I kneel into a dream where I am good & loved. I am good. I am loved. My hands have made some good mistakes. They can always make better ones.
Natalie Wee, “Least of All,” Our Bodies & Other Fine Machines (Amazon / Goodreads)
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I kneel into a dream where I am good & loved. I am good. I am loved. My hands have made some good mistakes. They can always make better ones.
Natalie Wee, “Least of All,” Our Bodies & Other Fine Machines (Amazon / Goodreads)

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Ralph Goings May 9, 1928 – September 4, 2016
Everything I paint is something I want to see painted — ordinary, everyday things and places. I guess I have a rather romantic fascination with diners and cafes and the people who eat and work in them… the truck series came first … as seen near fast food eateries; then viewed through windows of cafes, inside looking out. Once inside, my attention switched to the eatery interiors and the people inside; then finally, I began to concentrate on the countertop arrangements of condiments and food. My fascination with the condiment containers lies in the way light plays on them.
Why photorealism?
If the painting and the photograph were placed side by side one can readily see (I would hope) that, though they both depict the same slice of reality, they are not the same. I guess I might compare it, in my case, to the difference between a musical manuscript (a work of art) and the performance (also a work of art). Perhaps what I’m doing is making one work of art in order to make another. Sounds pretty lofty and highfalutin doesn’t it?
Really Real Photorealism
Lauren Cohen (American, b. 1985), On Fire, 2014. Oil on Canvas

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Alexander McQueen S/S 1998
just because things could’ve been different it doesn’t mean they’d be better
Total Solar Eclipse
August 21, 2017
Photo Credit: NASA/Joel Kowsky

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Persian ‘zodiac’ rug, probably Kerman area, south west Persia, early 20th century, 6ft. 7in. X 4ft. 4in. 2.01m. X 1.32m.
“‘I still love the people I’ve loved, even if I cross the street to avoid them.”
— Uma Thurman (via amargedom)

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