Jellyfish mosaic tile piece, Havana, Cuba. From Great Houses of Havana.
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Jellyfish mosaic tile piece, Havana, Cuba. From Great Houses of Havana.

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"On a dit que tu étais mort de souffrance. Mais la tristesse étais moins en toi qu'en ceux qui se souviennent de toi. Tu es mort parce que tu cherchais le bonheur au risque de trouver le vide. Nous devons attendre de mourir pour savoir ce que tu as trouvé. Ou pour ne plus rien savoir, si le silence et la vacuité nous attendent.
Ta façon de quitter la vie en a récrit l'histoire sous forme négative. Ceux qui te connurent relisent chacun de tes gestes à la lumière du dernier."
Édouard Levé - Suicide
UK artist and printmaker Anna Perlin - Irises

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“je t'ai fait de la place à toi cet autre parce que chez moi il y a de l'espace des m² inoccupés à partager ensemble je ne sais pas encore si je préfère le côté gauche ou le côté droit du lit je suis habituée à dormir au milieu et je n'ai encore jamais vécu ça à deux chez moi il y a de l'espace des blancs dans les phrases où il suffit de rajouter les mots d'écrire pour la première fois comme moi enfant qui piétinait la neige encore vierge j'espère que tu ne m'en voudras pas de penser à toi la nuit de mettre sur ton visage les traits d'un autre en attendant pour l'imagination puisque j'ignore tout de toi jusqu'à ton nom mais je t'ai fait de la place j'ai aménagé l'espace entre les phrases viens te glisser dans l'espace entres les phrases”
— Lettre ouverte à un amoureux pas encore amoureux, Les Gourmotsdises
Elena Wuest - An afternoon Tea, 2026 - Oil on canvas
there's literally nothing more radical in 2026 than believing that humanity can become good news for each other and the only world we'll ever share.
Nikita Chan (Chinese/American), Rainbow Shower, 2025, Colored pencil on paper

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Ruined Monastery of Eldena near Greifswald by Caspar David Friedrich
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you may think misogyny is good because it is made up of miso, which is delicious, and gyny, which is woman. and girl miso sounds great. but 👆 it is not girl miso
Art by Winsor Kinkade, poem by Palestinian poet Marwan Makhoul.

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