foto Çami

Arshile Gorky Nighttime, Enigma and Nostalgia, 1932 Ink on paper Anonymous gift, In Memory of Robert Howard, 1968.26 © The Arshile Gorky Foundation / Artists Rights Society (ARS), New York

Käthe Kollwitz, Pietà, 1903

Number 3, 1948

“Fire in a Limo” (2018) ☼ Dexter Dalwood ◆ Oil on canvas

Valerio Adami (Italian, b. 1935), La Scuola di ballo [The ballet school], c.1970. Pencil on paper mounted on panel, 55 x 41 cm.

Kyle Dunn (American, b. 1990), Sunflower at Night, 2020. Acrylic on wood panel, 40 x 30 in.

Anselm Kiefer, Am Rhein, 1968-91, photograph on treated lead in a glazed steel frame, 95 1/8 x 51 15/16 in. (241.62 x 131.92 cm)

(via M Le magazine du Monde (@m_magazine) • Instagram photos and videos)

Chicago, 1950s. Photographed by Yasuhiro Ishimoto.

GEN LUIS (1904-1989) Djerba (Tunisie)

Ink and colour on rice paper mounted on canvas (197 x 397 cm)

Oil on linen (244.5 x 198 cm)

Suzanne Duchamp was a French painter, collagist, sculptor, and draughtsman whose work was significant to the development of Paris Dada. Because Duchamp was a woman in the predominantly male Dada movement, she was rarely considered an artist in her own right—she constantly lived in the shadow of her famous older brothers or she was referred to as “the wife of” fellow artist Jean Crotti, who she depicts in this work. In true Dada fashion, “Arietta” (an arietta is a short aria, or song) is arranged like a puzzle that remains impervious to logical explanation. Even the title, which is emphasized in bold letters on the picture surface, uses nonsense language to foil our desire for literal meanings. “Arietta of Oblivion of the Dazed Chapel,” 1920, by Suzanne Duchamp © Artists Rights Society (ARS), New York http://ow.ly/uu6S30sg5Qu

Łukasz Stokłosa (Polish, b. 1986), Neue Palais [New Palace], 2014. Oil on canvas, 40 x 50 cm.

Francis Picabia - Voilà Elle