese history, including how they entwine with the Palestinian resistance movement. x
The Substance (2024) dir. Coralie Fargeat
missing.
directed by Costa-Gravas, 1982

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Home Invasion (dir. Graeme Arnfield, UK, 2023)
Lessons from a Calf (dir. Hirokazu Koreeda, 1991)
Eternity (dir. Sivaroj Kongsakul, 2010)
Mud Man by Chikako Yamashiro, 2017
camp de thiaroye (sen/alg/tun, sow/sembene 88)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Tongpan (ทองปาน) is a 1976 Thai 16 mm black-and-white docudrama that re-creates a seminar that took place in Northeast Thailand in 1975 to discuss the proposed Pa-Mong Dam on the Mekong. Produced by The Isan Film Group
available on https://youtu.be/5JuCbWWTne8
Communicative Competence No. 10 Entry No. 3 (Contemporary Japanese Art Period)
Through her artistic endeavors, Chikako Yamashiro expands on the transcultural and political landscape of her native Okinawa. Her writings have focused on the nuanced historical narratives of the island's colonization by the United States and Japan. She also places a strong emphasis on the lives of native people and the obscure features of modern Okinawa.
Her immersive works dramatize historical colonialism, globalization, and the exploitation of natural resources while occasionally using her own body in performances and movies. These topics touch on ethnicity, gender, sexual orientation, and identity difficulties that are fostered and internalized through historical narratives. Yamashiro communicates geopolitical recollections of Okinawa and other places in East Asia that are political and subversive. In order to hilariously recall historical and political obscurity, her video works frequently draw inspiration from the island's eerie past, natural beauty, and mythology as well as the sensual performativity of oral folklore.
November 27, 2022
3:27pm
Photographer: Araya Rasdjarmrearnsook
From the “Village and Elsewhere” series
Araya Rasdjarmrearnsook, The Class, 2005
Blessed Blessed Oblivion (2010) dir. Jumana Manna
Available for free 5/18-6/18 here

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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a magical substance flows into me (dir. jumana manna, 2015)
Tellurian Drama (2020), Riar Rizaldi
On May 5, 1923, the Dutch colonial government erected a VLF radio telegraphic transmitter in West Java, one of the most powerful arc transmitters ever built, with the mission of projecting airwaves back to the Netherlands. In March 2020, the present-day Indonesian government embarked on its plan to reactivate the ruins of the station as a historic site and tourist attraction. Radio Malabar was originally constructed in an area traditionally known as Parahyang (the abode of hyang). “Hyang” has its roots in indigenous animism, describing either divine or ancestral entities who possess supernatural powers and invisibly inhabit high places such as hills, mountains, and volcanoes. Tellurian Drama explores the living landscape surrounding Mount Papandayan and Mount Puntang, the complex stratovolcano in West Java used as a suspension point for the transmitter. It tracks the story of Radio Malabar’s enmeshment with cascading histories of colonial rule, ancient Indigenous spiritual belief, and ecological resistance movements across the 20th and 21st centuries. Examining colonial ruins as an apparatus for geoengineering technologies, Rizaldi’s soundtrack composed with Sudanese musician Iman Jimbot, also gives voice to the mountain as a central character in the film’s narrative: the mountain as conductor of ancestral presence.