from âBauhaus: Art as Lifeâ, Barbican Art Gallery / Walter KÃķnig, 2012
Aqua Utopiaï―æĩ·ãŪåšã§čĻæķãįīĄã
Alisa U Zemlji Chuda
taylor price
Sade Olutola

pixel skylines

titsay
ojovivo

Discoholic ðŠĐ

JVL
almost home

įĨæĨ / Permanent Vacation
Show & Tell

#extradirty
occasionally subtle
todays bird

Janaina Medeiros

@theartofmadeline
dirt enthusiast
Stranger Things
seen from Mexico
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seen from United States

seen from United States
seen from Malaysia
seen from United States
seen from United States
seen from United States
seen from United States
seen from Brazil

seen from Malaysia

seen from Singapore
seen from Brazil
seen from Greece
seen from Australia

seen from United States
seen from China
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seen from United States
seen from United States
@avtechre
from âBauhaus: Art as Lifeâ, Barbican Art Gallery / Walter KÃķnig, 2012

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Son of Saul (2015, LÃĄszlÃģ Nemes)
Jean Cocteauâs âOrphÃĐeâ french poster
âI loved the cinema always, and I loved to go watch movies. But what I saw there was just stupid lies and fake stories. I never saw life and I never saw anything about the people I knew. I never saw real passion, I never saw real emotions, or real camerawork. I never saw a real movie. I thought, if they cannot show me, then I have to do my movie. [âĶ] The problem is that most films follow the same pattern: action, cut, action, cut. They only watch the story line. But story is not only about human actions, everything can be a story. A man waiting at a corner can be a story. There are many things that are important in real life but that filmmakers find boring. I donât think that these things are boring. In my films, I want to be closer to life than to cinema.â
BÃĐla Tarr Born July 21, 1955
â Persona (1966) âMaybe a person gets better by just letting herself be who she is.â

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3 Women dir. Robert Altman (1977, USA)
Buster Keaton - The Balloonatic (1923)
âDifferent people in different parts of the world can be thinking the same thoughts at the same time. Itâs an obsession of mine: that different people in different places are thinking the same thing but for different reasons. I try to make films which connect people.â Happy Birthday, Krzysztof KieÅlowski (27 June 1941)

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Syndromes and a Century āđāļŠāļāļĻāļāļ§āļĢāļĢāļĐ (2006, Apichatpong Weerasethakul)
SalÃē, or the 120 Days of Sodom (1975) dir. Pier Paolo Pasolini
You are the knife I turn inside myself; that is love. That, my dear, is love.
Franz Kafka, Letters to Milena (via thelovejournals)
Volker SchlÃķndorffâs Young TÃķrless (1966).
A nos amours (Maurice Pialat, 1983)

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POSSESSION, 1981
Nina Simone photographed by Michel Gangne, 1988.