I am not like Judas, not even maybe.
Friends, in these end times the Spirit warns us with urgency:
âFor the time will come when people will not put up with sound doctrine. Instead, to suit their own desires, they will gather around them a great number of teachers to say what their itching ears want to hear.
They will turn their ears away from the truth and turn aside to mythsâ (2 Timothy 4:3-4 NIV). Many are already falling away (Matthew 24:10-12). The enemy is subtleâhe advances not with bold lies but with almost truths that sound close enough, feel emotional, and tickle the ears while quietly eroding the foundation of pure doctrine.
Consider the recent conversation surrounding Christian artist Josiah Queenâs song âJudas.â With poetic license, the lyrics declare things like: âYeah, maybe Iâm like Judas⌠Maybe Iâm that thief⌠Maybe Iâm that sinner that put You on that tree⌠For thirty pieces of silver, he ainât worse than me⌠âCause he betrayed You for money and I did it all for free.â It frames everyday sin and personal failure around Judas Iscariotâs betrayal, aiming to stir reflection on guilt, brokenness, and redemption. The intent is to encourage and draw hearts closer. It sounds almost right. But theology mattersâespecially nowâand music is a powerful mission field that must not blur the lines of sound doctrine.
Here is the danger: Judas was never devoted to Jesus. His heart was against Him from the beginning. Scripture reveals he was controlled by Satan (John 13:27), and Jesus Himself called him âthe one doomed to destructionâ (John 17:12 NIV): âWhile I was with them, I protected them and kept them safe by that name you gave me. None has been lost except the one doomed to destructionâso that Scripture would be fulfilled.â Judas never truly repented; he felt remorse but remained hardened, leading to despair and death rather than restoration. He was not part of the redeemed. As Romans 10:9-10 NIV declares, salvation comes through confessing Jesus as Lord and believing in His resurrectionâsomething Judas never embraced.
A true believer, saved and redeemed by the blood of Christ, should never identify with Judas. We have been transformed by the Holy Spirit. Romans 5:1-2 NIV reminds us: âTherefore, since we have been justified through faith, we have peace with God through our Lord Jesus Christ, through whom we have gained access by faith into this grace in which we now stand. And we boast in the hope of the glory of God.â Our identity is in the redeemed, not the son of perdition.
Instead, we should find a far more theologically accurate reflection in Peter.
Our sinful actions may mirror moments of denialâlike that dark night when Peter denied Jesus three times out of fear. Yet Peterâs story explodes with hope: he repented with bitter tears, was restored by the risen Lord, and powerfully used by God to build the early church. Iâd rather be compared to Peter. Our sinful actions can show moments of denial⌠But look at Peterâs redemption storyâwhat God accomplished through him and how He used him. So, yeah⌠âmaybe Iâm like Peter.â
When worship music blurs this line, it confuses the gospel through a worldly lens. What we sing plants deep in the heart before the mind fully grasps it. Colossians 3:16 NIV commands: âLet the message of Christ dwell among you richly as you teach and admonish one another with all wisdom through psalms, hymns, and songs from the Spirit, singing to God with gratitude in your hearts.â This demands precision, not creative reinterpretation.
A wide audience turns lyrics into a de facto pulpitâthere is no room for âalmostâ when proclaiming the pure gospel of Jesus.
Theology is not optional nitpicking; it guards the fullness of God. Trading sharp doctrine for emotional resonance numbs us to sound teaching. Good intentions to encourage cannot replace the unmatched power of uncompromised truth. In the same way iron sharpens iron (Proverbs 27:17 NIV), we must lovingly yet firmly correct these near-truthsâespecially from platforms that reach many.
Hear this final fiery truth: Nobody sent Jesus to the crossâHe sent Himself.
We do not possess that power. Jesus laid down His life willingly: âNo one takes it from me, but I lay it down of my own accordâ (John 10:18 NIV). He loves us all and died for us despite our sin, sovereignly using even hardened hearts like Judas to fulfill His divine mission of redemption. Our songs must exalt this sovereign grace, not flatten the eternal distinction between the unredeemed betrayer and the blood-bought saint.
Saints, wake up and exercise discernment.
Test every lyric against Scripture. Nothing is more encouraging than the undiluted gospel. Pray for artists, for the church, and for hardened hearts still walking Judasâs pathâthat they would respond to Christâs call before it is too late and experience the transforming power of His redemptive blood.
Here is my suggestion to the artist for a re-write. It rejects identification with Judas, points instead to Peter-like failure and restoration, and exalts Christâs sovereign love and self-giving sacrifice:
âPeterâ (or âRestoredâ)
I met the Savior from Galilee
Who opened blind eyes and set captives free
He said, âCome and follow Me
Iâll show you life as itâs meant to beâ
I said Iâd never turn away
Iâd never leave His side, all my days
But I am weak, and Iâm afraid
In the moment of testing, my faith gave way
Yeah, maybe Iâm like Peter
Three times I said I never knew the Light
But mercy found me, grace restored my soul
He called me by name and made me whole
Nobody sent Him to that tree
He laid His life down willingly
For sinners like me, He chose the shame
Jesus, my Lordâforever Iâll praise Your name
Though my heart can wander, Your love remains
You use even the broken to glorify Your name
No silver could buy what Your blood has won
I stand justifiedâthrough faith in the Son
Iâm not like Judas, whose heart stayed cold
Doomed to destruction, Scripture foretold
Iâm redeemed, justified, at peace with my God
By grace I stand in hope of His glory (Romans 5:1-2)
This correction upholds the distinction between the unredeemed and the redeemed, highlights true repentance and restoration, and centers the cross on Christâs voluntary, sovereign sacrifice. May artists and the church rise to this standard.
The King is coming for a bride without spot or wrinkle, one who knows His voice clearly, undistorted by the spirit of the age. Stand firm. Sing true. Let every note carry the fullness of sound doctrine. No compromiseânot even in the music. The stakes are eternal.