B.Ajaysharma07

A sonic collaboration with  Mizutama Araki ( @mizutama_) Camera @zentaiartprojecFull video _ https://youtu.be/OCsHtuxOKWc?si=Mn43h5-ZlUjknEbN What will come to you, you never know ? That is the surprise: when we believe in the process of creating space beyond geography and cultural boundaries. What are the products of space ? In the philosophical approach of post-Marxist theory, as in Henri…

The Sound exploration Curated by Guillaume Dufour Morin https://www.radioatelier.ca/tag/gueze/ Atelier : Chronique de Sylvain Aubé sur l’art sonore   21 janvier 2019 Drowned In Drones : Noyade au pays des drones Commissaire : Guillaume Dufour Morin Cette section de la chronique de Sylvain Aubé sur l’art sonore sera consacrée à un commissariat de Guillaume Dufour Morin. Ce commissariat se…

In a way, the collective assembling of bodies is an exercise of the popular will”  Judith Butler, Dispossession: The Performative in the Political The Jeonil245 building serves as the repository for the historical records of the May 18th movement, which has its roots in the Korean Democratic resistance against authoritarian rule. This location stands as a testament to the potency of appearances…

“Resistance and Solidarity in Time: ‘March for Beloved’“ We often feel helpless against the system and the rising tide of totalitarian and fascist governments and ultra-right-wing movements across the world. This is a shadow of death, and we are witnessing this pathetic movement. We must all come together for love, for democracy, and for the power of the people for our beloved…

Drypoint Printfolio-2025-aDownload Dear Art Community & Supporters, I am excited to announce a significant new chapter in my artistic practice: the relocation of my studio from India to Gwangju, South Korea—a city celebrated for its vibrant cultural heritage and thriving contemporary art scene. This move represents a profound opportunity for creative growth, cross-cultural exchange, and deeper…

he Room of Fragments” boldly portrays the constraints of time, space, and the body within the confines of four walls. As dawn abruptly halted everything, we were forced to confront the fear of the unknown. The animated depiction of the body’s metamorphosis portrays the arduous journey of migrant laborers walking barefoot for 1000-2000km back to their hometowns and villages in India. Despite the…

The Golden Fire on The horn of mountain gazelle, yet it please to my eye  Size – 39 cm X 50 Cm each ,Medium – Ink , Tempera with Acacia gum and Gold leaf on Wasli Paper, Execution 2024 Dear I hold u like a Profelia’s Lover in Moon light Dream The Bombing on my city, The savage cruelty , to Create a Tiktok on irony of the Humanity, The transformation inside your body. Do You feel it ? Now,…

collaboration with  Poet Pilar Paz Pasamar Death is always a question and matter of absence of the body in space-time, Pillar Paz Pasamar wrote in her book ‘La dama de Cadiz‘ ” The Load says that amongst human beings, death is only a passing away from one place to another ” (Pillar 1980). vimeo.com/user19281998/ Nine Channel Video Installation In Solo Show 2015 Paradox (विरोधाभास) at Instituto…

Tital – Prayers in a desolate landscape. Reference note: The Serisere of Painting is an extension of the time landscape. It is an encounter life with everyday interaction with daily ordinary rituals, activity, and encounters of socio-politics, Geo-politics, ecology, and nature value, in this epoch of Anthropocene. Despite my childhood memories, I try to sense death and rituals around me through…

Microcosmos-Connect Medium- Tempera Painting, Found objects, Light, Wooden structure, Sound, Guided Meditation, found objectpaint,Size- VariableSound design by B Ajay Sharma, 2023 http://eunam.org/

https://youtu.be/8_4rmGkiszA Prologue: The Departure of a beloved one, waiting for her endless time. The foggy winter evening brings the Melancholic light and makes me in more Blue, dark faded peaceful evening. The Body departed again for the destination never arrived, I smoked a cigarette imagining the line and shape in a smoked cloud, taking us to one to another space, the space sometimes we…

photo story 2011-2022 installation view Archival print, Ceramics, terracotta, and wood

https://2bajaysharma.wordpress.com/portfolio/how-many-times-it-happened-there-before-we-called-it-a-performance/

  My practice of performance is direct or some time I will be correspondence of my act, Death and memory and witnessing of all in space history and fiction narration of such space. Allow me to work and deal with different method, through the image making wit body or photography, I believe i am a painter I am using photography as a painting method, here All space is from my native city Deoghar (Jharkhand) where I grown up since then I visit my city, and water problem day bay day increasing in city, and there is no any resource, there is rain river emerge in monsoon day after that in summer it get dry, so my memory the river in child hood as well now total change and it was all most death space, even the sand is big issue of land Mafia, as well stone are using for cement factory and building making all are political and lace issue which we are dealing with, lot of murder case for all mafia now in survey of environment after 15 year there is no water, water lave1 will draw so deep, so there possible to not excess water from won, every one buying water thought the performance making or before I visit space for knowing and understating the situation and history I thought is very hidden process of performance and convection between me and my body, space and fact of survey. Then I perform in the space, so for me; I am re performing in same space, and that is reference with the death happen before so many time for water, land, sand and stone. Therefore my action is repletion of all those real and fictional fact of space.

Reference link from

https://2bajaysharma.wordpress.com/2018/04/15/fluss-fliesen-%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A4%B5%E0%A4%BE%E0%A4%B9/

        Reference Link

https://2bajaysharma.wordpress.com/2017/12/04/how-many-times-it-happened-there-before-we-called-it-performanceweight-of-stone/

गेठरी (गठरी ) छत पे टंगी। अक्सर ख्यालो के गट्टे की तरह , चुप चाप जतन से बंधा , कई कोश कि यात्रा के बाद सहज के रक्खा आँगन में। पिछले कई दिनों में यहाँ , आँगनो में दिखता हैं, मुझे अनायास बस सोचता हूँ कई समद्र पार भी तुमने बांध रक्खी है ये गेठरी और असाढ़ के महीने में , मचान पे बंधा आम और चूरे से भरी गेठरी।

१५ असाढ़ २०१८

Performance in  Stay Foolish art festival 2018

Jeounju Korea

https://stayfoolish…

गेठरी (गठरी ) छत पे टंगी। अक्सर ख्यालो के गट्टे की तरह , चुप चाप जतन से बंधा , कई कोश कि यात्रा के बाद सहज के रक्खा आँगन में। पिछले कई दिनों में यहाँ , आँगनो में दिखता हैं, मुझे अनायास बस सोचता हूँ कई समद्र पार भी तुमने बांध रक्खी है ये गेठरी और असाढ़ के महीने में , मचान पे बंधा आम और चूरे से भरी गेठरी।

१५ असाढ़ २०१८

Performance in  Stay Foolish art festival 2018

Jeounju Korea

https://stayfoolish…

Fluss fließen (प्रवाह )

    Duration 00:50:00

Space- Deoghar (Jahrkhan) India

Photography -Mukunad anand

submission for world Pinhole Photography Day ‘MY PHILOSOPHY OF TOILET’

Gallery One Two invites submissions for a curated Pinhole Photography Exhibition titled

‘MY PHILOSOPHY OF TOILET’

on World Pinhole Photography day April 29, 2018 Ooty, India

to promote and celebrate the art of Pinhole Photography and to get involved in the global movement of ‘Sanitation for all’, also to raise awareness on the much needed action to combat sanitation crisis

Curator: Madhavan Pillai